Are Prime Lenses Enough for Landscape Photography?

Landscape photography often requires multiple focal lengths to display a certain variety of output. But does having one lens, a prime lens, enough to shoot landscapes?

A prime lens has a fixed focal point. In contrast with a zoom lens that offers a variety of focal lengths, the angle of view cannot be changed with a prime lens. The only way of enlarging your subject or fitting more details in your photo is by physically getting closer to the subject. This contrast usually leads to the question as to what prime lenses are good for in the genre. I mean, if it offers less, why should you get one for landscapes?

On Variation

The typical landscape shots involve either ultra-wide angle to wide angle lenses that range from 12mm to 35mm, but these involve either carrying multiple lenses in your bag or a zoom lens, but this doesn't mean that carrying one prime lens won't be sufficient. The succeeding images were all taken only at 24mm:

You can see that there is still a lot of shot variation on the images. The techniques used vary between a single shot (first), long exposure (second), and exposure stacking (third). There can be more variation by utilizing the environment, changing the field of view, and taking advantage of the conditions, but these can all be done with just one focal length.

On Versatility

Most often in gear comparisons, we deem the prime lens sharper than its zoom lens counterparts due to many factors, such as build and overall purpose. Though there will always be one better lens than another, a prime lens removes some form of versatility due to the fact that it limits the user to a specific focal length. However, it does extend the user's creativity by compensating for the disadvantages of the gear. Most often true in street photography and in videography, carrying only a prime helps the user focus more on the timing and composition with the limits in mind, thus expanding their creativity. This also helps the user hone adaptability to certain situations.

One downside of having just one prime lens for landscape photography is that it limits your shot options. If you bring just a 24mm on a seascape shoot, you can use foreground elements to your advantage or shoot a subject dead center in the frame, but these subjects will only be subjects that your lens can reach. If you see a subject that requires a long lens, you will automatically have to forfeit taking its photo.

Image taken at 70mm. You will definitely need to forgo this one if you're only carrying a 24mm prime lens.

This is, however, also a good thing, since this gives you more time to focus on shots you can take since the options you have during these shoots are sometimes very limited. This can also give you ample time to scout for a good spot, examine the area, and then take your time composing your shot.

On Portability and Usability

Landscape shoots are very taxing, especially if you carry a whole bag of gear with you. Seascapes, in particular, most often demand getting your feet wet to get the shot, and doing so also limits your movement when carrying a plethora of lenses and other gear on your back. Having one lens already attached to your camera lessens these issues and eliminates the thought of "where do I place my gear" in scenarios where you are knee-deep in the sea. Having a huge backpack can be limiting. I've found myself in this scenario several times, where I think of a different shot and need to change lenses while taking my shot in the water.

Imagine changing filters or lenses in this scenario.

A prime lens is also generally lighter than a zoom lens and makes for a perfect walkaround when attached to the camera. I've found a short video from Tom Mackie where he discusses in his video why he brings a prime lens in his arsenal of gear and what he claims is the best one to use for landscape photography: the Nikon 24mm f/1.8 prime lens

In comparison to the Nikon 24-70mm zoom lens, the Nikon 24mm f/1.8 prime lens weighs less and is only half the size. If you like shooting directly at the sun, the prime lens captures sun flares with ultra-sharp points with minimum flare that requires touch-up in post-processing. The overall sharpness is fantastic, and the focus is responsive and snaps into place quickly.

There are a great many features that other lenses also offer, such as image stabilization and fast autofocus, but these are generally just add-ons to what the main purpose of these lenses are for the user.

On Cost

Nowadays, the cost of prime lenses versus zoom lenses can be debatable. Since technology has evolved, there is no price benchmark for prime and zoom lenses, but there are always a few prime and zoom lenses that fit into a specific budget. Smaller sensor sizes generally cost less than their full frame counterparts and also offer great features for their prices. Build quality is definitely something that affects the price, but depending on the purpose of the lens, you can sometimes get away with a cheaper lens for almost the same amount of sharpness and features.

Final Thoughts

Prime lenses are still a strong option in landscape photography. They bring the advantages of being portable enough to carry during long trips and are generally more cost-friendly. Using them on a regular basis also helps hone the artist's adaptability to situations and helps develop creativity in composition and technique. Although there are limits in using just one focal length, the advantages of using just one lens are also a great way to develop your skills as a photographer. These limitations should not hinder you from creating amazing images but should be able to stretch your imagination and artistic style.

Marvin Grey's picture

Marvin Grey is a multi-award-winning Fine Art Landscape and Architecture photographer from the Philippines. Some of his works have been exhibited and published in several publications since 2019.

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In my own testing I've found that zooms are generally sharper for landscapes... that seems counter-intuitive, but if you have to crop a prime more than a couple of mm (in focal length) the prime is suddenly less sharp. And how often is your prime lens the EXACT focal length you need, esp. when considering the need to balance the size of foreground and background subjects are part of your composition? Modern pro zooms are REALLY good. Of course, for astro, you want a prime for the extra light-gathering.

How does cropping make your photo less sharp?

It's perceived sharpness. Which really is all that matters. Cropping in throws away megapixels/data that could've otherwise contributed to the overall image quality and perceived sharpness.

Wouldn't that then depend on how the image is used? If it's then posted to social media or printed at a reasonable size, then it probably wouldn't be perceived as any less sharp. To say that because you crop it that makes it less sharp is just too simplistic.

Potentially. But think about when you digitally zoom with your phone. The IQ degrades pretty dramatically, including the perceived sharpness. This applies to cropping. But you are correct that if you're posting to social media it's probably not going to matter. Heck, you can post out of focus or super soft images to instagram and if the composition is great, it'll look just fine.

Hey Tony, cropping an image is kind of like being circumcised, you take a little off but it's still the same length.

Congratulations you are the 100th person to post this topic! Next milestones post about why you changed gear companies, why Black & White slows you down and why you NEED to use film.

Seriously! And they all give the same cliched reasons that really don't hold any water these days.

It's not like you're paying for this content. Fstoppers produces a TREMENDOUS amount of content, and it's all free. Some of it's thought-provoking, some is old-hat to more experienced shooters. No harm has been done here, and some may benefit from an article like this.

I've done a few"landscape" shots with a couple of my primes and really loved them. There is no wrong or right answer. I took my 24mm with me to Vegas to pack light and had a blast with it!


"Are Prime Lenses Enough for Landscape Photography?"...that's a ridiculous question to ask
Marvin. The majority of the greatest landscape photos ever taken were taken with prime lenses...not zoom lenses. They're often used by people who really appreciate quality. Whilst there are superb quality zooms you still can't beat a prime.
The question could only be asked by someone who hasn't been into photography for that long. A bit more reading confirmed this with "photography journey started in January 2018, when he picked up his first camera and started taking photos."
I recommend reading some old copies of Practical Photography and Amateur Photographer. Have a look at Ansel Adams' photos and see how many zooms he used.

I get Tony's point, but it opens the box of contrast/resolution which is more important (my guess is neither). I generally choose a location, and a lens and work out of those limitations. Sometimes it is a zoom but most often a prime. Like playing baseball, using primes requires you to use your feet as well as your eyes.

Optically not absolutely true..the new Nikon 24-70mm f2.8 for instance actually "out performs" their traditional primes..but that is scarcely relevant tbh.

I have expressed my opinions in a post on here..and yes, I like primes but not for the reasons of maximum aperture (mostly irrelevant for landscapes) or outright optical performance...

Shouldn't the question be are zoom lenses good enough for landscapes? The answer these days is probably, yes! You're generally not worried about vignetting or soft edges as it's likely you've stopped down...and barrel and pin cushion distortion can be dealt with in post process. Some leading manufacturers' prime lenses suffer quite badly from distortion anyway..but again, like CA's can be dealt with in post process...

But is there an argument that choosing a prime is a conscious decision implying a different thought process to winding a zoom in and out?

The choice of a prime will also determine the crop of course, where you shoot from and consequently, the perspective?