What Are the Worst Photography Fads of the Past and the Present?

What Are the Worst Photography Fads of the Past and the Present?

As with any creative medium, there are blips of unfortunate comedy. Photography has had more than its fair share, and let's be honest, many of us have tried them. So what are the worst fads of all time?

As is the case with literal taste, your eye for photography and what constitutes good and artistic, and moreover, what doesn't, alters over time. When I look back at my earliest photographs, I often wonder what I saw. It seems almost unthinkable that what I see today and what I saw all those years ago could possibly be the same. I have noticed a real trend in my older photography: the more I leaned into a fad or a style that was in vogue, the worse the image aged. This is true of many other creative mediums too. Think Britney and Justin in double denim or how "busy" the decorating was in your grandparents' house.

When I think of photography fads, a few instantly jump to mind, and many of them I have tried. Let's kick this off with my own mistakes from the very early days with a camera.

The Famous Three

HDR

The graffiti isn't wrong: "burn" it.

This has to be the most common answer to that question: HDR (High Dynamic Range). Admittedly, the above image is on the extreme side of things and HDR — when used subtly — can be effective. But 10-15 years ago, there was a craze for this brand of over-saturated, over-sharpened, contrasty abominations, filled with halos. What's worse is this above image was a highly calculated outcome. After photographing a dull piece of industrial architecture, I opened the file in Photoshop and with a magazine open next to me, I followed their guide for achieving the punchiest HDR.

Spot Color

A beautiful classic Porsche at least.

This trend has been around for far longer than HDR and has admittedly dissipated from prominence in recent years. This style seemed to be exclusively saved for red things. Armistice Day would forever yield poems over the top of spot-colored images of poppies, but that much I could stomach. Where my tolerance was exceeded was London. Living in and around London means you have to see spot color images of busses and telephone boxes on every corner and by every hobbyist photographer on holiday.

Soft Focus / White Vignette / Vaseline Lens

One of the few repugnant trends I hadn't tried, so I heartlessly ruined an image I quite liked for illustrative purposes.

Like many things, the 80s ruined this effect. I've combined a number of techniques that essentially walk the same "creative" line. The white vignette is still occasionally observable by outdated wedding photographers. The soft focus/Vaseline lens is much rarer to spot in the wild however. You might find it on occasion in high street photography studios that have been lurking around for 40+ years. Outside of that, if any woman in her 50s or 60s has portraits done in a cheap studio some time in the 80s or early 90s, you're likely to get a simulation of looking at someone while having cataracts. 

Current Fads for Future Cringes

This is the most interesting part of this discussion for me. As is often the case with fads, at the time they're popular and in circulation, they aren't seen (by many) as dreadful. If history has taught us anything, it's that it repeats itself where possible, and so you can safely assume that current trends will one day be openly mocked. So what present day editing and photography styles will not age well?

Personally, I think there are two prime contenders. What makes me reticent to name them is that I quite enjoy both techniques, but I obviously liked HDR at one point many years ago, so I can't be trusted.

Orange and Teal

So cinematic... so cool.

This color-grading technique is more common in and made famous by cinema. One benefit it has over a great many trends is that there is at least some color theory behind it, and complementary colors can make an image. That said, it's being used a lot. Whenever you think of eras of cinema in particular, there's usually a "look" associated. For a few decades after a trend, it will become desperately uncool before sometimes returning to the limelight in the cyclical nature of fashions. I wouldn't be surprised if in a decade from now, the teal shadows and orange highlights aren't seen as dated and undesirable.

Crushing the Blacks

It was difficult for me to find a good example of this from my own work. Not because I never crush the blacks, but rather because I do it often and subtly. There are a lot of explanations on how to do this effect and what exactly it does, but for me, I just enjoy the uniform and distraction-free shadows. That said, the above image was for a band and pushed much further than my normal tastes. The term again originates from cinematography, and the technique is commonplace there, but it has crept into photography far more over the last decade or so. It's typically a staple of many filters and presets that can be downloaded, and VSCO practically built a business off the back of that.

It seems that weddings are often the harbingers of trend death. Several on this list have been a staple in wedding photography at some point or another, whether it's white vignette or crushing the blacks and making an image look matte, or sometimes just flat. An interesting area of debate is if you ought to follow trends, avoid them entirely, or create your own look and run with it. There's no simple answer from an artistic standpoint, and I believe the water gets muddier from a business perspective. Catering to what is in vogue at any point in time can be lucrative, though how you make transitions from style to style organic and keep a cohesive portfolio is a key problem with that approach.

What Say You?

So what are the worst photography fads in your opinion? Which current trends will be the source of shame and mockery in the years to come? Share your thoughts in the comments below.

Lead image (which is beautiful and not at all part of a fad) courtesy of Moose on Pexels.

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133 Comments

Usman Dawood's picture

Bokeh for the sake of bokeh like super shallow depth of field just because.

I agree with that one. I think it will always be with us, though. Sometimes, in moderation, it's okay. But not an excuse to be lazy and just obliterate the background instead of incorporating it.

Jeff McCollough's picture

That's fine if you have fantastic locations to shoot at.

Yep, that's the problem in our city. It's clean with abundant green space but also very cluttered. Very few architectural icons and our version of urban forestry is to plant as much stuff as possible and see what survives the winter. Great place to live, not so great to take photos in. I'd put money on every pro in the city having an 85 1.2 and 135 2.0 in their bag for the sole purpose of erasing distracting backgrounds.

Jeff McCollough's picture

Same where I live in South America. Very very few parks and they are all very small. There are lots of people and the parks are not very pretty so yeah gotta use those blurry backgrounds.

This is a super unpopular opinion, especially with the help from companies like Google and Apple who artificially create it with their phones. So this trend is only get worse as their software gets better.

This is, however, an opinion that I completely agree with. People will pay so much money for lenses that produce photos with hardly any detail. This is becoming so popular with the younger crowd. They learn that the way to make a good photo is to make the background blurry instead of learning compositional and lighting skills.

I wish this trend would go away soon, but I fear that it's going to stick around for a while.

I think the mark of a "professional" photo is going to soon become having very little blur and still having an attractive composition. When everyone is making bokah on their iPhone, shooting at F 1.2 is going to look even more cheesy than it already does (to me at least).

Yavor Kapitanov's picture

I like detail photography with heavy bokeh background, it works mostly with street photography and if you're creative then it's okay. The problem with people is that they think that buying something will automatically make them better, this is the real issue nowadays.

Xander Cesari's picture

I really appreciated Tony Northrup's video showing that a lot of regular people don't care about bokeh.

David Love's picture

I think of bokeh as a tool, lousy background, blur it out. Other than that I'm at f8 for most of my work.

Best Apple commercial ever!

michaeljin's picture

😂

Motti Bembaron's picture

Do you know how many people I spoke to never even heard the word bokeh? Or what it means? Apple wants to look cool and mainstream words but the fact is, no one cares or even knows what it means.

I am with Tony Northrup on that.

Mr Hogwallop's picture

I have been shooting since the 80s. I first heard "Bokeh" on the internet, maybe DPReview. Is it a technical, camera club, or art gallery term? I never heard used on any commercial/advert/editorial gig.

Kirk Darling's picture

I started hearing "bokeh" in 1999. Yeah, it was in DPReview.

At least then, there was still an effort to distinguish what "bokeh" actually means--quality of blur--rather than simply artsy jargon for "blur."

Jim Bolen's picture

That was pretty damn funny!

Hahaha that was very funny

Robert K Baggs's picture

Oh, this is a good one!

Sean Sauer's picture

Meh, I just see it as subject separation and that it's no different than using a cloth background when your background sucks. I would also say that shallow DOF is probably the biggest distinction between a pro camera and a cell phone pic when viewing them online these days (with some exceptions) even though the "portrait mode" on some phones fake the Bokeh.

Usman Dawood's picture

Considering AI and "Faukeh" from many new phones I'd say the biggest distinction between phones and "proper" cameras is noise.

Although, I guess both are difficult to distinguish when viewed on phones and tablet devices without zooming in.

True Sean- When an experienced photographer is hired to photograph older successful folks she knows the 'Hubble Telescope' rendering of every lousy Monday morning meeting blemish and line on the subjects face doesn't result in calls for additional work.

There are no fads or rules for successful photographers.
Hard work, study and accepting the occasional mundane assignment puts gas in the car and new sails on the sloop.

That's how one gets the real long-hood Porsche 911 in one's garage.

Imagon- Strap one on and go car shopping...

user-225853's picture

I've divorced two wives just for saying the word 'bokeh'.

Usman Dawood's picture

At the same time? lol

calaveras grande's picture

I think a lot of the Bokeh fad is due to poor understanding of exposure triangle. Or worse, that they do understand the triangle but the poor quality of their APSC camera and it's kit lens mean that the available light in the room have them opening the iris as far as it goes just to get a non blurry shot.

David Pavlich's picture

I've been doing this seriously for about 6 years now. I've dabbled in just about every sort of 'trend', past and present. I still do HDR in both natural and gawdy. I just did a presentation for our photo club on HDR and how it's been pigeon holed by so many. I did a gawdy shot, a natural shot, and showed how to take one image and make a faux HDR shot using LR and creating virtual copies but changing the exposure values of two of them.

As the article states, when used properly, HDR is a very good tool.

Michael Holst's picture

If you can tell the it got the HDR treatment it's tacky. The point should be to make sure people won't know right away.

David Pavlich's picture

I guess it depends on who's looking at it. This is one of my best selling prints and received third place in my very first exhibition. I know it's not for everyone and I get a lot of negative comments on this sort of shot, but the fact is, there's people out there that not only like it, they hang it in the homes and/or offices.

Mr Hogwallop's picture

Except for the Valvoline bottle in the background the HDR pretty much works for me in this shot as it becomes more of an illustrative image. As a straight photo, it might not be as interesting.

David Pavlich's picture

The tone mapped stuff works pretty well with mechanical subjects. You ought to see it printed on metallic based paper! :-)

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