If you wonder how people who keep only two complementary colors in their images do it, then look no further. You may not know what the Technicolor Two-Strip technique or Process 2 is, but mimicking it in post-production is what you’ve been looking for to achieve this distinctive look.
Black and white conversion can be a complicated ordeal, and you can find yourself down a deep rabbit hole of theory if you're not careful. There are times where that kind of in-depth analysis is critical to a perfect image, but sometimes you just need a quick fix. That's where this tip comes in.
Adobe’s latest update to Adobe Premiere CC has made it more accessible than ever for beginners to start editing video, but if your processing power is limited, playback lag can make the editing process frustrating. Here are six ways to reduce playback lag when editing your timeline.
For the past few years, I have been getting more and more into video work. When I first started, I had an idea of what frame rate was and I knew how to use it to get the looks I wanted but by no means was I doing anything correctly until probably late last year. In this video, Matt goes over frame rates and a few reasons why you should shoot in different ones.
Actions and presets are incredibly useful ways of speeding up your workflow when processing photos. Instead of individually re-creating your settings for each photo in Photoshop or Lightroom, you can essentially copy and paste all your preferred adjustments. Let’s check out the differences between the two.
Looking to add some vintage dust and grain look to your freshly taken digital photos? You know, that look when you come across some old polaroids or 4x6 prints that you dug up from an old photo album that's been packed away in some box… or possibly scrounged from your parents? Yeah, that look of slight imperfections where the ink has been scratched along with some dust that's hard to remove.
In the magical world of Photoshop, there are lots of different ways to change an object's color from one hue to another, but achieving a change from color to a realistic white is sometimes challenging. This video from Helen Bradley will show you one way to get quick, realistic results when changing an object from color to solid white.