On Tuesday this week Apple released their latest mobile operating system, iOS 11. Now Serif, the creators of photo editing software Affinity Photo, have also updated their iPad app to take advantage of the capabilities introduced in iOS 11 such as drag-and-dropping images to and from the new Files app.
High-end retouching is all about keeping details and texture intact in an image so that it looks as natural as possible. Making sure the picture looks unretouched but polished is a matter of patience and wise choices in retouching techniques. In this video, watch retoucher Pratik Naik editing a photo shot by Andrea Belluso.
The healing brush in Photoshop is a potent tool to clean things up. It can be used in numerous scenarios and works well most of the time. However, if there's one scenario where it doesn’t perform like we would like it to, it’s in the case of edges. For example, when you need to alter the edge of a face on a portrait or the border of a building when shooting architectural images, it tends to mess things up and create some sort of blurry areas instead of clean lines. In this tutorial, Joseph Parry shows us how to make the healing brush work the way we want it in those situations.
As Adobe Lightroom Mobile has become more and more powerful with each update, more photographers are starting to adopt mobile workflows to get images out to both social media and clients faster. The ability to quickly make edits on your phone or tablet then share those images almost instantly has a lot of uses. Now in his newest video, photographer and YouTuber Peter McKinnon gives a quick tutorial on how to apply presets within Lightroom Mobile.
Photography is all relative to the creator and the viewers, so the decision of whether to underexpose, overexpose, or to expose your portraits evenly is obviously subject to personal preference. There is merit to any of the methodologies that you could apply to your own photography and it really just comes down to figuring out what works best for you and your gear.
Color grading is amongst the most important step of retouching. Along with lighting, it sets the mood of your image and can also help tie together the different elements of your composition. Learning all the different ways of altering colors in a picture is probably as important if not more important than knowing how to retouch skin or remove objects. In this 20-minute long tutorial, Michael Woloszynowicz explains everything there is to know about the color balance layer adjustment and how to use it to color balance your images in the best way possible.
Alien Skin, creator of the award-winning photo editing software Exposure, recently announced the upcoming release of the newest version of its popular product, Exposure X3. If you are unfamiliar with Exposure, it is a non-destructive raw photo editor designed to be an all-in-one software for editing and organizing your photos. It is probably most well known for the hundreds of presets included in the software that can emulate analog film, as well as dozens of other modern styles.
Adobe is updating its video applications and adding new features across the board. Many of these features include improvements for editing virtual reality content, smarter automated tasks, and some other features modeled after Final Cut 7, which Apple announced will not be supported in its upcoming MacOS High Sierra update.
A few weeks ago, I came across a post on social media from the Jônt about a shoot out contest inside a staged multi-million dollar estate which piqued my interest. Reading more about the shootout, it would be geared toward several different genres of photographers, as they would have vendors on site providing food, drinks, cars, and models at our disposal for the shoot out. First, you had to submit your info along with your portfolio to be one of the selected photographers to join the contest, I figured I would go ahead and throw my name into the hat and see what would happen.
I absolutely love shooting commercial work in the studio. Who doesn't? Shooting in a studio environment allows the photographer full control over the lighting and the subject. It also allows for full creative freedom over what you can composite into the shot if needed by easily matching up the lighting. Earlier this week I had a few hours of downtime and decided to shoot a bottle of Bacardi Dark Rum in my studio. Using a softbox I built myself a few weeks ago, I decided to take it on a test run using the bottle of Rum as my subject.
I love Lightroom. It is an amazing tool that is able to do almost everything that I need when I edit, and do so in an organized way. The one problem that we’ve all had with it though is the lagging speed that can be infuriating. This past year, I spent a considerable amount of time with one goal: to do anything I could to speed up my editing process. I can honestly say that after implementing the following tips, my Lightroom is running as fast as ever and I rarely notice the lag that would torture me before. Here is a step-by-step guide to what I did.
The Pen tool is incredibly powerful, but not always the easiest to use for newcomers. Even those familiar with other Photoshop features are often less proficient with using the Pen tool to select specific areas or create paths. While it's not meant to replace the original Pen tool, the new Curvature Pen tool previewed in this video helps make a faster and more accurate selection around objects with curved edges in a way that could even be faster for those who are already good with the traditional Pen tool.
Earlier this year I reviewed ACDSee Ultimate 10. However, ACDSee just released the 2018 version of their flagship photo editing software and thus it’s time for an update. The brand new iteration promises to offer a more efficient workflow, layered editing for advanced retouching, vastly improved performances, and new tools for photographers to edit their pictures better than ever. Let’s see how this translates in the real world!