Post-Production

Post-production is where raw files become finished images — and for most photographers, it's where a significant portion of their working time goes. This section covers the full post-production process: from culling and raw processing to retouching, color grading, and the workflow systems that keep a high volume of work manageable without sacrificing quality.

Strong Images, Weak Edits: Why Your Archive Deserves Another Look

Have you ever gone back to look at older images you created? Whether they’re from six months ago or six years ago, there are often elements worth revisiting. As our eyes mature and technology advances, we’re able to see opportunities to refine those images in ways we simply couldn’t before. 

Aperty Has a New Update and Releases Its 2026 Roadmap

Aperty, professional portrait retouching software, has released a new update designed to integrate more seamlessly into photographers’ existing workflows. Here are the details from Aperty. 

The update reflects months of direct collaboration with users and marks a strategic shift toward deeper plug-in support, improved performance, and long-term workflow stability.

Adobe Introduces Improved Masking in Premiere

This week marks the return of the Sundance Film Festival to Park City, Utah. The festival showcases dozens of new documentaries, shorts, and feature presentations, as well as a variety of panels of interest to independent filmmakers.

5 Reasons Your Photos Look Fake (And How to Fix Them)

We all want our photos to pop. That desire drives us to experiment with sliders, presets, and AI tools that promise to transform our images into something extraordinary. But there is a fine line between "enhanced" and "radioactive," and most of us have crossed it without even realizing it. Your desire to make a better image is not the culprit.

Before You Buy the Sony a7 V

While gear reviews can offer a lot of secondhand insight and opinion, there’s nothing like being able to try out the camera for yourself. While there is no way for us to let everyone interested try out the camera physically, this might be the next best thing. 

Luminar Neo Adds a Slick AI Assistant

Current owners of Luminar Neo are getting a holiday update with some new and unique features. Besides the usual bug fixes and some speed increases, Neo has added what they call an AI Assistant. 

Can Affinity Beat Photoshop?

Switching away from Photoshop sounds tempting until you hit the parts of editing that punish you for being slow or slightly sloppy. If you shoot in rough light, push exposure hard, or do regular cleanup work, the gap between “good enough” and “clean” shows up fast. 

Film Simulations vs. Recipes: Which Gets You The Look You Want?

If you shoot Fujifilm and you care about getting a finished look straight out of camera, the difference between film simulations and recipes changes how you set up every shoot. Get it wrong and you either lock yourself into a look you did not mean to commit to, or you spend time “fixing” files that never needed fixing. 

A Free Affinity Workflow That Can Actually Replace Adobe

Affinity is now completely free, and the video shows how to use it to build full edits without paying Adobe. If you wonder whether you can cut Lightroom Classic and Photoshop from your workflow, seeing this process in action gives you a clear sense of what you gain and what you give up. 

Can You Be a Photographer If You’re Colorblind?

“Why does that dog look green?” From that startling comment, my parents discovered that I was red-green colorblind. But is it possible to be a colorblind photographer? We examine this interesting dilemma. 

How to Cut Your Editing Time in Half

You spend hours dragging sliders when you would rather be out shooting. Cutting that processing time in half starts at the moment you press the shutter. Treating capture as a deliberate commitment instead of a casual tap changes how consistent your files are and how long you stay stuck at the computer. 

The Journey of a Fujifilm GFX Regional Grant Winner

When you’re reading this, I am in Tokyo, Japan, visiting the gallery opening of the 2024 Fujifilm GFX Challenge Grant winners. In late 2024, I got the message that my pitch was selected and I would be getting $5,000 to photograph Canadian drag performers! A dream come true! Read on to find out about my pitch, the selection process, and how I captured the images! 

Datacolor Releases New SpyderExpress

Today, we’ll have a look at the brand-new color calibration tool from Datacolor: the Spyder Express. 

Calibrating your monitor is kind of like brushing your teeth. It’s boring to talk about, and you don’t always feel like doing it. But if you don’t, sooner or later, you’re going to regret it.

Nikon Is So Close to Something Special...

For photographers seeking the perfect balance between in-camera creativity and personal style, the quest often leads to a crossroads. On one hand, you have the instant gratification of in-camera film simulations offered by brands like Fujifilm, which deliver stunning, ready-to-share images straight out of the camera.

Evoto Announces Mobile Workflow for Event Shooters

AI-based software company Evoto held its first-ever live-streamed event today to announce its latest build, Evoto 6.0, featuring numerous powerful updates designed to streamline retouching for photographers. Evoto Instant, a new platform aimed at event shooters seeking the fastest possible turnaround and delivery of their images, was also announced. 

The Myriad Film Holder: Bringing Forgotten Film Back to Life

Maybe you can relate to this. You have filing cabinets full of negatives and transparencies you shot back in the film days that have remained untouched for decades now. What do you do with them? I’ve tried various scanners over the years, and none have given me the results I want. So I stopped bothering and continued to let them sit in their dark tombs, unloved and forgotten. 

DXO PhotoLab 9 Is Out With Amazing AI Masks and More

DxO PhotoLab has been the editing choice for many photographers since 2017, specializing in correcting optical defects in camera bodies and lenses. It has a large following, but Adobe, with Photoshop and Lightroom, has always been the 800-pound gorilla commanding much of the market. 

5 Editing Shortcuts That Save Hours Without Cheapening Your Work

Photographers love to brag about their hours in the edit cave. There’s a strange badge of honor attached to 2 a.m. Lightroom binges, as if suffering through endless slider tweaks somehow makes the work more “serious.” But here’s the truth: clients don’t care how long you sit in front of a monitor. They care about turnaround time, consistency, and whether the final product looks polished.

Adobe Announces Improved Remove Tool

There is an ever-increasing number of features added to our cameras, designed to simplify tasks such as focusing and determining the correct exposure. I love the process of taking pictures, and this move toward a reliance on automation is of little interest to me.

What's the Difference Between Blending and Composites?

Is there a difference between blending and compositing in post-processing? Some photographers make no distinction between the two. But for many, there's a notable difference. It can represent the difference between deception and handling noise or dynamic range. 

The Real Secret to Professional Black and White Editing in Lightroom

Converting color images to black and white in Lightroom often produces flat, uninspiring results that lack the punch of dedicated monochrome cameras. The secret isn't in expensive hardware but in understanding how to properly handle the conversion process and subsequent editing workflow. 

Move Over Lightroom, Luminar Neo Is The One

I've always been skeptical about the introduction of AI into popular applications such as Photoshop; however, as time went on, I started experimenting with specific features, and eventually, Luminar Neo emerged as a standalone and plugin app for Photoshop and Lightroom. Naturally, my curiosity was piqued, and I had to test it out.

Adobe Quietly Releases a Superior Free Camera App for iPhones

Adobe has released, without fanfare, a work-in-progress camera app for iPhones that shows tremendous promise, and I think it will excite photographers. The app is part of Adobe's Indigo Project. 

Here are some Adobe-provided sample images:

A New Faster SanDisk SSD For Your Travel Adventures

I’ve been a fan of SanDisk’s portable Extreme Pro SSDs for many years. When I travel with my laptop, I take a couple with me so I can back up my photos and videos each day. The ones I’ve been using transfer data up to 2,000 MB/s (sustainable read and write speed). They’re also very durable, with good water and dust resistance (IP65).  

Peakto Media Manager Adds Video Pre-Editing and Collaboration Tools

Peakto has been a premier Mac app for organizing and finding photo assets, using AI and metadata to quickly find images no matter where you have hidden them. Now, they are adding powerful collaboration tools and tools for pre-editing video, and we know a lot of our readers are also creating videos as well as still images. 

A Thunderbolt Hub for Photographers: ProGrade’s PG20 Pro

The Thunderbolt and broader USB-C hub space is crowded with options from budget to premium, offering a dizzying array of ports. ProGrade, makers of excellent high-performance storage, are diving into this space with their first hub: a Thunderbolt 4–based hub designed around their card reader ecosystem. Does this hub have what it takes to stand out from the crowd? 

Does Lightroom’s AI Image Processing Work on Night Photography Too?

Adobe's new Adaptive Color Profile uses AI to analyze an image, adjusting color, tone, and contrast of raw images. Unlike presets, Adaptive Color Profile is not a "one size fits all." How would it work with night photography images, which are notoriously difficult for AI to interpret? 

Nik Collection 8 Is a Big Upgrade That Adds Masking and More

The Nik Collection has been a powerful and useful tool for photo editors since DxO rescued the software from Google in 2017. 

The software is used in Photoshop and has a variety of color and black-and-white effects that have proven popular.

This version 8 of the collection is a big leap over previous upgrades.

Boris Oliviero, the product director, says: