AI retouching software is becoming increasingly more popular among photographers. The key benefits are that these kinds of software perform complex tasks quickly and to a relatively high standard. This effectively saves a great deal of time, and it's that time benefit that can end up being extremely valuable.
Being a commercial photographer working on ad campaigns, I pay a lot of attention to color. From image capture to the final result, color plays a significant role in my work. The tools I use for color, by all means, determine the quality of the result.
I've never been a huge fan of photo editing in Lightroom. In the past, I used it to organize my photos and for basic raw processing. But since the introduction of the new masking feature, I do a large part of my post-processing in Lightroom. Here, I share two videos, in which I show how I use Lightroom masks.
Converting an image to black and white is one of the most fundamental yet powerful editing techniques, but there are no hard and fast rules that dictate when you should do so. If you struggle with knowing when to edit a photo in black and white, check out this excellent video tutorial that will show you five things to consider when deciding whether or not to do so.
While Photoshop and Capture One are still the most popular choices for retouching work, in the past few years, several alternative programs have made major advancements, giving photographers quite a few viable alternatives. One such program is Affinity Photo, and this excellent video tutorial will show you a complete portrait retouching workflow in the application.
When you are new to editing images, it can be a bit overwhelming learning all the various methods and tools professionals use to create the final photos they are known for. This fantastic video tutorial will show you a variety of helpful tricks you can use to create better and more compelling images.
Cinema has perhaps the most thoughtful post-processing workflow of any visual medium, and so there is a lot that can be learned from it. In this video, learn how to make your photographs look more cinematic using just Adobe Lightroom.
As more and more photographers dive into motion graphics, I thought I’d mention some utilities that can help get the job done.
Graphic tablets allow photographers to work with precision when it comes to editing and retouching. Let’s take a look at how a large but cable-free tablet can affect your workflow and comfort.
Color is one of the most fundamental and powerful tools at our disposal for commanding the attention of our photos' viewers, and it does not always get the sort of attention in post-processing that it deserves. This fantastic video tutorial will show you how to sculpt the color in a photo much like how you would the light in order to create stronger, more compelling landscape images.
I've been flying drones for about five years, treating them like another lens in my landscape kit. My current drone is a DJI Air 2S, which has a one-inch sensor to give me an excellent 20 MP image. I like the drone as a tool because it can get me views I otherwise would never see, so on most trips, I get an equal amount of images from my DSLR and my drone.
This unique laptop from ASUS offers more than just a powerful computer. Let’s take a look at how the ProArt StudioBook 16 can contribute to your post-processing and retouching workflow.
I have to admit it: I’ve never been on team Lightroom. This may be a bit of a low blow, but Lightroom has always seemed like the sandbox for those who couldn’t play on the big-boy playground: Photoshop, of course.
I must confess, I don't use Adobe Lightroom to anywhere near its full potential. In this video, Nigel Danson walks through a lesser-known tool that is now a staple in his landscape photography.
Users of Luminar Neo from Skylum will get a solid update when they launch the Windows or Mac raw editor today. The app gains MaskingAI, a feature that applies artificial intelligence to masking objects, saving a lot of time in the editing process.
There's little worse in photography than getting home, loading your shots onto your computer, and seeing that they don't have the impact you were hoping for. In this video, Aaron Nace of PHLEARN walks you through a workflow that might help with that.
Having the sun in your shot while shooting landscapes during the sunrise or sunset contributes a lot to the impact of your photos. But how do you deal with unwanted spots and flare?
When it comes to creating a finished photo, choosing the right camera settings and a nice composition is only half of what it takes. Knowing how to edit a photo to achieve a tasteful result that matches your creative vision is the other half. If you are newer to photography, check out this fantastic video tutorial that will give you eight tips sure to improve your post-processing.
How acute is your "Photoshop OCD"? Different types of work and styles require different levels of scrutiny on their images. In some cases, it may just be your personality that imposes extreme (and perhaps unnecessary) amounts of attention to detail. #guiltyascharged. Whatever the reason is, if you have Photoshop OCD and are always looking for new tricks to add to your tool box you will totally geek out about this one.
When it comes to portrait photos, lighting and shooting the image is only half of the process. Knowing how to edit your images with a careful touch while still applying your signature creative look is the other half. This excellent video tutorial will show you how one photographer edits his shots using a combination of Lightroom and Photoshop.
For the most part, a landscape photo is not finished once you press the shutter, as half of the image-making process is in the direction you decide to take the edit. Sometimes, if you are looking at an image you know has potential but you can't figure out to do with it, you should consider turning it into a black and white photo. This great video tutorial makes a case for why and shows you some techniques to do so.
When learning to retouch skin in Photoshop, most people start with frequency separation. Has Adobe now made skin retouching even easier with Neural Filters?
Shooting off-camera flash outdoors can be tricky, as you need to contend with the brightness of the sun. This means that the flash can get pretty close, especially if you want to get a really soft light on your subject. What if it is in the frame?
When it comes to retouching, or more concretely, the removal of unwanted objects from photos, there are a few things you can do to make the editing a lot easier. In this article, I share three questions you can ask yourself in the field before taking your photos. Those questions will help you to get much better starting material for your retouching.
The Curves adjustment panel is probably one of Adobe Photoshop's most frequently used tools, right alongside Levels. But did you know that there is a tried and tested way to quickly get perfectly color-corrected images every single time? Knowing this basic technique will save you hours of time and effort when learning how to color correct your images in Photoshop.
Have you ever had to shoot a photograph at f/11 while wishing you were shooting f/1.8? If you've ever wanted to change the depth of field of a photograph, you know that creating a depth map isn’t the easiest thing to do. Instead of struggling to create the perfect depth map in Adobe Photoshop, using selections and brushes, this video guides you down a simpler path.
A few weeks ago I published an article here on Fstoppers about handheld focus stacking. In this article I share my in-the-field workflow, as well as the automatic stacking option Photoshop offers to put all images together during photo editing. This option has its limitations though and because I lately had to work on some very complex stacks, I had to look for a better solution. And with Helicon Focus I found it.
I've had a lot of Macs over the years. I remember the old PowerPC Macs, which performed OK against Intel-based PCs, but did have some heat issues under heavy loads. I went along with the transition to Intel in the Mid 2000s, and had a Mac Pro Intel-based machine, which replaced my identical-looking PowerMac G5. That served me well for many years because it was so upgradeable, but eventually, that machine no longer supported the latest versions of macOS, so reluctantly I bought an iMac in 2019, sporting a 3.6GHZ 8-CORE INTEL CORE I9 chip, and 8GB of memory. Like many...
Portrait photography is one of the biggest genres in the industry. It's also one of the most competitive types of photography. If you plan on staying ahead of the competition, then having a great workflow will drastically improve your performance.
A pen tablet improves your editing and retouching workflow. Here's an affordable option.
With the release of Apple’s new Studio Display, the new creative standard may be here. Are the specs and price good enough?
Retouching photos is as much an art as a skill, and portrait photographers must understand the proper way to retouch images, even if they prefer to have a retoucher do this work for them. Although there are a variety of ways to retouch an image, using frequency separation is the most common method and is considered one of the best. In this article and the accompanying video, I detail the process I use to retouch my headshots and portrait work.
DxO PureRAW is a permanent part of my photographic workflow. Before anything else, I take my raw files from my mirrorless camera and my drone through PureRAW first. It checks my camera and lens data and outputs a raw file with corrections that eliminate lens distortions, vignetting, noise, and a host of other issues specific to my hardware. Here's my review of what was a must-have the last time around.
Any photographer with experience in portraiture knows that the image captured in camera is far from a finished portrait. Post-processing of portraits is a skill that takes time and practice to learn. Learning to use the Liquify tool can help to make a good image into a great image. As with all of the tools in Photoshop, it's important to know how much is too much.
As the artificial intelligence race intensifies among photography software companies, Boris FX is filling a completely different niche with their editing software Optics. With their latest release, Optics users now have access to their powerful Particle Illusion generator, which can create thousands of useful emitters like explosions, smoke, fire, and other particle effects. Today, we take a look at the new Optics 2022 release which is available as a plugin for both Photoshop and Lightroom, as well as a standalone application.
There are certain rights of passage in photography that we all should try at some juncture of our time with a camera. They act as both important learning tools but plainly, they're good fun to do. In this video, Pye Jirsa walks you through how he created a great-looking portrait using a smoke bomb.
Innovators and philosophers like Elon Musk and Sam Harris have been theorizing what our world will look like once artificial intelligence completely takes over our everyday lives. We aren't quite there, but if you've ever dreamed of a day when all your skin retouching might be completed using AI and neural networks, well, the future is a lot closer than you might think.
With so many plugins out there to choose from and with nearly everyone trying to emulate old film looks, is this new plugin worth considering? Check out our review.
Luminar software has been leading the industry when it comes to artificial intelligence photo editing for years, and now, they are taking things even further with Luminar Neo.
Three-dimensional "pop" is a sort of nebulous thing that portrait photographers often chase in certain lenses, as it can take an inherently two-dimensional representation of a person and make it feel more lifelike. You can also contribute to the effect through your editing, and this fantastic video tutorial will show you how to do it through some clever though not difficult use of Photoshop.
Masking is an important part of any decent photographer's post-production process. Sometimes, the masks are easy, but other times, they can be painfully time-consuming. However, if you learn about this hidden tool in Photoshop, your editing life will instantly become so much better.
Have you ever seen those bold modern ads that just force you to stop and look? One got me this week. I was driving, and a billboard had a colossal burger, most likely shot with the 16-35mm lens, and a bold, canary yellow background with that primary McDonalds red. "I need that burger! Wait... I'm a gluten-free vegan!" I tipped my hat to the photographer and kept driving.
If you are shooting on a budget, many desirable effects are tantamount to impossible to guarantee, particularly if you want to capture them in camera. Rain is one of the trickiest and with this tool, you can add it in, realistically, in post.
Artificial intelligence has begun to have a real impact in photography via post-processing. This may be a contentious subject, but whichever side of the fence you are, it's interesting to see what it's capable of. In this video by Manny Ortiz, he reworks some images with Luminar's Relight tool.
I always take a tripod with me in addition to my camera when I'm out on a hiking or scouting trip because there can always be an unexpected photo opportunity. And since I apply focus stacking to nearly all of my photos to ensure optimal sharpness, photographing handheld is not an option. Or is it? In this article, I show you how to use the automatic focus bracketing feature of modern cameras to perform handheld focus stacking.
Have you found yourself cranking up the contrast slider and running a sharpening filter just to end up with a shot that fell short of your initial vision? Here are two editing swaps that you can make that will help your post-production be more precise.
Whether you couldn't shoot at the time you wanted or you just want to experiment with composites and heavier editing, this video will show you how to make a complete transformation.
Bird photography is tremendously difficult and so is photographing in a jungle. So, it follows that photographing birds in a jungle will require a lot of skill in patience. Watch as two veteran wildlife photographers go through recent shots and offer some tips and mistakes to avoid.
Software updates happen so often these days that you can sometimes miss great new features when they're added. If you do any kind of masking with people and hair, then you really must see this technique.
Sony cameras have long been criticized for their color science. The notion is that Sony cameras produce unflattering colors, especially for skin tones. This claim seems to be leaning towards raw files processed in Lightroom. Capture One is generally recommended, so, let's find out which of the two software is the better option for Sony raw files.
