Have you ever looked through someone's Instagram account and noticed that all of their images seemed to have a consistent color palette or style about them? If you've ever wondered how that is possible, give this video a watch. Sean Tucker dives into the details of how and why some creatives choose to present a consistent style, and then he goes on to process a small set of photos to show how it can be done.
Without a doubt, Lightroom is an extremely powerful editor. So much in fact, that I can edit an entire wedding without ever leaving the program. The main things I find myself doing that cause me to leave Lightroom and enter Photoshop are multiple exposures, liquefying, more advanced cloning and healing, and adding certain overlays. What Advanced Lightroom Effects from Lens Distortions does is make it so I no longer need Photoshop to add these overlays. It saves me time from switching back and forth between programs and having to create multiple copies of the same image.
After eight months of work I finally finished this project: an aerial tilt-shift hyperlapse of Miami. The idea was to produce something different. Time-lapse videos are very common these days and most drone operators can make a decent hyperlapse with their drones. In this video I wanted to replicate the out-of-focus look normally associated with macro photography to give a miniature effect of the city of Miami. Here is how I filmed this video and what I learned during the process.
A few weeks ago, Adrian Sommeling showed how he Photoshopped his son and himself driving an Aston Martin in Iceland. He’s back with yet another video, and this time it’s a shattered iPhone 8 composite. This one is particularly interesting as it includes glass and thus reflections which are both amongst the most difficult things to keep natural looking when working on composites.
I find it interesting how often I see new photographers make the exact same editing mistakes I made when I started out. Every photographer who has at least a few years of experience can look back at some of their first sessions and find a number of things that they continually did wrong. I recently took a look at some sessions from my first year of photography, as well as asking a few other photographers to do the same, and continually found the same common issues.
If you're one of the countless photographers seeking out the best way to perfect skin on your portraits, then you've certainly been on YouTube tracking down video tutorials in hopes of unlocking the secrets behind the process. And if you're just starting out, invariably you've run into some hurdles. For most experienced retouchers, the tried and true technique for proper skin retouching in portrait work is, of course, the seminal "dodge and burn" method, and for good reason: it works. But perhaps you are brand new to the concept of dodging and burning for skin retouching and still haven't found much success with it? If so, read on.
DaVinci Resolve is a fantastic tool and has everything most videographers need to create perfect looking videos. However, the playback can be a bit slow and thus make the whole workflow a pain. But there is a one-click solution that will make your life much better. When I found out about it, my editing process became much faster.
When Picktorial 3 was released, it promised a solid support of Fuji RAF files. Today, it’s getting even better by offering film simulation color profiles. The profiles are available as an add-on specifically designed for Picktorial 3 and Fujifilm X-Trans sensor cameras. Using the Fujifilm Film-Simulation look this way will allow you to retain all the details and data of your X-Trans Sensor output to take the most out of your raw files.
The DJI Spark is one of the most attractive options out there for people who want to get into aerial photography and videography. However, when getting into this whole new world, it may be overwhelming to learn everything about the genre. Casey Faris created a short five minute long tutorial to help you out making your Spark’s footage look better.
HDR is a beautiful but rather complicated editing process, or at least that was the case until Aurora HDR was designed by Macphun and photographer Trey Ratcliff. It’s now become an effortless and unintimidating retouching technique to bring the most out of your architectural and landscape images. Today, the California-based developer announced the release of Aurora HDR 2018 and it promises to make HDR photography even easier and more fun!
When it comes to processing your digital images, there are so many tools available to you and sometimes the process can seem a bit convoluted. Personally, I like to use a mix of both Adobe Lightroom and Adobe Photoshop to make the most out of my images. Perhaps I'll throw Capture One in the mix one of these days, but for now all of my postproduction work is done using Adobe software. This brief tutorial goes over one of the lesser-known tools that exists both in Lightroom and Photoshop, the Dehaze tool.
Commercial Conceptual Photographer and Digital Artist Adrian Sommeling is one of the names that every retoucher and creative photographer should know. He has one of the most incredible portfolios out there with work that you simply can only wonder how the heck it was done. Well, to learn more about how he creates his stunning digital art, he’s started to push out short videos with explanations on every step. In this article, discover how he shot his son, himself, and an Aston Martin before compositing them onto an Iceland landscape.
Humidity, sunlight, water, and most of all, time, are just some of the culprits in the damage most printed photographs will endure. However these memories of loved ones do not need to be thrown away or thought to be unrepairable. A few layers in the digital world can bring it back for your clients.
After every trip I go on, I always end up with a favorite image. Maybe it’s the one with the best story, or the one that was the hardest to get, or the one with the nicest person I met on the journey. In 2014 I headed to Bolivia to shoot a wedding, and a few weeks later found myself wandering around on an island in Lake Titicaca. And there, my favorite image of the trip was born.