As I start to get more campaign work via Instagram for product photography, I've found that I need to use every bit of my creative mindset to get the shot I want. All the while I must also play to some of the iPhone's limitations. Tilo Gockel, a professional photographer and lighting expert, has created quite the tutorial for some outstanding product photography with nothing more than an iPhone and a few simple lights found around the house.
While sharing drinks with a friend, he started inquiring as to how I’m able to supplement my income with video editing projects. The more we talked, the more I realized that a lot of people have the ability and skill to do it, but they don’t understand the small things that can make or break being successful at it. In this post, I’ll share what I’ve learned about being a freelance editor.
Our generation has witnessed the death and rebirth of Polaroid Instant Film; yet it is interesting to note that most model agencies have always preferred the format as a staple facet in portfolios. From the model's perspective the idea of a harshly lit and un-editable image is less than ideal. However; standing in the shoes of the photographer or creative director, it is always best to have an idea what you'll really be working with.
In today’s photography world, photos capturing scenes in infrared are usually few and far between. A technique usually seen as intimidating or out of reach to the average photographer, Esben Olsen takes us through his workflow when working with infrared images. This video gives helpful insight and simple tricks for every stage of the process from gear setup to post-processing.
When I first attempted to retouch the photographs I took in 2006, I had no idea what I needed to do and how. Today there are thousands of video tutorials on the web on how to retouch, but nobody explains what it is that needs to be retouched to make a female face look more youthful, healthy and beautiful. It took me some time to figure out what the common problems that I needed to remove from my subjects' faces and bodies were, and what I had to alter to make them look more attractive.
What's up everyone! My name is Pye and I am one of the educators for FStoppers Bahamas! This is my first article here on FStoppers, and I am really proud to be a part of such a great community of photographers. We all know dodging/burning is a fantastic tool when it comes to retouching. But maybe a less common usage, it is also a fantastic tool to enhance muscle definition. Since most of the time we think of Photoshop when we think of dodging/burning and retouch, we are going to stick within Lightroom just to illustrate how powerful and efficient the Adjustment Brush tool can really be.
The use of Photoshop by companies is changing and it’s indicative of a much deeper trend. Earlier his year, American Eagle stopped retouching the models in their 'Aerie' lingerie shoots. They claim that the 9% sales increase last quarter is directly related to this position. This is an unprecedented commercial statement, and has wide implications for photographers, videographers and post production specialists everywhere.
I’ll never forget the email; I was on a plane somewhere over the Florida coast, on my way to the Bahamas for the Fstoppers Workshops 2014. Just before I left the States, I had signed on with the artist consulting firm Wonderful Machine. The first step in preparation for a press release was to tear my website apart. The critique was tough and they slashed it hard… here I am in one of the most beautiful places in the world, feeling a truck load of anxiety. For years, I had thought I had a clean and straight to the point website, but it turns out I needed to strip it down even more.
I’m a big proponent of outsourcing editing in my NJ Wedding Photography business. There’s probably nothing more painful to me than the thought of trudging through 800-1000 images from each wedding I photograph. However, when it comes to my favorite few images from each job, the ones that I’ll share on social media or use to update my website, I take a dive into Lightroom and Photoshop and enjoy every second of it.
Earlier this week we asked members of the Fstoppers Community to submit their best landscape photographs for a new episode of Critique the Community. This year at Photokina, Lee and I had the pleasure of meeting the incredibly talented travel photographer Elia Locardi. In this episode, Elia joins us in the studio to give photographers helpful tips on how they can improve their landscape and cityscape images.
Go behind the scenes with one of the worlds top high-end retouchers, Pratik Naik, in this two part video as he walks us through his process of working with a model shot by David Geffin. Exploring the fine line between retoucher and photographer you can see his passion for what he does and the understanding it takes to capture the photographers vision perfectly.
Excuse me a moment while I try and reassemble my brain, it’s kind of just been blown by the video reel I’m about to talk about. While I collect my senses, feel free to join me as I showcase this piece of artistic genius and the talent of the young lady who put it together. This might just be the most insane, joyous 50 second video you’ve ever seen.
When we hear about eye whitening our thoughts immediately turn to disturbing cases of retouching gone bad where subjects look more like dolls than humans. While YouTube is littered with videos on the subject, a good chunk of them take a brute force approach to the problem. They either crank up the luminosity or reduce the saturation; both of which will produce unnatural and sometimes frightening results.
Our industries rely heavily on color, which most of us know as a wavelength of light that our eyes and brains perceive as ..well color. But we don’t always think about how or why this is happening. You can go a long way just knowing what looks nice, but if you want to optimize the potential of your finished product, knowing the physics involved is very beneficial.