It's happened to me and it has most likely happened to you: you order a shirt and can't wait for it to arrive. Then it does and it's a completely different hue than what was pictured in the online store or catalog. Odds are the photographer may not have used a color chart during his or her shoot. There are many photographers that never learn to use a color chart at all, and others who won't do a shoot without one. Here are a few major points on how a color chart can help make your product photography color spot on.
This week, ON1 Software released their new Photo RAW 2017 processor. It functions as both a raw processor and a simple editing workflow that can be used as a standalone application or as a plugin within various other editing applications such as Lightroom. In this article, we will take a quick look at Photo RAW 2017 in order to provide some first impressions on what ON1 is touting as one of their most powerful tools to date.
At the end of each year there is is always the hustle mindset of pushing harder for the upcoming business actions. More bookings, solid client interactions, and in many cases the push to top the previous years' finances. So how does one start off the new year with client bookings already on the calendar? By simply not forgetting those who booked you the previous year.
Adobe is known as being the creator of Photoshop. Then, they went and bought Macromedia in 2005 which changed the game a lot for the creative industry. Since then, apps were bundled, we’ve moved to a subscription model with Creative Cloud, and all the apps now work together intuitively. I have a great respect for the company that makes the software I use every day. But there are certain workflows that I think can improve.
Apple MacBook Pro is without a doubt the laptop of choice for most photographers on the go. However, I've heard of many encountering heat issues when working on it for a prolonged period of time. After recently experiencing this problem myself and having my computer shutting down on its own, I started looking for a solution. It turns out that it's not complicated to control the heat. If you retouch or edit videos quite often on your Apple laptop, you should definitely read the following article.
It's been a little while so I reasoned some new free Photoshop Actions were in order! As you may recall, I create Actions based on simple processes I find myself doing regularly in my retouching workflow, mostly in the interest of convenience and efficiency. Today, however, I've essentially updated a previous Action I gave away, now dubbed Smart Flare. Let's break down what it does and why.
Changing a single particular color is easily done in Capture One, but it can prove to be a little bit more complicated in Photoshop. None of the tools found in Adobe's image editing software target colors such as orange, violet, azure, or other tertiary colors. However, there is a very simple trick to make it happen. I'm not talking about curves here, but an approach that will be extremely easy to understand, even for beginners.
It’s become a tradition for Phase One to announce a major new version of Capture One during the last quarter of the year. 2016 is no exception, and the tenth edition of the professional image editing software was just released today. The already fast and very complete application is now even better thanks to a couple of new tools and enhancements.
Something I get asked often is how to add color tones to your images. Often the easiest option is to use filters either in Lightroom or with a plugin software such as Google Nik. However, as you delve deeper into the world of color grading you will eventually become curious how to create your own effects.
I have had the blessing and curse of having too many photos to edit in the past few months. I've had plenty of opportunities to improve my work with the high frequency of shoots, but it's caused me to feel buried. During a typical shoot, I'll take between 250-400 photos. With each light setup, I'll take a few shots to ensure it's just how I want it, then I'll start directing my model. I strive for 3-4 solid shots per setup, one of which will end up being the final image. Both myself and my hard drives are feeling the pressure. In order to make sure that everyone gets their photos in a reasonable timeframe, I've adopted a new workflow for my editing.
For many filmmakers who are getting into raw workflows for the first time, or perhaps wanting to up their postproduction skill set, color grading can at first appear to be a big, scary monster full of weird tools and a puzzling workflow that makes college physics seem simple. In this Q&A video from Film Riot, Colorist John Carrington answers some frequently asked questions regarding his approach and process to doing color work on video footage.
Luminar is Macphun’s latest editing platform, and it’s the company’s first try at an all-in-one solution that can go head-to-head with Adobe Lightroom and Apple’s discontinued Aperture programs. Still in beta, Luminar recently received an update that helped improve speed and fixed over 300 small bugs, making it nearly ready for its public release on November 17. So, how does it hold up to platforms such as Lightroom?