Videographers should be feeling pretty spoiled at the moment with the camera announcements we've had in the last few months. Two of the most exciting will split the population, but in a side-by-side comparison, which looks better to you?
The eyes in a portrait often make or break the whole image, so when you're retouching them, it's worth going the extra mile. Here are some advanced techniques for making sure the eyes in your images pop.
With the wealth of strong video and hybrid cameras banging on the our gates, getting the most out of them is a conversation worth having. Here's one way you can add better dynamic range to your video.
There are a lot of good tutorial resources out there, some of them free, but for the most part if you want a high quality video tutorial, you'll need to pay. Well, this is a rare exception.
There have been few camera releases rife with more discussion than the two new Canon mirrorless bodies, but there's a discussion to be had that isn't about overheating issues per se.
The camera many videographers were waiting for has landed in the hands of many reviewers, but not all of them are veteran filmmakers who will look to use it in a production capacity. Here's what Philip Bloom has to say about it.
Sometimes all a shot needs to go from average to good (or beyond) is the right color. This video will teach you how one landscape photographer does it.
An email I received this week stopped me in my tracks. For two things so important to me — mental health and photography — I don't do enough to discuss it. So, I'm going to change that.
Sony now has multiple, strong options if you're a videographer, new or professional. In practical terms, how do they stack up though?
Film photography may have taken a nose dive in relevance within the industry, but it's no less fun than it once was. With a lot of film stock options, now is as good a time as any to give it a go.
Kodak, the film giant whom has been swirling the drain for nearly a decade, may be getting an unexpected lifeline.
The Canon EOS R5 has been almost all of what the photography industry has been talking about. But how does it perform in a cinematic production environment?
The nifty fifty is a staple of photography and has been for decades. Fujifilm's version for the APS-C X-Mount might be one of the best, and at a reasonable price.
We all have shots we want to capture, and usually, we can orchestrate the image into life. But sometimes, a shot becomes so evasive you get a little obsessed with capturing it. What is yours?
If you're looking at shooting NEOWISE or some astrophotography, which lens would be your best bet?
Having photography as your full-time job is desirable for many. But what's it really like to start one from scratch?
The best photojournalism is usually produced during the worst times. This photographer has chosen to drive across America during COVID-19 to capture its effects on America from his car.
Editing landscapes can revolutionize an image that didn't quite pan out how you had intended, or bring out all the best features that did. Here are five tips that can dramatically improve your landscapes.
The new Z 5 is yet another exciting camera release in this otherwise bleak year. How good is it though?
With videography taking far more of a central role in the industry than it once did, perhaps it's time to sharpen your video editing skills.
