Articles written by Mike O'Leary
If you think that photographing Total 24 Hours Spa has anything to do with cucumber slices and a hot stone massage, then you are very wrong indeed. I will say, however, that when you finish photographing one of these endurance races you might need 24 hours in a spa. Have look at this fascinating short documentary to find out more.
There are numerous ways to do any one specific job in Photoshop, but getting colors to match can be one of the more trickier tasks. In this video by Colin Smith of Photoshop Cafe, we are shown how to use the LAB color mode along with curves to get those colors spot-on.
Some people say that you shouldn't work for free because it devalues your work, while others say that you have to do some in order prove your worth in a world saturated with photographers. I know, I know: doing free work has been talked about ad-nauseam on every site and forum across the web. But I know better than everyone else, so prepare to get more nauseous. Grab a bucket and strap yourself in, folks.
Landscape photography is one of the most accessible genres of photography. As long as you don’t live in the middle of a city or sprawling suburb, it’s easy to just go outside and start shooting. I was always drawn to the natural world, so landscape photography was an easy path for me, but sometimes, the most rewarding shots are well off the beaten trail. That is why I’ve made a list of safety precautions you can take to reduce the risk you take and to minimize your impact on the environment.
Alien Skin, the makers of one of the most popular Photoshop plug-ins for photographers, released the latest iteration of their standalone raw photo editor in November 2017. Back in June 2017, Fstoppers reviewed Exposure X2 and found it to be a realistic alternative for those who can’t justify the subscription for Adobe or Capture One Pro’s more expensive offerings. In this review, I’ll deliver an overview of the tools available, and give my own two cents on the raw photo editor.
A pinhole camera is essentially a box with a piece of photo-sensitive paper on the inside and a tiny hole on the other side of the box. It's used by pointing the hole at a light source or reflected light, exposing the paper through the pinhole and then covering again. Simple. So, whats stopping us from doing it with our digital cameras? Nothing, that's what, so get up off your bum and start creating something different, like Blue Mantle Films just did.