On the road today, but got a bit of news that should make fellow Capture One and Fuji users quite happy.
The number of things I have learned, unlearned, and relearned all over again along the road from hobbyist to professional photographer would require something of a short novella to recount in their entirety. So today, I want to share just one of them.
As a commercial photographer who tethers at every shoot, I’ve always relied on Tether Tools cords as part of my workflow. So, I was excited to hear that they had launched a wireless offering and wanted to put the new Air Direct through the paces.
With a seemingly endless stream of new camera gear announcements rolling out on what seems like a daily basis, it can be difficult to separate what features you need from those that just sound good on a spec sheet. So, how do you know when to pull out your hard-earned money?
With all the discussion of the best camera on the planet or the most powerful lights, there’s a lot in a professional photographer's bag that goes overlooked. So today, I’m going to take a short look at what’s in my own camera bag.
As often is the case, the aftermath of tragedy has drawn my attention away from the cool gadgets and techniques of the photographic profession and caused my mind to drift back to the why. Allow me a moment to indulge a larger question.
As Oscar fever sets in, it’s time to look behind the scenes at one of the most amazing technical feats of the year.
All photographers at every level have a similar problem. How do you know how much to spend on a new camera?
No matter how much we like to complicate it, photography is a relatively simple pleasure. And rather than always focus on the results, it sometimes pays to simply step back and revel in the process.
To paraphrase the great Mark Twain, reports of the death of the DSLR have been greatly exaggerated. With Nikon announcing the release of the new D780, in the midst of the mirrorless wave, some people might think this move crazy, but from a business standpoint, it might just be genius.
Whenever an aspiring photographer asks me for the secret to beginning their career, I always respond with the same answer: Step one is to remember that photography is a marathon and not a sprint.
Since this is Santa’s week of choice, I thought it might be a good time to put out a wishlist of my own.
Tis the season for spending on camera gear and all the latest and greatest tools. But sometimes, the best investment isn’t always the most flashy.
KCET’s “Lost LA” does deep dives into the lesser-known history of Southern California. In a recent episode, photography takes center stage as they tell the story behind some of the most famous images from one of the darkest chapters in American history.
How much gear is too much? And is there such a thing as having too little gear on hand?
Today, I’ll offer you my thoughts on the new Fujfilm GF 50mm f/3.5 R LM WR medium format lens.
Today, we have the conclusion of my three part series having a look at the Fuji GFX 100 in actual practice.
For those of you who keep hearing about Capture One, but wondering if it’s worth the trouble, this one might be for you.
This is part two of my three-part, unreasonably in-depth real world shooting review of the GFX 100 after having shot with it as my primary camera professionally for the last three months.
I have now been a proud owner of a Fuji GFX 100 medium format digital camera for three months now. So, was it all I hoped it would be?
