Being a successful artist can sometimes mean being both determined and flexible at the same time. But how can such a duality exist over the course of a career?
After a long day of shooting, thought I would take a moment to write a short piece about one of the most important tools in my kit.
Recently, I got a chance to shoot with the new Nikon Z 50mm f/1.2 S and compare it to its little brother, the 50mm f/1.8 S to see which is the best fit for my camera bag.
In an industry where every day seemingly brings the announcement of a new camera system promising to up your photography game while simultaneously depleting your bank account, it can be hard to know what is really worth the investment. So today, I’ll have a quick look at three areas where I’ve found you almost always get an appropriate level of bang for your buck.
Today, I’d like to discuss one of the most overused and most misunderstood concepts in photography. What exactly makes something a “professional camera”?
Despite being a long-time Nikon shooter and a fan of their latest mirrorless offerings, it’s only fair to keep an eye on what the competition is doing. So, with the right level of begging, I was able to get my hands on the Canon EOS R5 and thought I would offer a few brief thoughts.
So, you’re starting to think that you really want to grow and try something new with your photography, but don’t have the funds for a new camera? Well, there’s a good chance that you can make significant upgrades to your productivity without breaking the bank.
While March might be a bit early for me to already be filling out my holiday wish list for Santa Claus, the recent announcement that Nikon is developing a Z 9 to be released this year already has me in a festive mood.
After a series of articles detailing when and what to buy, today, I’d like to have a look at the other side of that equation.
As an unabashed proponent of the Nikon D850, specifically my own personal D850, as being the greatest DSLR to ever come off the assembly line, the prospect of ever actually trading in my beloved camera for a mirrorless option has always been met with a healthy dose of skepticism. So, today, having had both a Z 7II and a D850 in my possession for a couple of months, I thought I would try to definitively answer the question of which is the best Nikon on the market, or, more specifically, for me.
With the release of the Z 7II and the specs running so close to those of my beloved D850, it makes sense that it’s the first of Nikon’s mirrorless cameras to really make me consider the switch. But what will happen when I get out of testing mode and put my feet to the fire in the real world?
Having previously spent a few months with the 24-megapixel Nikon Z 6II, today, we move to its bigger brother, and I will begin a series of essays on Nikon’s latest high-resolution entry into the mirrorless camera market, the new Nikon Z 7II.
After a string of gear-related articles extolling the benefits and/or drawbacks of buying a particular camera system, and before launching into another such series in the weeks to come, I wanted to step back for a moment and re-evaluate a question larger than whether or not any particular camera is worthy of its place in your camera bag.
In the first two parts of this three-part series, I discussed my initial impressions of the new Nikon Z 6II, a bit of casual shooting, as well as a fun trip to photograph some birds. Today, we will put the camera to a real test in a professional shooting situation to see how the camera might handle a commercial advertising campaign.
Today, we jump into part two of my three-part series on my experience shooting for the past three months with the new Nikon Z 6II mirrorless camera. In part one, we went over ergonomics and first impressions, while in today’s episode, we will take the camera out into the field to visit the wildlife.
Today, I will begin a series of three lengthy and in-depth essays discussing my experience shooting with the new Nikon Z 6II over a three-month period.
I started out today to write a specific camera review but ended up taking a broader view of a brand that I have come to depend on. I haven’t forgotten about the review, but, in today’s article, I thought I would simply share the love.
The Fuji GFX 100 is an amazing camera. But one simple fix could greatly improve its usefulness in my workflow.
As a year unlike any other slowly rolls into the history books, we near that magic time when we sweep out the old and bring in the new.
The holiday season, and the rash of sales that goes with it, always inspires a simple question: “what purchases would make an improvement to my photography business?” But, the more pertinent question, far less often asked, is: “do I really need to make any purchases at all?”
