Sometimes the only things standing between us and achieving our photography dreams is... ourselves.
I’ve seen more than my fair share of articles regarding the joys and pitfalls of being paid on time. A very vital part of making a living in any profession is, after all, actually getting paid. But rather than rehash the terrific advice I’ve seen from other shooters about the best way to invoice, I thought I would offer you another perspective. That of the accounting department.
We live in a world constantly fascinated by technology. We want the TV with the greatest definition. We want the tablet with the shiniest screen. And, as photographers, we always want the most expensive gear and the most elaborate new toys. But the more you grow as an artist, you'll quickly realize it's the man that makes the equipment, not the equipment that makes the man (or woman).
On Sunday night, "Moonlight," Director Barry Jenkins' beautiful film about the coming-of-age of a young man dealing with issues of race and poverty, while simultaneously discovering his own relationship to sexuality, won the ultimate prize, the Best Picture trophy at the Academy Awards. LensCulture just posted a lengthy interview with the film's talented cinematographer, James Laxton. Here is a bit of what he had to say.
By narrowing your focus and promoting your specific skill set, you can grow your business and stand out in even the most overly saturated market.
In honor of Black History Month, Time Magazine has decided to honor 12 up-and-coming African-American artists. Hailing from across the country and across the creative spectrum, these artists put the word "diversity" into focus.
For those trying to balance their passion with their paycheck, here's a quick word on the joys of taking the leap, and the sweet taste of being unemployed. Well, sort of.
