This is the long and wonderful story of ending up right back where you started.
Gimbals can elevate even the most basic videos to a cinematic level. But, while using them is easy, setting them up can be another story altogether.
In this short video from Crimson Engine, cinematographer and director Rubidium Wu takes you step by step through how he lights his closeups for video.
Sometimes the lessons learned as a child are the most useful as an adult. Even if they were lessons to forget.
Sometimes there are lessons that can affect both new photographers and veterans alike.
Time for a completely non-scientific, wholly subjective, not even remotely precise, but undeniably fun thought experiment for all to participate in.
Today, I state the obvious. But sometimes even the most obvious things can be easy to forget.
Sometimes it pays to appreciate the one you’re with.
They say that when you find a career that you love, you will never have to work a day in your life. That’s bull. Well, sort of.
Why would a full frame Nikon man spend his hard earned dollars to buy a crop sensor Fuji? Well, the answer is more basic than one might think.
While the boosted productivity and easy collaboration with clients was my main reason for shifting to a full Capture One universe, it was the ability to use preset styles that initially drew my attention.
So how did one of the most admired cinematographers of all time revolutionize both cinema and television with two vastly different styles?
Today, I conclude my two part essay about a difficult two months of negotiation over a commercial photography shoot that may not have ultimately come to fruition, but taught very valuable lessons along the way.
After a lengthy and involved negotiation for a large commercial project came to an unfortunate conclusion, I wanted to share some of the lessons I learned that may help you in your future business.
As I sit in my office today, subject of an unintentional silence, I am forced to reflect on the importance of communication in my ability to perform my job as a photographer.
As a photographer, your camera body is only half the battle. Lenses play a supreme role in deciding overall image quality. Today I got a chance to work with two new manual lenses from Meyer Optik Goerlitz, the Primoplan 58mm f/1.9 and the Trioplan 100mm f/2.8.
As you begin to get bigger and bigger jobs, it will soon be increasingly obvious that much of your success will be derived from the team members you choose to surround yourself with. No matter how good you may be, having an equally if not more qualified team surrounding you can make the difference between an average photograph and a great one.
A recent trip down memory lane reminded me that sometimes the best place to look for something new, is a to remember something old.
While it is tempting to constantly compare ourselves to other photographers, it’s important to remind ourselves of what we already know: the quality of art cannot be measured in numbers.
Sometimes the best lessons in photography can come from sources far from the art world. Last week I saw an image that helped to remind me of one of the best lessons for a successful business and a successful life.
