How much gear is too much? And is there such a thing as having too little gear on hand?
Today, I’ll offer you my thoughts on the new Fujfilm GF 50mm f/3.5 R LM WR medium format lens.
Today, we have the conclusion of my three part series having a look at the Fuji GFX 100 in actual practice.
For those of you who keep hearing about Capture One, but wondering if it’s worth the trouble, this one might be for you.
This is part two of my three-part, unreasonably in-depth real world shooting review of the GFX 100 after having shot with it as my primary camera professionally for the last three months.
I have now been a proud owner of a Fuji GFX 100 medium format digital camera for three months now. So, was it all I hoped it would be?
I spent 48 hours in New York City and took a bit of time to reflect on what makes for the perfect street photography camera.
The best camera is the right one for your particular job. But what are some of the less than obvious reasons why we pick up one camera instead of another?
This is a short story about a brief moment and the significance of a photograph.
The eternal debate: to prime or not to prime. Here are a few thoughts on why less can often be more.
I’ve written about this before, but I think it bears repeating. Don’t let a lack of finances convince you that you can’t achieve your goals as a photographer.
Despite heavily investing in new cameras over the last couple years, it is the still excellent Nikon D850, purchased two years ago, which has suddenly become brand new to me.
Having now had the Fujifilm GFX 100 camera for a couple months now, I thought I might share a couple of the ways I’ve found most efficient for me to use the system. Perhaps some of the following tips may help you with the GFX 100 or other Fujifilm systems as well.
A recent spate of camera purchases has indeed improved my photographic skill, but perhaps not in the way you may be thinking.
A brief personal recollection of a powerful influence in the world of photography.
Today, I thought I’d take you through the sometimes agonizing process of figuring out the best way to light on location and some of the tools and techniques I use to get around the obstacles.
Just back in town after three consecutive assignments, I decided to take advantage of a lazy weekend to test out a few theories about my cameras.
In the world of professional photography, the value of our work doesn’t always line up with our client’s budgets. But as tempting as it is to take the money and run, holding firm can often be more profitable in the end.
Today, I’ll take you for an in-depth look at a new extensive project I shot with the Fujifilm GFX 100. It will be a longer essay meant to give you a hands on experience to help decide if the camera is right for you.
As still photography cameras and motion cameras continue to merge with technology, so have, to an extent, the expectations of our profession. No better way to prepare yourself for the future than to learn from the masters.
