As all medium format shooters know, moving fast with larger sensor cameras can be a challenge compared to their full frame counterparts. So, I recently tried out the Fuji GFX GF 45mm-100mm f/4 R LM OIS WR to see if it would speed my workflow and unlock additional potential in my Fuji GFX system.
With the onset of the pandemic and slowdown in production, income from stock photography has become an increasingly important source of revenue for many photographers. Getty Images and iStock have recently announced a new program to provide grants to emerging photographers interested in entering the stock photography market.
Let’s assume for a moment Nikon was a genie and could grant me one wish. Aside from wishing for 1,000 more wishes, here is what I would ask for.
Today, we will have a brief battle between the two most compact prime lenses for the Fuji GFX system.
In today’s article, I’ll talk about a surprising new/old addition to my lens collection.
For the sake of a little fun, rather than drone on about gear for yet another week, in today’s article, I’m going to talk about socks. And yes, I promise it relates to photography.
As a seemingly endless quarantine has made my daily afternoon walkabouts a mental necessity, I decided to go small and rent a Fuji X-T30 for a week to see if it could potentially save my back and my wallet.
In today’s article, I thought it might be helpful to those just getting into the business to take you through my real-time thought process when bidding on commercial assignments, from the initial query email to whether or not I take a job. Over the years, I’ve made a lot of good decisions and a lot of bad decisions, and hopefully, you can learn from my journey.
It’s a question that everyone who picks up a camera asks at some point. But how do you know if a career in photography is right for you?
Knowing when to buy and when to borrow can make a big difference to the bottom line of your photography business.
A trio of questions to keep in mind as you are trying to put your best work forward.
In my never ending quest to state the obvious things that we all tend to forget, today I will talk about another simple truth. To get what you want, you first have to know what you want.
A brief look back at just some of the many ways my own mind has played tricks on me along my journey from hobbyist to working professional.
With a bevy of camera announcements (and rumored announcements) setting the internet on fire over the last couple of weeks, I thought it might be fun to offer a review of a different sort.
With camera companies rolling out mouth-watering specs at a breakneck pace, sometimes, it’s hard to know just when to pounce on a good deal.
With a holiday where people are expected to gather in large groups taking place during a global pandemic, I went a different way for my Fourth of July weekend.
As I delve more into lens options for the Nikon Z system, I’ve found a small feature that pays big dividends.
While we all like numbers, sheer specs are rarely the best way to decide which photography gear will be best for you.
Production safety might not be the most exciting aspect of your photography career, but these days, like it or not, it’s one of the most important.
With the heavy reality that many of us live in these days, allow me a brief moment to simply luxuriate in the completely pointless, utterly fun, and pleasantly diverting task of looking back at the best attributes of some of my past camera purchases.
