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Christopher Malcolm
Los Angeles, CA

Articles written by Christopher Malcolm

Can Photography Be A Calling? Lauren Greenfield Spends 25 Years Documenting Wealth

Can photography be more than just work? Can it be a calling? How do you know? And what if that calling coincides with a transformational period in world history and you are called upon to document every move? Lauren Greenfield’s new exhibition and book, “Generation Wealth” is a time capsule a quarter century in the making.

Getting Paid: Seven Tips for How to Handle Photography Invoicing Issues From a Reformed Accounting Clerk

I’ve seen more than my fair share of articles regarding the joys and pitfalls of being paid on time. A very vital part of making a living in any profession is, after all, actually getting paid. But rather than rehash the terrific advice I’ve seen from other shooters about the best way to invoice, I thought I would offer you another perspective. That of the accounting department.

Dr. Ockenfels: Or How I Learned to Stop Worrying and Love the Sun

We live in a world constantly fascinated by technology. We want the TV with the greatest definition. We want the tablet with the shiniest screen. And, as photographers, we always want the most expensive gear and the most elaborate new toys. But the more you grow as an artist, you'll quickly realize it's the man that makes the equipment, not the equipment that makes the man (or woman).

How an Outsider Delivered the Intimate Cinematography of Academy Award-Winning Film 'Moonlight' and the Photographs That Influenced Him

On Sunday night, "Moonlight," Director Barry Jenkins' beautiful film about the coming-of-age of a young man dealing with issues of race and poverty, while simultaneously discovering his own relationship to sexuality, won the ultimate prize, the Best Picture trophy at the Academy Awards. LensCulture just posted a lengthy interview with the film's talented cinematographer, James Laxton. Here is a bit of what he had to say.