No matter the sneaky techniques you use to get around it, sometimes eyeglass reflections are just impossible to avoid when photographing people. It’s always best practice to have the client remove the glasses for a single shot so that you have some bare eyes to work with in Photoshop, but for times when this is just not possible or you simply forget to take that extra step, this video will guide you through some great ways to fix that glare, without a ton of cloning or eye-swapping.
Articles written by Jenny Edwards
Working with professional models, those who know exactly what moves to make and how to position their bodies, can be a rewarding experience. However, it's one that most of us don’t have the pleasure of on a regular basis. In this video, you’ll learn some great tips for making your everyday client look and feel like a pro.
Today’s corporate hard-hitters are busy people who don’t always have time for an entire photo session when they look to you for business portraits. For this reason, you must be prepared to accomplish a variety of looks in a time-efficient manner. This video from Jay P. Morgan of The Slanted Lens focuses on the importance of making short work of corporate portraits.
Color calibration is a necessary step in getting the very best results in your photography, yet many photographers avoid it altogether, leaving the final color edits to their printing lab, and basically turning over the outcome of an entire session to a complete stranger who knows nothing about your editing style or desired end result.
While beautiful, classic family portraits will never go out of fashion, sometimes clients desire something that shows the fun, frivolous nature of their relationships with each other, as well as the lifestyles they love. A fun, outrageous portrait that shows the special family dynamic may be just what your clients are looking for.
When Jon Mozo, an acclaimed surf photographer based on O’ahu’s North Shore, died in 2005 at the age of 33, he was doing what he loved best: photographing Backdoor Pipeline, which is considered to be one of the world’s deadliest waves. Among the four children he left behind is a daughter, Amber, who has followed in her father’s footsteps, photographing surfers, and recently visiting and photographing the very place where her father lost his life.
In the magical world of Photoshop, there are lots of different ways to change an object's color from one hue to another, but achieving a change from color to a realistic white is sometimes challenging. This video from Helen Bradley will show you one way to get quick, realistic results when changing an object from color to solid white.
A Soviet woman spent nearly 40 years photographing the world around her, but it wasn't until after her death that her photos — and her significant talent — were unearthed. As her daughter began to develop some of the thousands of negatives that she found tucked away in the family attic, she discovered a skilled genius who sadly never felt herself worthy of recognition.
Have you ever wondered why magazine publishers and other printed material producers ask you to submit your images in CMYK color space instead of sRGB or Adobe RGB? If you haven’t thought much about the “why” before now, you might be interested in the tidbit of info in this video.
Are you a traveling gear junky with a penchant for multiple lens lengths and a fear of failing camera bodies? The Lens Smuggler by Cinebags covers most of these bases, in a bag that you can smuggle onto most airplanes, provided your back - and budget - can handle it.
Hidden within the heart of Adobe Photoshop is a filter that many are familiar with, yet most fail to use to its full potential. It is a powerful, all encompassing workhorse, and its abilities may just change the way you approach your Photoshop edits. Ladies and gentlemen, let's explore the often ignored Camera Raw Filter.
Are you doing your best in client consultations? I wasn't, and my work was suffering for it. A thorough client consultation is a free, simple tool that can make a huge impact on your portrait photography business, both in terms of shoot quality, and in getting happy clients to come back for more. The best part is, it’s not difficult at all. You just have to do it.