The Internet is full of articles and videos telling you what technique will revolutionize the way you add sharpness to your images, but almost none of them tell you the most crucial step to take before sharpening, no matter the technique. In this article, I’ll show you this simple yet essential action to make your sharpening genuinely efficient.
I'm no painter. In fact, if we ever play Pictionary together, do your best to get on the other team. So, when I wanted to make my own custom backdrops, I knew I was way out of my depth. Like many photographers, I've drooled over Sarah Oliphant's hand painted backdrops for years. When I saw Jeremy Cowart draw his own backdrop on an iPad Pro, I thought I may have something within reach. While I continued trying to decide exactly what Oliphant backdrop I want to start with, I thought maybe I could experiment with some digital painting of my own.
Atmospheric effects can enhance your photos, be it with in-camera techniques or postproduction effects. Light flares are one of the most popular effects that many photographers add to their work, and is one that can easily be overdone. Just like many things within Photoshop, there are several ways of doing it. It can be a fairly simple process using adjustment layers to add light flares and even haze to your photo.
My passion for photography stemmed from a series of trips I had taken overseas and a desire to capture the beauty of those places with more finesse. Landscapes were a natural draw for me and it didn’t take long to come across the concept of exposure blending.
Before Capture One 9, no raw editor software on the market could create a mask based on color. With their recent update, Phase One created something unique with the improved color editor panel. It is now possible to select precisely one color – or a range of – and then create a mask to adjust only the parts needed.
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