I recently co-hosted a Webinar on underwater and wildlife photography with my fellow Fstopper’s writer, Mike O’Leary. During that half hour general discussion a participant asked for advice on composing an image underwater. While composition underwater can be a little tricky at first, I’ve put together a short list of things to keep in the back of your mind when you are first getting started.
Articles written by Joanna Lentini
Photographing whale sharks tends to be a top bucket list item for many underwater image-makers, and for good reason. The largest fish in the sea, whale sharks offer uniquely special photo opportunities. For those of you who have yet to photograph one of these gentle giants, I’ve put together a few tips to keep in mind for that first encounter.
Photography can be a lonely journey for some. If you are just beginning your foray into wildlife and/or underwater photography, then please join Mike O’Leary and me as we host a free webinar on Saturday, August 24th at 3pm EST. With this webinar, Mike and I hope to answer any questions you may have in relation to starting out in wildlife or underwater photography, as well as how one can use the medium as a positive force.
In my last "Behind the Image" article I talked about looking where other photographers aren't. This week I'd like to talk about the importance of being ready for just about anything — particularly when it comes to wildlife photography, as well as how images can impact our behaviors.
Every image has a story behind it, and while some can be more obvious than others, a few also provide important insights from which photographers can learn. In this article, which is the first in a series that I’d like to share with the Fstoppers community, I will explore the story behind one of my most recognized images and one of the most basic rules we are taught when we begin our journey into photography. I hope you will enjoy the series and take something away from my experiences.
More and more, we are seeing headlines about how doctors are prescribing patients time outdoors. Ailments such as obesity, anxiety, and high blood pressure are just some of the issues nature can help with. As photographers, we spend more time than we care to admit in front of screens. This can lead to depression and other issues. A healthy mind and body are essential to every aspect of our lives—including our photography.
It has been some time since Adobe last released a new control to Lightroom, and as such, I was very keen to try out their latest addition — the “Texture” slider. Since a good majority of my work is underwater, I was of course interested in what value it could add to underwater images. As I have quickly learned, this new feature is a great tool for underwater photographers — particularly those who struggle with backscatter in their images.
As I’m preparing to search for black bears to photograph, my personal safety has certainly come to mind a few times. When photographing wildlife, the combined safety of both ourselves and the species we are seeking out should be the top priority. In this article, I go over a few things to keep in mind when you head out into the great outdoors with your camera.
Capturing an image is one of many steps in the process of putting together a photographic body of work. While titling your images is not obligatory, if you are thinking of exhibiting them or submitting to competitions, then this can be an important step. Although this can sometimes seem daunting, it need not be. If you’ve struggled with this, then read on.
For many of us, the tragic event at Notre Dame Cathedral in Paris served as a stark reminder of how fragile and delicate the remnants of our human past can be. Whether globally historic or personally sentimental, we are all connected to the past. It helps give meaning to the present, and invariably helps to shape the future. With this in mind, I feel it timely to introduce fine art photographer Lisa Folino.
Plans are good. Most of us live by plans, and we like things to go as planned. But sometimes just showing up and going with the flow can yield immense rewards for photographers. There is nothing wrong with wanting to know what to expect so you can plan appropriately, but sometimes we just need to let go. Here are a couple of examples of some amazing moments I would have missed if I had stuck to plans and took shelter in my comfort zone.
Shark photography is a popular and exciting part of shooting underwater. Many photographers travel the world over to get up close and personal with these mysterious creatures. If you are planning to start photographing sharks, it’s important to have a read through some of the items below to keep yourself and the very creatures you are in awe of safe.
While I use many different tools throughout the course of a day, there are a few that I have found to be indispensable to my business. Oddly, they don’t have a whole lot to do with photography. Yet, having them in my life allows me to be more productive and stay focused on what matters most to me: photography.
The 7th Annual Ocean Art underwater photography competition winners were announced this week. The competition sorted through thousands of entries from across 70 countries and consisted of 16 categories ranging from Wide-Angle and Super Macro to Cold Water and Marine Life Behavior. The Best of Show image was awarded to Duncan Murrell for capturing an image of three giant devil rays in the midst of an underwater ballet.
Could a very niche genre of underwater photography, that people travel great distances for, be capable of protecting bizarre critters few know exist? During a visit to the Lembeh Strait in Indonesia — a mecca for macro photographers — I met with Belgian researcher Maarten De Brauwer to learn more about his research into the economic value of muck diving and underwater macro photography.