Trying to choose the right underwater housing can be overwhelming. Depending on the camera body you have, an underwater housing can easily be double what the camera cost. How can you be sure it’s the right fit before you splurge on this expensive piece of gear?
New underwater photographers often ask me what my favorite lens is for creating underwater images. And while I have a few different lenses that I shoot with underwater, none get used more than my Tokina AF 10-17mm f/3.5-4.5 AT-X 107 AF DX Fisheye Zoom Lens. It is lightweight, great for travel, and has a very short focusing distance, which makes it ideal for close focus wide angle underwater photography.
Are you new to underwater photography, or need to brush up a bit? Unsure where to get your feet wet first? While there are many ideal places around the world that are perfect for beginners, I've compiled a few of the spots that I love for their calm conditions, easy entries, and photographic opportunities.
If there is one creature I could spend the rest of my days photographing it is the California sea lion. These acrobatic pinnipeds commonly known as the “puppies of the sea” never disappoint and are by far the most playful of all marine life I have encountered.
Last week GoPro and the Professional Association of Diving Instructors, commonly known as PADI, made an announcement in Las Vegas, Nevada about their new collaboration.
Sometimes, it can feel really daunting to try to create original images like no one has ever seen before. With social media oversaturated with photography, it often seems like we have captured it all. So, when I came across surf photographer Ben Thouard’s tropical landscape images captured through the back of a breaking wave, I was a little jealous, but more so inspired and hopeful.
While the awards ceremony for the 54th Wildlife Photographer of the Year competition wrapped up last week in London, the prestigious competition opens its doors today for submissions to 2019's Wildlife Photographer of the Year competition. For those who are keen to get involved in this next competition, I highly recommend it. Photographers may submit their images up until December 13, 2018 here.
A film festival dedicated strictly to wildlife conservation films kicks off its eighth year in New York City later this week. Over the course of ten days, the Wildlife Conservation Film Festival will screen over 100 documentary films from around the world, many of which are world premieres.
Long revered as the top smartphone camera while still playing second or third fiddle in the market, Google has managed a coup in luring legendary American portrait photographer Annie Leibovitz as an official user and backer.
Adobe recently released their latest versions of both Photoshop Elements and Premiere Elements, which are entry-level versions of Photoshop and Premiere Pro. As expected, the 2019 photo and video editing versions have received a few upgrades.
Australian wildlife photographer, Scott Portelli, has spent the better part of two decades freediving with humpback whales around the tiny South Pacific island nation of Tonga. In this video, Portelli, one of Australia's top wildlife photographers, captures stunning aerial and underwater footage of one of nature's most amazing events—the heat run.
As we are now in the middle of the white shark season in Guadalupe, Mexico, many shark lovers are preparing to make their way to the waters surrounding the volcanic island situated 150 miles off the western coast of the Baja Peninsula. Having photographed white sharks in various locations around the globe, I thought I’d put together a few tips for anyone keen to shoot them for the first time.
A great white shark investigates cage divers
1. Fish-Eye and Wide-Angle Lenses: While I mostly shoot underwater with a fish-...
Brian Raymond, a lifelong fisherman turned shark dive operator and photographer, recently shared some powerful and disturbing images he captured of bycatch in the waters off of southern New England. Bycatch refers to unintended species that are caught while fishing for another species and is a regular occurrence in commercial fishing.
Over the years, I’ve acquired an interesting array of “tools” that I use for setting up and maintaining my underwater camera housing. I wish I had known earlier about some of the items I travel with, as they have made my life quite a bit easier. Most of what I carry with me has been a result of trial and error, and I’d like to pass along that information to any budding underwater photographers out there.
I never tire of creating over-under water images, a technique advanced and popularized by National Geographic photographer David Doubilet. The over-under or half and half image provides a window into two very different worlds in a single frame, and if done well can be a powerful tool in fostering a greater appreciation for the other 71 percent of our planet.
A recent video taken in the Dominican Republic highlights the global crisis surrounding single-use plastics and the power of imagery.
Underwater housing manufacturer, Nauticam, has introduced an underwater housing for the lightweight and compact Sony RX100 VI.
Few people have had the chance to look a wild orca in the eye underwater, and even fewer have had the opportunity to document an orca hunting on video. While there is not much that can prepare someone for a face-to-face encounter with an orca below the surface, no one is better suited for such an event than Underwater Photographer and Pelagic Fleet CEO Jorge Cervera Hauser.
As with land-based photography, patience and planning can go a long way underwater. And while some aspects of topside image composition are the same below the surface, there are other elements at play underwater that you should keep in mind when composing your shots.
There is a tremendous amount of magic hiding just below the surface of our lakes, rivers, and seas that has yet to be documented. And while underwater photography certainly has a few barriers to entry, if approached in a pragmatic way the initial shift can be quite simple. Let’s dive in.
