Recently, I was flown out for the first time as a photographer, and this is everything I learned from the experience, as well as what I would change for next time.
Peak Design, known for their straps, bags, and carry accessories, has partnered with Carryology, releasing special editions of their popular products. I was sent a few of these, so consider this a hands-on first look at them.
There are many benefits that come with teaching up-and-coming photographers, as I’ve come to learn. But some of them surprised me—namely that I would learn a lot more about photography, as well as myself, in the process. Consider this a short list of those benefits, along with some insights along the way.
In the world of seemingly endless options for camera bags, this has remained a favorite of mine and has been a workhorse for the past six years. It may not be the most popular bag out there—in fact, it has since been discontinued—but here’s why I wish it weren’t.
With film making a resurgence, especially among younger photographers, these are some of the critical mistakes I made while learning to use the medium that I had to learn the hard way. Throughout the video, I go through a few of them and will expand on them as well to hopefully help any photographers newer to film photography avoid making the same errors I did.
The shutter drag/slow shutter trend has found its way into any niche in photography but particularly amongst wedding photography. But is the trend a clever use of camera techniques to add a different feeling or is it overrated?
Early in my photographic career, I was really into hard light in my photos, but at a point, I started opting for really soft, diffused light, that is until recently. I’ve recently revisited using hard light, and here’s how it has shifted my photography.
In the age of selfies and having a camera in your pocket, it seems more and more young people have an endless camera roll of photos that will hardly, if ever, be looked at again. But is there a better way?
It’s safe to say we’ve all heard the phrase “love what you do and you’ll never work a day in your life.” There is also the antithesis to that, where if you love what you do, you’ll work 24/7. Well, I turned my passion for photography into my career, but the ultimate question is: does it feel like work, and do I regret my decision?
I’ve been a pro photographer for a few years, and while I was going pro, I tried just about every form of photography you can think of, except for one… until now.
If you’re like me and live somewhere with out-of-control housing costs, finding somewhere with enough space to shoot in can be difficult, to say the least. Having built out a home studio in a major city, here’s why I did it, but also how.
Recently, as I've begun exploring the realm of film photography, my dad pulled out his father's old camera and passed it down to me. I never knew my grandfather, so this feels like a moment to connect where I was never able to.
If you're like me, you have a whole bunch of small photography bits—cables, connectors, SD cards, batteries, and more—in your camera bag. If you were to use a different bag, you'd have to take all of them out and transfer them over. That's how I lived for the first couple of years of my career, and it was awful.
As photographers, we often go through many modifiers to find the right one, and this may just be my new go-to. With its low cost, portable form factor, and ease of setup, the Aputure Lantern could be right for you too.
It seems more and more, competitors are showing up in the COB LED lighting world, and this is no exception. This is the Genaray Portabright, and here's what it’s like to shoot with and ultimately who it could be for.
I've recently heard this statement confidently asserted, mostly by non-photographers, when talking about lighting. I briefly mentioned that it's a little more complicated than that without delving into a whole lesson on light and how it works, but it did leave me pondering the statement longer.
Early on as photographers, advice you often receive is to take your camera everywhere. I did this as a beginner and have advised others to do the same. That said, this camera is one I carry for a different reason, and here’s why.
Most superzoom lenses ranging up to 800mm will cost you the close to the cost of a new car, but this definitely isn’t that. This is the Jintu 420-800mm f/8.3-16mm superzoom lens.
This is one of my most favourite test shoots I’ve done to this date, not only based on how we got the shot but also how they turned out. Here’s how we shot it, how it was lit, and everything that came together to make this shot happen.
