Have you heard of ASMP before? If not, you could be missing out on a valuable resource that can have a huge impact on your career as a photographer. But, with all the fantastic resources on the Internet these days, are professional organizations worth it anymore? Yes, and here's why.
Articles written by Tommy Feisel
Baby it’s cold outside, just look at that ice beard! Only in Northern Michigan would you find someone actually surfing in this kind of cold. But, that’s what a Marquette local, Daniel Schetter or “Surfer Dan,” does. On Christmas day, Photographer Devon Hains ventured out into the cold to photograph Schetter out on Lake Superior. If you’re thinking at all about venturing out in the cold after the next fluffy snowfall to take some shots (and you should), you need to take the appropriate actions to protect your gear. In this article, I’ll share a tip on how not to completely ruin your gear after shooting in the cold.
I'm no cinematographer. I mean I dabble, like a lot of still shooters do, but I wouldn't put myself under the category of video expert by any means. That being said, I do know what I like and what I think looks good. What I've always really liked is the depth and feel of large format in still photography and, now finally, in video. You don't need to spend a $100,000-plus to do it either. See for yourself how Zev Hoover from Massachusetts accomplished it.
By now, you should already know the importance of backing up your data, and while storage (even cloud storage) isn't all that expensive these days it's still an expense. So here is my holiday gift to you: unlimited Google Drive storage for free. See for yourself if you qualify.
For as long as I can remember, there has been a tension between photographers and videographers at events. Why, why I say, can't we all just get along? Watch as an angry mob of photographers go to war against a small group of brave videographers in an epic battle for the ages. The grossly outnumbered videographers face off against the likes of Sal Cincotta, Lindsay Adler, Chuck Arlund, and more during a workshop in Tucson, Arizona.
For over a year now, I've been the lead freelance photographer for Stock and Barrel Magazine, a food and beverage publication here in Columbus, Ohio. Often, assignments get thrown my way with not a lot of time to get them done before deadlines hit. That means I get to shoot a lot of places in a very short amount of time. Oh the joys of the print world! In this article, I'm going to share with you how I shoot food on location quickly. No assistants, minimal gear, during business hours, and without pissing off the chef. Let's get started.
In case you’ve been living under a rock for the past 30 years, allow me to give you a brief introduction to the Commercial, Fashion, and Celebrity Photographer David LaChapelle who just released his latest and final books, "Lost + Found, Part I" and "Good News, Part II." LaChapelle, 54, has photographed some of the most iconic figures of the 90s and 2000s including Tupac, Hillary Clinton, Amy Winehouse, Kurt Cobain, and Muhummad Ali. Pretty much anyone worth their salt has been shot by this guy.
You've probably been there before: stuck in a creative rut. I know I have. It's easy to get into when you're shooting the same subject matter over and over again. Don't believe me? Try shooting ecommerce on white non-stop for a month and you'll see what I mean. But sometimes all you need is a change in perspective to set things right, figuratively and literally.