Photography sometimes requires us to embrace the apparent contradiction that life can be beautiful even when it isn’t pretty. This is something that Serbian-born photographer Boogie understands all too well and is reflected in his raw and unflinching photographic style.
We’ve all had that experience of eagerly opening what seemed like a promising image in Lightroom, only to be disappointed when we discover that it lacks a certain something. Here’s a short tutorial demonstrating the use of masks and tone curves in Lightroom to bring more impact to your images.
Canadian photographer Greg Girard left Vancouver in the 1970s to explore Southeast Asia with his camera. His colorful, atmospheric landscapes showed us a very different and unfamiliar part of the world that, for Westerners at that time, was much less traveled and even less well known.
Mastery of the camera, a keen photographic eye, and excellent timing are all prerequisites for being a good portrait photographer. But there’s another quality that is much harder to come by and less often talked about, yet it can distinguish a great portrait photographer from a good one.
In one of the most inhospitable regions of the world, where life exists on a knife’s edge, Ragnar Axelsson has spent four decades photographing the beauty of its frozen landscapes and, more recently, the impact of climate change on the lives of the hardy people who call this frozen wilderness home.
Places of emptiness and desolation might not immediately demand the attention of the photographer, but they have a haunting beauty that is all too easy to overlook. For one landscape photographer, the quiet magic of these neglected spaces has often been the source of his inspiration.
Less can often be more when it comes to creating stunning portraits in Lightroom. If you’re relatively new to it or you’re somebody who prefers a minimalist but effective approach to portrait editing over going crazy in post with loads of effects, then this tutorial is definitely going to help you.
It is often through the eyes of an outsider that we are most able to see ourselves clearly. The collection of iconic images that Swiss photographer Robert Frank captured on his 10,000-mile road trip across America amounts to nothing less than a historical document and a landmark in American culture.
There is a short list of books that distinguish themselves from the mainstream of photographic discourse, and even fewer for which a good case could be made that they are required reading for anybody serious about photography. This new book about the art of photography scores on both counts.
As a filmmaker, there’s no denying that Wim Wenders has a distinctive and immediately recognizable visual style. But did you know that, in the years before his film career really took off, he developed and honed a great deal of his visual creativity working in the medium of Polaroid photography?
A social media presence might be essential, but with social media platforms in a state of flux, which is the best one for a photographer to call home? The fast-growing Bluesky platform could be a breath of fresh air for photographers tired of their work being hidden behind a pay-to-play paywall.
Bright sunshine can be a gift to the photographer, creating deep shadows and contrast that accentuate shapes and forms and lend your images a vivid intensity. But the flat, gray light of an overcast day has its own special ambiance and mood that can be a better fit for more contemplative scenes.
In 16 short years, mirrorless cameras have gone from being the new kid on the block to the new normal, now accounting for about 90% of all sales of interchangeable-lens digital cameras. The compact Panasonic Lumix G1 was the very first mirrorless camera, and it changed the photography world forever.
The advent of generative AI images has sent a seismic ripple through the photography world, and the concern extends beyond the obvious issue of competition. The manner in which generative AI cannibalizes and resamples existing images has photographers considering how best to protect their work.
The best thing about the internet is that there are so many sources of photography education out there. The worst thing about the internet is... that there are so many sources of photography education out there. So how do you sort facts from lies told so often that they’ve acquired the status of fact?
You crest the brow of a hill to behold a magnificent landscape, but as you’re framing it in your camera’s viewfinder, you realize that this stunning scene is intersected by ugly power lines. Is editing them out later in Photoshop an option you would consider, or one that feels somehow dishonest?
