It was my first wedding to shoot and I had never shot one before. I get stressed out really easily, so doing this was a bad idea for me all the way around. I missed shots, I missed a set of groups, and my lighting for the reception was terrible. On top of not having a clue on how to get a proper exposure for a wedding and what images were important to the couple, I delivered full-resolution files on a plethora of disks that caused more confusion than good. Today, I'm using online galleries provided by Pixieset and flash drives for file delivery.
Articles written by Zakk Miller
If there is anything photographers can agree on, it’s that we are obsessed with quality. This is a good thing when dealing with business, clients, and even personal projects. How many times though has this caused a glitch in documenting your personal life? I can personally say that I’ve let this get the best of me.
I often get asked about my lighting setup for wedding receptions. Receptions can be an unruly beast to light properly without good equipment. You never know what you’re getting into with things like ceilings, available light, and even the white balancing nightmare of the DJ’s LED light system. Don’t assume that these setups are going to make you a better photographer over night.
Have you ever had that gut-wrenching feeling of being defeated after a wedding reception? Let’s be real, it happens. There comes a point where photographing wedding receptions get so frustrating that you either dive deep into off-camera lighting, or you get out of shooting weddings altogether. I can relate 100%. Despite the terrible lighting, there are a couple ways to pull this off without just turning all the lights on in the building and compromising the receptions atmosphere. These are a few of the ways I light a wedding reception.
When I first discovered ShootProof, I loved it. The idea of handling all of my file delivery as well as print sales from an online platform easily through my website was just amazing. But after a good amount of time, I grew frustrated with a couple flaws in their system that were deal-breakers for me. I then switched over to Pixieset and haven't looked back. Pixieset isn't near the giant that ShootProof is (yet), but ShootProof could take a few lessons from the up-and-comers.
Depending who your friends are, you either love or hate Lightroom preset systems like VSCO Film, Mastin Labs, or the ever-so aged RAD Labs. The argument on one side of the fence is that everything becomes cookie cutter and lacks unique emotion. The other group of people say that it brings consistency and speed to an otherwise long-winded project. I’m primarily a wedding photographer so I understand both sides of this very reasonable argument. I’ve always hated trying to understand preset systems. I mean, since when is a preset supposed to be harder to get right than doing it all yourself?