When you're first starting out with artificial lighting, it can feel a bit like trying to speak French in Russian. In between the modifiers, the types of light, and their placement, each setup is a puzzle. This helpful video will describe the main types of lights you'll have in a studio setup and how they relate to each other.
Let's be honest, managing our image files is arguably the least rewarding part of a photographer's job. There's very little satisfaction that comes with a well-organized catalog, and even less satisfaction when we can't find the files we need on a particular device. In the mobile age, having access to all your images and catalogs at any time on any device is critical. And, when you get a new computer, laptop, tablet or other device, getting access to your files can sometimes prove challenging, as I wrote about last week when I purchased a new MacBook Pro from B&H.
If you spend any time surfing photography forums and Facebook groups, you will undoubtedly see a constant flow of questions asking for the best way to nail focus. Maybe you are one of those people that find themselves struggling. The trick is that most cameras have a setting that will help you focus like a pro. That trick is called back-button focus, and once you use it, you’ll never want to go back.
Everyone has a different feeling on collaboration. I feel that it's a very good thing for a new photographer, but I also feel it can be greatly misused or misrepresented. I used a model/photographer finding website to gain skills and experience via collaboration, and I feel it was a shortcut to what would otherwise have been years of work.
One of the most common retouching catastrophes I see on a day to day basis is an overzealous attack on eyes. Like over-baked HDR, obnoxiously over-retouched eyes have become almost ubiquitous among less experienced retouchers. Awareness is the first step to recovery, so in the spirit of painting a big obvious flag in front of all of you eye ruiners out there, take note. Your models will love you if you learn how to make their eyes look amazing without making them look like they belong in an episode of "Stranger Things."
One of the best things about window light is that you can find it almost anywhere. As winter approaches and chilly weather threatens to keep photo sessions indoors, photographers will face the choice of how to light their portraits. Strobes and flashes are a great option, but not all photographers own them. Almost everyone has access to a window though, and a window has plenty to offer any photographer who knows how to use it.
When it comes to filmmaking, a really popular look is the cinematic look. This is something that can be really difficult to perfect especially when you're first starting out in the industry. Fortunately, Armando Ferreira, a YouTuber and filmmaker has provided some techniques that are relatively easy to implement. The great thing about the techniques outlined in this video is that they're either completely free to do or may only cost a small amount, making them very viable. Personally, what I love about the techniques Ferreira discusses is that they're so simple to do and even a complete beginner shouldn't find them too difficult.
Instagram Stories are here to stay. That is no surprise to anyone. In a recent year-long study, Mediakix, an influencer marketing agency, found what everyone pretty much already knew: Instagram has effectively killed Snapchat Stories with the advent of Instagram Stories. Amongst influencers (and let's be honest, social media Influencers run the social media game), usage of Snapchat Stories has fallen 33 percent in the last year while influencers are twice as likely to post stories via Instagram.
Landscape photographer Thomas Heaton has been releasing one hit after another on his Youtube channel lately and his newest video is one of my favorites. Focus stacking is a great and relatively simple trick any photographer can use to add a unique look to your images.
When I was first getting into photography in college (and teaching myself), I read as many “10 Ways to Improve Your Photography”-type things as I could. My reasoning was this: even if I already knew some or most of what was included in the book or the post, if I picked up just one solid piece of new knowledge, it would have been worth the effort, and it was a quicker read than a long book. To me, those types of articles are still useful. Some see them as clickbait, I see them as an easy way to either refresh what I know or learn a quick tip that may be beneficial to my career when I'm short on time.
Platon is a widely acclaimed British portrait photographer. His portfolio includes, among others, images of the president of Russia, Vladimir Putin, former president of the United States, Barack Obama, and the chilling portrait of revolutionary chairman of Libya, Muammar al-Gaddafi. His book "Power," shows portraits of more than 100 famous and infamous, past and present heads of state.
There are endless instructions and formulas out there you can choose to follow when working towards becoming a photographer. To say that it's overwhelming is an understatement. I know all too well how easy it is to let the discouraging cloud of options cause you so much anxiety that you fail to accomplish anything in a day. Our time, money, and attention spans are limited, but you do not have to let this stop you from following your dreams. I know, there's a lot of tutorials to watch and gear to purchase, but it's what you do every single day that will take you farther than anything. So, here's what I do, and I do it obsessively.
Perhaps one of the biggest rites of passage for a photographer is gaining proficiency with artificial light. It can seem a bit daunting at first, but once you get some basic principles down, it's really not that hard, and you'll greatly expand your photographic capabilities in the process. Dive into this great video to get started.
The first time I wanted to fly a drone, my friend suggested I buy a $20 version on Amazon to practice with, because they tend to be much harder to fly without all the advanced navigation and stabilizing features of more expensive models and teach you good skills. My first flight lasted four seconds and ended with a bent prop and me prying the drone out from the slats of a park bench. I did get really good at flying it eventually. Having a beginner's guide would have been a bit more helpful, though. Luckily, you have this!
It doesn't matter if you shoot weddings, portraits, or work in the commercial world. With the smallest about of kit and a little bit of knowledge you really can dramatically improve the quality of your images. The guys over at Westcott have produced a fascinating video with Chicago-based photographer and educator Bob Davis. This demonstration is focused on how to enhance the look of your groom preparation shots, but I actually think these tips can be used in various genres of photography.
Back in 2010, I was commissioned to do a photo of some spices for a family friend. I had never done anything like that, so I wanted to do a good job, and invested in my first off-camera flash setup. It was daunting at first, but I’ll never regret dipping my toes in the water and starting to learn about one of the most important things about being a freelance photographer: learning to control light.
Movies exist to tell stories. Through writing, performance, sound, and photography, they share with us worlds and visions that help us interpret the real world outside of the theatre doors. So what are the best films made about our lives as photographers?
Landscape photography is the often stigmatized genre of it not communicating anything other than display of beautiful imagery at best. In this epic arc series, I strive to provide an integral resource for working on your own landscape images. We’ll cover planning, shooting, and post-processing, and talk about anything from composition to colour theory. And for the more advanced photographers, we’ll include the use of shapes, tropes, and negative space to aid in compelling visual storytelling. This week: A composition primer.
Lars Schneider, an adventure and landscape photographer from Germany, spent two months on the road with his family traveling across the Southwestern US. This video documents his trip, but I also interviewed Lars about the challenges and rewards of running a photography business on the road, while at the same time taking care of a family.
Stephen Crane has not created any lists.
