The new Nikon NIKKOR Z 50mm f/1.4 lens is an intriguing option for anyone considering adding a fast prime to their gear collection. It offers a mix of familiar features with some quirks that make it unique, all at a very reasonable price.
Coming to you from Julia Trotti, this detailed video takes you through a real-world portrait shoot using the new Nikon Nikkor Z 50mm f/1.4 on the Nikon Z6 II. Trotti walks through various lighting situations and apertures, giving you a clear sense of what the lens can do. Her approach of showing both unedited and edited photos gives you a transparent look at how this lens performs straight out of the camera and after some post-processing. It's not just about sharpness; the lens's unique bokeh and chromatic aberration characteristics also come into play.
The video highlights several important aspects of this lens, especially in terms of performance versus other options in Nikon’s 50mm lineup. Trotti acknowledges that this f/1.4 model can be a bit confusing in the broader context of Nikon’s full frame system. For example, while it sits between the 50mm f/1.2 and the 50mm f/1.8, its image quality is closer to the f/1.8. This raises questions about where it fits in terms of value. Despite these comparisons, Trotti’s field tests show that the lens can still produce great results, especially when working at higher apertures like f/2.8, where sharpness really shines.
If you care about autofocus performance, Trotti offers insights into its strengths and weaknesses. The stepping motor in this lens performs well in many situations, but she noticed some slipping in close-up shots. If you often shoot portraits from a distance, this won’t be much of an issue, but for those tighter compositions, it’s something to keep in mind. Trotti shows examples where focus is inconsistent, especially in the eyes, which might be a concern for anyone prioritizing precision in their work.
The lens’s bokeh is another standout feature. Trotti describes it as reminiscent of vintage lenses, with a unique texture that adds character to some shots but might feel distracting in others. How much you enjoy this will depend on your aesthetic preferences, particularly if you shoot in natural environments where the background plays a major role. Chromatic aberration is also present, especially in high-contrast, backlit scenarios, though for many, this might be more of a minor concern. Check out the video above for the full rundown from Trotti.
