Sony a1: The Good, the Bad, and the Ugly

Sony a1: The Good, the Bad, and the Ugly

Sony Netherlands gave me a Sony a1 for a review. During two weeks, I dove into this amazing camera, learning about all the things that make the Sony a1 the top of the Alpha line-up. I shot a lot of pictures and learned a lot of things about this camera. These are my thoughts.

I got the FE 50mm f/1.2 G Master and the FE 12-24mm f/2.8 G Master together with the Sony a1 — two great lenses that made photographing a lot of fun. I used the Sony a1 next to the Canon EOS R5, also with a 50mm f/1.2 lens. To my own surprise, both cameras are very much alike, not only in possibilities but also in size and weight. Instead of writing a traditional review, I decided to write down the good things about Sony a1, the bad things, and also the ugly things. 

The Sony a1 with the two lenses I used during my review.

The Good

Let's start with the newly designed menu. It is more logical and much friendlier to use. Navigating is almost intuitive, and you are able to find the right function quite easily. It took years of complaints from users and critics before Sony decided to change it, but it is finally there. 

Finally, Sony has implemented a new menu structure. It is a great improvement.

The dynamic range of the Sony a1 is amazing. It lets you lift the shadows without ending up with too much noise. It is perfect for situations when HDR won't work or filters are not practical. If you need to capture the scenery with just one exposure, the Sony a1 won't let you down. Just be sure to not clip the highlights.

It is easy to lift shadows, thanks to the large dynamic range of the sensor. (Sony a1, FE 12-24mm at 12mm, ISO 160, f/11, 1/125 s)

The autofocus works as well as you may expect from a modern Sony Alpha series camera. It's accurate and quick, and you have the opportunity the focus on the eyes of humans, animals, and birds. On top of that, the camera can distinguish faces. If you have programmed it for one person, it will choose that one over the others.

The Eye-AF is very fast and accurate. It is the best I have used to far. (Sony a1, FE 50mm, ISO 100, f/1.2, 1/800 s)

The dials, wheels, and buttons will make it easy to set your camera to your own needs. But it also helps to adjust settings very quickly. The design is based on the Sony a9 and a9 II, which is a good choice.

The Sony a1 has a 50-megapixel sensor, allowing you to crop the image without losing too much resolution. Although many won't need this amount of pixels, it's nice to have. If you need even more pixels, just activate the pixel shift function which increases the resolution by a factor of four.

Dark clouds at sunset, just before the rain came down. (Sony a1, FE 12-24mm at 12mm, ISO 400, f/11, 1/10 s)

The buffer can store somewhere in the vicinity of 500 images before it runs out. When shooting 30 frames per second, this buffer is filled in about 17 seconds. This is enough for almost any action you can imagine.

The Bad

Although the new menu is a big plus, Sony hasn't made it as good as possible. That's a pity. It still has strange and cryptic abbreviations, and even though every menu function offers a help page, it won't help you that much.

Although the menu is improved, it still has cryptic abbreviations. The help function isn't great on some occasions.

Sony says the a1 can shoot up to 30 frames per second. But it only reaches these speeds under very strict conditions. You have to choose the right file format (JPEG or lossless raw), and it's limited to a certain range of lenses. On a lot of occasions, the camera won't go beyond 20 frames per second. But to be honest, on most occasions, that's more than enough.

The flash synchronization speed can go up to 1/400 sec with the mechanical shutter. It is great to see these shutter speeds for flash. But unfortunately, this sync time is restricted. You need to tick all the boxes before you are able to reach these speeds. 

The 1/400 s flash synchronization time doesn't work on all occasions. (Sony a1, FE 50mm, ISO 100, f/1.2, 1/200 s, Profoto B10)

The projected menu information on the screen can be difficult to read at times. Although it depends on the subject in your frame, the red color of the chosen function is almost unreadable in some situations. Especially when the icon is relatively small or when words and abbreviations are used, you need to look closely to decipher the meaning. Fortunately, you will get used to it, and you will be able to recognize it to compensate for the unreadable information.

The projected menu options can be difficult to read, especially the red parts. This also depends on the subject.

The Sony a1 offers high-resolution functionality for those who want more than the 50 megapixels available. With pixel shift, the Sony a1 makes it possible to shoot an almost 200-megapixel image. You can choose between 4 or 16 images. But it isn't possible to process these images in the camera. You need to do this in your post-production. If you know how it works, you can do it yourself. But if you don't have the skills, you need to use the Sony software for the pixel shift high-resolution images.

How much resolution do you need? If you need almost 400 megapixels, you will have to use pixel shift and merge the images yourself. It can't be done in camera. (Sony a1, FE 11-24mm at 12mm, ISO 200, f/11, 1/100 s, panorama with three images)

The Ugly

The camera is very fast, and the amount of images that can be stored in the memory is amazing. But it takes almost a minute before the buffer is cleared. During this time, you can't use the functions in the menu. You have to wait until the buffer is cleared. I have to mention this was tested with a fast SD card. I don't know how fast it is with a CF Express Type A card.

Shooting a series of images is no problem at all. But clearing the buffer takes about one minute. Some menu functions can't be changed while clearing the buffer, but it has improved since the Sony a9 (Sony a1, FE 100-400mm at 388mm, ISO 1,600, f/5.6, 1/2,000 s)

The autofocus may work well under normal conditions, but when the situation gets more challenging, it may become much more difficult to use it the way you like. The camera isn't measuring the light and autofocus with the maximum lens opening, but it's closing the physical lens opening if you turn towards a smaller aperture. This way, the autofocus won't have the maximum amount of light available, which can make it difficult. 

Under normal conditions, the AF works perfect. But if you want to use a large depth of field in a dark environment, it may fail on you. (Sony a1, FE 50mm, ISO 100, f/1.3, 1/200 s)

If you run into a situation when you need to focus in a dark environment with a small aperture, the camera will sometimes fail to recognize faces or eyes. You may even get in a situation when the camera is hunting for focus. I have run into situations when the autofocus fails to focus at all.

Most of the time, you will open the aperture when the environment is dark. But if you need a small aperture and the light is bad, be prepared for possibly failed autofocus.

More About the Sony a1

There are more things to tell about the Sony a1. It shoots video in 8K, and there are lots of settings available for video-oriented enthusiasts and professionals. I don't know enough about video capabilities to give an opinion about the Sony a1. But I do know the fast readout speed of the sensor makes the camera less subjective to the rolling shutter effect. This is perfect for video shooters who love to shoot a lot of action.

The Sony a1 is weather resistant. 

The connections, ports, and battery are well designed. I like the hinged doors that cover the ports. Unfortunately, the battery door lock is not spring loaded.

About the Price of the Sony a1

The Sony a1 offers a lot of functions and possibilities. It is a great camera with an improved ergonomic design and a larger grip compared to its predecessors. I do believe it is the best photographic-oriented Sony camera on the market today. But you will pay a lot of money for this top-of-the-line model. Even though some specifications make it a very luxurious camera with amazing capabilities, I think it is overpriced.

Morning has broken... so has the bank. The Sony is expensive (Sony a1, FE 12-24mm at 24mm, ISO 50, f/16, 1/2 s)

Spring in the Netherlands. (Sony a1, FE 12-24mm at 21mm, ISO 200, f/11, 1/160 s)

My Conclusion After Using the Sony a1

I must admit, the Sony a1 is the best Sony Alpha series camera I have ever used. It ticks a lot of boxes that were missing with the previous models. It's a pity Sony didn't introduce these improvements in previous models. The menu is one example, but the size and ergonomics are also something they could have taken care of a long time ago. 

With every new Sony camera, the size and ergonomics become better. The Sony a1 now has a good grip for me. I like it. Here, the Sony a1 is standing next to the Sony a7R II.

An overview of the knobs and dials of the Sony a1

Even with the improvements, I believe there is still room for more. I wonder why Sony didn't make a lot of these changes as perfect as possible. Some are just not ready. It wouldn't surprise me if the next camera will introduce just another set of minor improvements.

The Sony a1 is a great camera with amazing capabilities. I enjoyed shooting with this model a lot, more than any previous Sony camera. I want to thank Sony from the Netherlands for the opportunity to review this camera. 

Shooting landscapes with the Sony a1 is fun. Unfortunately, it doesn't have a fully articulating LCD screen. 

The Sony a1 can be purchased with this link.

What is your opinion about the Sony a1? Do you have one, or are you planning to acquire one soon? I love to read your thoughts on the good, the bad, and the ugly in the comments below.

If you're passionate about taking your photography to the next level but aren't sure where to dive in, check out the Well-Rounded Photographer tutorial where you can learn eight different genres of photography in one place. If you purchase it now, or any of our other tutorials, you can save a 15% by using "ARTICLE" at checkout. 

Nando Harmsen's picture

Nando Harmsen is a Dutch photographer that is specialized in wedding and landscape photography. With his roots in the analog photo age he gained an extensive knowledge about photography techniques and equipment, and shares this through his personal blog and many workshops.

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Beautiful photos. Great skills. You will achieve great results with just anything, Mr. Harmsen.

Thank you for the compliment.
The camera is just the tool. Brand and model often don't matter that much