When the dynamic range of a scenery is very large, it might be necessary to use some kind of trick in order to keep it inside the histogram. At least, if you want to prevent pure white or black in the picture. Some use filters, others use bracketing. But why not use both?
Sometimes even the widest wide angle lens is not enough. In those cases you have to shoot multiple images and stitch it together into one extreme wide angle shot. You can go as far as 360° around, if you want. But you have to avoid parallax errors.
I think it is always wise to shoot in raw. The raw file format will store the maximum amount of image information. This can even be optimized when shooting with exposure to the right to make full use of the dynamic range of the camera. Although intended for JPEG photographers, a flat picture profile can have a benefit or raw shooters also.
Nearly every modern camera has different metering modes to measure the amount of available light. It is possible to measure the average across the image, or just a part of the image. Do you use all of these metering modes? Or is it better to limit the use to only one?
When it comes to composition rules, we often use the rule of thirds to build up a composition. It is an easy way to bring a little bit of order in chaos. Another good habit is the use of lines. It can be used to strengthen your composition.
We all know about Luminar. The post-processing software from the company Skylum is quite popular amongst a lot of amateur photographers. Perhaps professional photographers also. It is said to be an alternative for Lightroom, but I don’t agree.
When I bought a tilt-shift lens for my landscape photography, I soon discovered how to shoot panoramas without the need for a nodal slide. But I noticed some parallax problems. The answer to this was the Rogeti TSE-frame.
Macro photography is a fun thing to do. With a normal macro lens, you can reach up to a 1:1 magnification. With a couple of extension tubes, it is possible to boost the magnification a bit, but not much. If you are interested in higher magnifications, you could try a reverse ring first.
We are quite familiar to the rule of thirds, the golden ratio, and perhaps the Fibonacci spiral. We know how to use it in photography, more or less, and we all have heard about breaking these composition rules. But perhaps you should use composition theory instead.
For my annual trip to Lofoten, I had the opportunity to shoot with the Fujifilm GFX 100. Prior to the trip, I had just a few weeks to get acquainted with the camera. Here are my thoughts on this 102-megapixel camera for landscape photography.
If your subject is far away, you can use a longer focal length to bring it closer. When the subject is very large, a shorter focal length can capture it al at once. But did you know the focal length can also be used in another way?
There are amazing lenses available. It is tempting to buy a special lens, because it can open doors to a whole different kind of images. But there are lenses which you probably won’t need anytime soon. Here are six of them.
Buying a beautiful f/2.8 lens zoom is tempting. Large apertures are always better. If you’re using primes, a f/1.8 or f/1.4 is even better. But is that expensive large aperture lens really necessary for your photography?
During the last photo trip I hosted at Lofoten, I used the new Haida M10 filter system together with their new filters. Although I was somewhat skeptical at first, I found it to be a really nice system that worked very well under cold conditions. This is my review.
The DSLR has been called a dinosaur on the brink of extinction. It has been called old-fashioned, or even outdated technology. It is all because of the mirrorless cameras that hit the market a few years ago now. Let’s have a look at the differences between the two and find out if both systems can live next to each other.
The resolution of camera sensors is still increasing. Over the last decade it has grown from 3 megapixels to 50 megapixels and more. At first the increase in resolution was a significant one, but not anymore. Do we really need more resolution than the cameras that hit the market today?
Having a new camera is exciting — playing around with settings and looking at the first results on your computer. It is very easy to set the exposure, and some basic settings are not difficult to find, but do you really take time to learn how your camera works?
A lot of things are said about photography that are not always correct. Many photographers might get the wrong idea about a lot of things. Are you one of those photographers?
With the release of Luminar 4, it has become amazingly easy to replace a boring sky with something more appealing. You only need to pick the sky of your choice, and the artificial intelligence part of the program does an amazing job in masking out the sky and changing it into something else. But should you use it?
The use of filters is very popular among landscape photographers. There are a lot of beautiful filters available that can help capture the landscape in the way you want to. But how useful are these filters in reality? Let’s have a look.
