Street photography is a craft that requires both spontaneity and intention. It's not just about capturing what’s happening; it’s about capturing it in a way that tells a story or evokes a feeling.
Coming to you from Tim Jamieson, this excellent video emphasizes the importance of shooting with intention. One of the first lessons shared is to think about whether to shoot in color or black and white before you even raise your camera. Many of us default to fixing images in post-production, but starting with a clear intention changes everything. For example, when shooting in black and white, you might focus on contrast, textures, and timelessness. In color, you’d look for complementary tones or bold clashes. This approach gives your images more depth and meaning, making every frame purposeful rather than an afterthought.
Another valuable insight from Jamieson is about working on a project. Instead of taking random shots, having a theme or concept can give your work direction. Projects can revolve around a place, an idea, or even recurring elements like reflections or umbrellas. For instance, documenting your neighborhood as it changes through the seasons can add a sense of narrative to your portfolio. Projects also help you see your photography as part of a larger whole, pushing you to think about what you want to say with your work rather than just snapping interesting scenes.
One practical takeaway is the power of patience. By staying in one spot and waiting for the right moment to unfold, you can capture layers and nuances you might miss if you’re rushing. This technique allows you to focus on the details of light, composition, and the subtle interplay of human interactions. Similarly, layering within your frames—placing elements in the foreground, midground, and background—adds complexity and invites viewers to explore your images. This approach, described as “more is more,” can make your photos richer and more dynamic.
A key part of street photography is overcoming the fear of photographing people. Jamieson talks about building confidence by starting in busy locations or at events where people expect to be photographed. Over time, you’ll feel less intrusive and more comfortable getting close to your subjects. Learning to wait for authentic emotional moments—a laugh, a glance, or a quiet reflection—brings depth to your photos, even if they’re not technically perfect. Check out the video above for the full rundown from Jamieson.
Do not do Street Photography due to some legal things like getting releases from people and other things I read about some years ago and seeing a video where after getting a capture a Photographer asking people to sign a release some did and some did not. I know out in a public area on public streets are open season BUT also know some get sued after. One reason I never do anything with people, never say never I have gotten groups on a beach with the Milky Way above BUT got addresses and sent photos to all and rewarded with plus replies and images of photos on their walls, But again Always ask!!! But I am not a Pro and selling anything, just every capture for me is an experiment of camera functions.
1. I was out doing MW's and these families were fishing together using a kayak and at time in my way but did not get upset and after talking to them I found out the fathers were headed to Afghanistan so all stood still for 20sec. i print up a couple of 5x8's and some 4x6's and mailed to them I got some in return.
2. A bunch of Naval Academy seniors were walking the beach and did not know or could not see the MW behind but sent some 5x8's also got a photo back of it on their rack wall.
Just checking my skills. It can be done without a flash!!!!
Indoor shots are fun a local theater group did not have a photographer and I asked and got great images Walking along a beach and saw a group listening to bowls with a moon rise behind also sent prints.
It's all about memories!!