How long do you think it would take to photograph over five million miles of road? Since 2007, Google's Street View teams have been doing just that; capturing panoramic images of millions of miles of roads all over the world. Armed with a fleet of vehicles with 360 degree cameras mounted atop of them, the Street View team has managed to capture a few lucky shots while motoring across the globe. It's a pretty incredible project if you ask me.
Work of many talented street photographers in San Francisco is being recognized at The Harvey Milk Photo Center. The exhibition includes 52 works of 28 street photographers, with all images captured within San Francisco, California. The exhibition was the brainchild of David Christensen, the Director of the Harvey Milk Photo Center. A group member, CJ Lucero, brought the group to David’s attention and, after having reviewed the images from the SF Facebook page, he became determined to present the work to the public. The groups' administrators then labored over several months to put together this amazing show: that team included Michael Kirschner, RE Casper, Denis Englander, and James Watkins.
In this episode of The Slanted Lens, Jay P. Morgan is running around downtown Los Angeles capturing some product photography. He demonstrates how he is able to create interesting compositions and work with natural light to get the most usable shots possible with just a camera and a reflector.
Can iconic photography be passed from father to son? This was the question that caught my attention at the beginning of this short film. Los Angeles-based street photographer Estevan Oriol’s style is intense. It’s raw and it’s edgy. It depicts a side of street culture that isn’t always positive, yet within the images a captivating reflection of humanity can be witnessed.
Shooting someone's portrait can be a very personal experience. Even in a controlled environment such as a studio, the success of an image often depends on a photographer's ability to establish a rapport with their subject. That is difficult enough at the best of times, but what about those occasions when you don’t control the environment, such as photographing total strangers in the street?
We've all attempted multiple exposures. We do it when we want to create a specific feeling when shooting portraits, and we do it when we want to expose correctly for an architectural photograph client, to correct in post. We use a tripod, to make sure the images are identical, and we either use the camera's automatic stop metering to compensate and expose all the needed information correctly. And then Grant Legassick goes and changes the way I always considered multiple exposures and how they can be used.
Sean Lotman photographs the people of Japan's streets and beaches. One of the main reasons he shoots film is because he shares a darkroom with his wife, Ariko Inaoka. For him the advantages of physically printing the images has it's advantages, he can lay them out on the floor, rearrange them and figure out what the project is about and where to take it. You can do the same with the digital photography workflow too, but I must say, it's something I have never done.
In case you haven’t seen this video pop up yet in your social media feeds, check out Comedian Buddy Bolton sneaking up on unsuspecting pedestrians who have stopped to take a selfie. Instead of photobombing though, he had a different plan: cutting their selfie stick in half with gardening shears.
Producing an interesting audio-only podcast about a visual-only medium is one task I wouldn't want to take on. Over the past few years, I've downloaded, listened to, and deleted countless photography podcasts that were too dull or boring to justify more than a few minutes of my time.
Sam Zeller is giving it all away. It began with releasing 184 photos for creative commons use on stock photo site Unsplash. From there the Swiss photographer and FujiFilm ambassador has decided to unload an entire archive of his images taken across Europe for free use to anyone with the aptitude to find them.
There is a tiny island in the Indian Ocean called Mauritius that reminds me of heaven. When my husband and I got a job offer to work there some years ago, I had no idea I would meet this amazing soul that was Khatleen Minerve. Eventually, she turned into a very talented and requested photographer.
Let’s be honest, it is very rare we come across photographers who shake us instantly, make us believe in the magic of photography at its very rawest again; photographers who get engraved in our hearts from the first sight to their work. Fan Ho was that kind of artist for me. At 84, he passed away from pneumonia on June 19, 2016 at a hospital in San Jose, California leaving us a remarkably unique body of work. I came across his magical photos this winter and since then I am hypnotized by the imagery he used to create.
The Cooperative of Photography (COOPH) teamed up with Switzerland-based Street Photographer Thomas Leuthard as he hits the streets of Salzburg to demonstrate some of the techniques he uses to be a true ninja street photographer. Leuthard arms himself with a discreet Olympus OM-D E-M10 Mark II mirrorless camera to capture the essence of everyday life as it happens on public streets.