Back in April, I ventured on a trip to Havana, Cuba with the lofty goal of capturing the culture and people there within with my favorite little 35mm film camera. With the recent news that President Trump plans on buckling down on all travel and trade to Cuba, I'm all the more grateful than ever to have made the trip when I did. The Cuban experience is easily the most surreal of any international travel that I have ever experienced.
New cars have cameras everywhere – in addition to the almost-ubiquitous backup cameras that will be required standard equipment on all new cars next year, newer cars have front-facing cameras that enable a host of safey-related features. But what if you could use that camera for photography? Turns out that you can, with a little bit of ingenuity and some hacking from Volvo engineers.
It applies to life as well, but if you want to get out there and take some great images, don't be a d*#k. Eduardo Pavez Goye takes us through how he gets his street photography shots on film. It's a great challenge these days, the streets are filled to the brim in the cities, which is great for taking multiple shots, but it's not as easy when shooting film. You want to get it without someone moving in front of your shot to block and spoil your composition. I found his tips to be great. It's practical, and completely doable.
I'm a sucker for simple videos like this and can really appreciate what goes into making them. As I strive to jump more into video, it is interesting to stay tuned and watch what other people create to help give me ideas for future work. The coolest thing to me about a video or even a photo is the mood or feel it can convey. A lot of the video work I do, I focus on sharp focus, straight lines, clean shots, accurate color, cutting to music and a few other little things. I mainly shoot real estate videos, but it is nice to have the freedom to shoot whatever I want, however I want rather than following my standard rules for shooting real estate. I have been messing around more with video and hope to come out with something to show from it soon enough!
Once again in a series of articles for my frequently visited cities, I have compiled a list of locations for first time photographers to Madrid. The list is open to interpretation and I encourage you to go off the beaten path. It is a rough guide to get lost with a purpose. In my last two articles on Tokyo and Barcelona I focused on street portraits, architecture and night shots of the city. While in Madrid last April of 2016 I walked the city streets with my customers as seen in the Google map below.
It’s easy to think of underwater housings as a one trick pony. I mean, the name “underwater housing” suggests a very specific use. But in reality, these housings are good for protecting camera gear in all sorts of extreme conditions. So when I had the chance to shoot the Holi Festival in India, I thought it would be the perfect place to test the new underwater housing from Aquatech that was designed specifically for the Fujifilm X-T2.
Tokyo is one of my favorite cities and I lived there for many years. While the crazy volume of traffic and crowds can be overwhelming at times, it's always an inspiring and surprising place to explore with a camera. So, where should you go if you only have a few days or less to shoot this incredible city? Here are a few of my favorite locations to visit with a camera, and the stories of some of the photos I have taken there.
How long do you think it would take to photograph over five million miles of road? Since 2007, Google's Street View teams have been doing just that; capturing panoramic images of millions of miles of roads all over the world. Armed with a fleet of vehicles with 360 degree cameras mounted atop of them, the Street View team has managed to capture a few lucky shots while motoring across the globe. It's a pretty incredible project if you ask me.
Work of many talented street photographers in San Francisco is being recognized at The Harvey Milk Photo Center. The exhibition includes 52 works of 28 street photographers, with all images captured within San Francisco, California. The exhibition was the brainchild of David Christensen, the Director of the Harvey Milk Photo Center. A group member, CJ Lucero, brought the group to David’s attention and, after having reviewed the images from the SF Facebook page, he became determined to present the work to the public. The groups' administrators then labored over several months to put together this amazing show: that team included Michael Kirschner, RE Casper, Denis Englander, and James Watkins.
In this episode of The Slanted Lens, Jay P. Morgan is running around downtown Los Angeles capturing some product photography. He demonstrates how he is able to create interesting compositions and work with natural light to get the most usable shots possible with just a camera and a reflector.
Can iconic photography be passed from father to son? This was the question that caught my attention at the beginning of this short film. Los Angeles-based street photographer Estevan Oriol’s style is intense. It’s raw and it’s edgy. It depicts a side of street culture that isn’t always positive, yet within the images a captivating reflection of humanity can be witnessed.
Shooting someone's portrait can be a very personal experience. Even in a controlled environment such as a studio, the success of an image often depends on a photographer's ability to establish a rapport with their subject. That is difficult enough at the best of times, but what about those occasions when you don’t control the environment, such as photographing total strangers in the street?
We've all attempted multiple exposures. We do it when we want to create a specific feeling when shooting portraits, and we do it when we want to expose correctly for an architectural photograph client, to correct in post. We use a tripod, to make sure the images are identical, and we either use the camera's automatic stop metering to compensate and expose all the needed information correctly. And then Grant Legassick goes and changes the way I always considered multiple exposures and how they can be used.