I love street photography. I love to get to a new place and through exploring and taking photos of what I see is the ultimate pleasure and satisfaction when traveling. Eric Floberg takes us on to the streets to show how he photographs strangers, and gives some tips on how he gets great shots. You don't need to be in a big city to go around shooting. It's actually the small towns and cities that make for interesting characters in spaces many people have seen.
One of my regular gigs is photographing the training events hosted in London by Parkour Generations. Winterval, a day of hard training outdoors regardless of the conditions, takes place every January and shooting it can be a daunting prospect; winter in London is often grim, with short, dark days made grimmer by drizzle or worse. This year we got lucky with glorious sunshine, albeit accompanied by a biting breeze.
Using a thin, round, six frame, glass plate, "spy camera", a nineteen year old Carl Størmer (1874 – 1957) captured candid images on the main streets of Oslo, Norway. These atypical images are a rare glimpse into everyday life at a time when most photos taken were of well prepared, composed and stoic subjects. If you're interested in the three part documentary video, be sure to turn on "subtitles / closed captions" and switch to "auto translate" English.
Brandon Li reviews a pre-released demo version of the Moza AirCross Gimbal by walking through the city of Hong Kong. He goes through the paces of covering the technical aspects, but what I am most interested in, and what he's best at, is showcasing his style of shooting and his way of moving through the city and getting the shots he's known for.
Street photography is a genre of positioning and opportunity, meaning you can often end up going to a specific place and waiting a while for the right shot, something that not all of us have the time to do. This neat video shows you five common shots you can find easily, even on your commute.
Walking up to a complete stranger and asking them if they would like to have a photo taken of them is a challenge for some people. This is exactly what Jessica Kobeissi set out to do, but she wasn’t alone. She decided to have the duo from Mango Street, Rachel Gulotta and Daniel Inskeep, join in on her escapades in the streets.
What makes one street photographer any greater than the other? Is it the streets which they frequent? Is it a matter of being in the right place at the right time? Or is the answer more about perspective and the people who fill the streets? Remarkable Street Photographer Rinzi Ruiz opens up about the inspiration behind his stunning street photography.
Street photography is a tough genre: it can offer an intimate and unfiltered look at life, but many photographers are hesitant to engage in it because it can lead to unpleasant or even dangerous situations. This interesting video examines the many ways one can engage in it beyond just the most well-known approaches.
The essence of channeling your inner muse to create amazing photo-journalistic images requires a very specific mindset. Here are a few tips I've learned on perfecting your photojournalism skills to create more powerful intentional images, and these tips can be adapted in other forms of photography to fit your purpose.
Just like motor vehicles have critical parts that are crucial to the safety and functioning of the vehicle, so too do photographers have gear that they need to work every time to get the shots they desire. It’s what makes you able to get the shots you want and it also gives you your unique style which translates into your photography and work. Second to that, you get the items that change and improve your process of making images. And with the style of photography I pursue, often straight from my bike, the Capture Pro Clip is one of those game-changers.
Outdoor on-the-go DIY style editorials are really picking up in the fashion world. It is a good skill to have in your toolkit as a budding photographer. In this article, I want to break down how a small team of talented artists and myself went about producing and shooting two full on-location, outdoor editorials for Bullett Magazine in less than two weeks in NYC.