Canadian photographer Nick Wons took to the street to test the low-light performance of his new Nikon 70-200mm f/2.8 FL VR lens. While wandering Queen Street in Toronto, he noticed a man walking away and thought it’d be best to take a snap. He wasn't prepared for what he captured.
A new toy brings more joy into my photo workflow.
It doesn't matter what kind of photography you do, the skills required in street photography are some of the most valuable you can learn. It's for this reason that you need to watch this free masterclass.
There’s been some intense discussion in recent weeks as to whether freedom of expression gives photographers the right to be intrusive and disrespectful towards their subjects when photographing in public. Do the laws governing street photography need to be addressed, or does any change pose a threat to the First Amendment?
I have long been a staunch critic of the street photography genre. One of the biggest problems I've seen over the years, most notably as a judge in dozens of major contests, is derivative work. In this article, I will discuss six types of street photographs that we simply don't need any more of.
I have long felt that perhaps too many photographers prioritize bokeh and blur more than they should, but now I am a hypocrite, because I fell in love with an f/0.95 lens.
What's your response when you're told that you're beautiful? Eighteen year-old photographer and student, Shea Glover, decided to "film what I thought was beautiful." Without intending to, she has conducted an amazing social experiment on the effect of simple positivity and a compliment. The reactions are perfect!
A strong critical reaction has led to Fujifilm pulling an advertisement that highlighted the work of photographer Tatsuo Suzuki. It seems that holding an expensive camera is not a license for an obnoxious and provocative style of street photography.
Street photographers have had a wealth of great lenses across many different systems to choose from over the years. Two of the most common lenses available for this are 28mm and 35mm lenses, often the preferred tool for many. But, which one is better?
Practicing street photography is one of the quickest ways to become a better photographer. Here's why each and every one of you should be hitting the streets with your camera.
The announcement of Night Mode promises “low-light shots never before possible on iPhone.” Between the new mode and the addition of a truly wide lens, the iPhone is more competitive than ever. But do the shots actually hold up in the field? I tested against my Nikon Z 7, with surprising results.
Street photography is a particularly tough genre to achieve success in: it takes a combination of a quick eye, good instincts, and a dose of bravery, and even then, a little luck certainly helps. Personally, I think that even with that taken into account, a lot of street photography is simply bad photography and exploitative of the subjects.
One of the more popular styles on Instagram is urban photography that sports a high contrast look with some desaturated colors. When trying to reproduce this look though, a lot of people run into problems. When adding contrast to an image, oftentimes the colors become more saturated, which is the opposite of what is needed for this look. When you try and use the saturation slider to fix the problem, you end up taking out some of the color that you need for the image.
Some of us photographers, particularly those of us who create content of any description, have worked our way through a lot of cameras, both owned and tested. One photographer has used nearly 90 cameras since 2016, and decided to rank them all.
When an opportunity presents itself, be prepared. That’s what Syracuse photographer, Jody Grenier, found himself in three weeks ago. Every morning Grenier stops by one of the iconic locations in Syracuse, Clinton Sqaure; always looking for a photo op if it arises. At 5:30 AM on November 30, he had his camera at his side for a special capture.
Many people believe that size matters, especially when it comes to photography. But what if you could get a high-quality camera worth $6,000 and almost do away with all your bulky gear? Check out the new Leica Q2 Ghost camera.
Street photography is a challenging genre that takes the combination of instinct, quick reflexes, strong technique, and creative vision. Even if it is not your primary genre, taking it up can improve your work in whatever it is you do shoot. Before you head out again, check out this fantastic video tutorial that discusses five things to consider that will improve your street photography.
Street photography captures everyday life in unique ways. From rare moments to aesthetic portraits, each style offers a different lens through which to see the world. Understanding these styles can help you refine your approach or explore new creative directions.
A newly-released documentary photo series has captured Japanese businessmen collapsed on the street, exhausted, and intoxicated following crippling work pressures.
Armed with just a single portable V-Flat, and a Profoto strobe, see how New York based headshot photographer, Laibel Schwartz creates a photo studio in the streets of Manhattan, and captures magical headshots of strangers.
A key component for many street photographers is context in a scene. To many, an image without space in the frame for the setting may be considered as a portrait and not belonging to any particular genre or style. Street photographers are so focused on context they gravitate towards rangefinders that let you see outside the frame. This commonly held approach to street photography lends itself to the ubiquitous use of wide angle lenses.
There are as many approaches to street photography as there are streets in any major city. Some photographers use autofocus cameras and long lenses to capture candid scenes from a distance. Some shooters point their manual focus film cameras at funny street signs. Others look for shafts of lighting falling between tall buildings.
I spent 48 hours in New York City and took a bit of time to reflect on what makes for the perfect street photography camera.
Street photography is a peculiar genre in the ethical questions it carries with it. This thoughtful video essay examines questions that go beyond simply wondering if you should do it at all.
We are living in an era that everyone complains about their bulky camera gear and how hard it is to carry it all day. Many photographers are now switching to mirrorless cameras for this reason. But hey, there is another solution for that: You can minimize your lenses and other gear, rather than changing your main camera body. That's what I did.
Is the Ricoh GR III the perfect compact camera for street and travel photography? Based on my time with the camera this year, I’d say yes. Having made the switch from the Fujifilm X100V to the Ricoh GR III I took the camera on a 3 week trip to Japan. It quickly became my most used camera - shooting with it was an absolute joy.
If someone came to you and said you're going traveling and for one reason or another can only bring one lens with you, what lens is the first that comes to mind? How many of you would think of a solid 35mm prime?
Quirky lenses are commonplace on crowdfunding websites like Kickstarter, but they don't all get funded and they aren't all quite this quirky. This lens did get funded and is now in the hands of backers.
Zone focusing is an essential skill to learn, particularly for street, travel, and documentary photography. Even the latest autofocus technology on new expensive cameras can’t beat this method of getting photos quickly and in perfect focus.
