Investing in the latest photographic equipment is a decision fraught with financial implications, one that every photographer must navigate carefully. The rapid depreciation of camera gear serves as a cautionary tale for photographers keen on maximizing their return on investment while still achieving professional results.
Coming to you from Scott Choucino with Tin House Studio, this pragmatic video explores the economic wisdom behind opting for second-hand camera equipment over the latest models. Choucino, who has never bought a brand-new stills camera, makes a compelling case by drawing parallels between his experiences in purchasing cars and camera gear. He highlights the steep depreciation that new items undergo, illustrating how significant savings can be achieved without compromising on performance. This approach not only reflects a personal ethos of frugality but also challenges the pervasive industry notion that newer is always better. Choucino’s philosophy is especially relevant to those navigating the financial pressures of building a career in photography.
Moreover, Choucino debunks the myth that top-dollar equipment is a prerequisite for landing high-paying gigs. He shares his experience of shooting a global ad campaign with a camera and lens far from the cutting edge, underscoring the irrelevance of gear in the face of skill and creativity. This perspective is invaluable, particularly in an era where the allure of the latest technology can often distract from the art and craft of photography itself. By advocating for thoughtful investment in equipment that serves the photographer's actual needs rather than chasing the latest trend, he provides a blueprint for financial savvy in a profession where the cost of gear can quickly become prohibitive. Check out the video above for the full rundown from Choucino.
As U Brits would say. "spot on." U R in business to make money as a photographer, not spend it on equipment (kit).