Being good at photography or filmmaking doesn't automatically lead to a successful business. You have to make yourself known to the world. Making that possible doesn't always require a lot of money. In this article I will share my personal approach to marketing my photography and filmmaking business.
One announcement last week from Sony's press conference flew under the radar for many as it was mentioned after they unveiled the a9 and worked everyone into a frenzy. Sony will be expanding support and level of professional services for working photographers in North America to "meet and ultimately exceed their expectations."
I was 14. After a year of mowing lawns and shoveling driveways I had finally saved up enough money to buy my first real camera (a Canon S30). At the the time, online stores like Amazon barely existed. Still growing in their late-90s infancy, the global online marketplaces we have become so accustomed to (like eBay) were barely a blip on the retail radar. Instead, I got in the car, and my mom drove me to an amazing place that felt like the center of the photography universe. Housed in an old bank (vault and all) was this incredible, gear-packed mecca called Milford Photo. My visit that day changed my life forever.
Ever wonder how to go about raising your rates for an existing client? Perhaps you’ve been struggling to find your niche. You may be in luck because episode number one of Chase Jarvis’ new show, The Daily Creative, was just released and these are a few of the topics that were discussed.
Mike Kelley and Fstoppers have teamed up once again to produce the third installment of Where Art Meets Architecture. Over the past few years, creating images for realtors, architects, interior designers, and property management companies has become a booming industry for professional photographers. In this tutorial, Mike focuses on how to photograph the hospitality market including how to shoot hotels, resorts, and rental properties. For the first time in his career, Mike also shares everything he knows about the business of commercial architectural photography including pricing your work, creating bids and contracts, marketing your business effectively, and building licensing fees for residual income. We are excited to finally release the most thorough tutorial we have ever produced on architectural photography and have a special offer inside.
My background was in design and web development before I was a photographer. So in my eyes, it's easy to see a connection between design and photography, and how that should translate to a photography website, however I am still surprised at how many photographers’ websites are very much behind the times. Mostly because most photographers are not designers or programmers. I see them using flash, or splash (intro) pages, saying “click here to enter website.” I want to talk about some basic practice that is absolutely essential in today’s world of websites.
Makeup artists are an invaluable part of the creative team for many photographers. In fact, there are certain genres of photography that rely so heavily on makeup artists that we simply couldn't work without them. Unfortunately, there seems to be a few serious problems cropping up between makeup artists and photographers.
There’s a big trend in the business of weddings. In the old days, when venues had to walk to the bus stop uphill both ways in the snow, they also designed and printed their own wedding brochures. These handouts are given to every couple who comes into the venue. They typically feature some nice photos of the space, sample menu options, and a list of their “preferred vendors.” Lately, venues have started to contract out their brochure design process, and most of them are using the advertising firm Hawthorn Creative. Let's try and figure out if it's worth it for you to advertise in these handouts.
There are a lot of variables to consider when discussing the income we generate from our photography. Aspiring professionals often site a lack of work when defending their status as either hobbyist or part time photographers, but the truth is often a little more complicated than that. When times get tough, many creative photographers use the skills they’ve collected to generate income in other ways.
I stepped into photography world over 10 years ago and was lucky enough to have a wide variety of clients from different parts of the world. This made it essential for me to be flexible while negotiating or taking jobs despite cultural differences, from Armenia to U.S., from Mauritius to South Africa, Singapore, various European countries, and more. Usually you will get hired based on your portfolio, but sometimes there are clients who don’t understand much about photography. This is where the danger is. Everyone wants to get top results for the money they spend by hiring you, but what is considered the best for such clients?
A couple of weeks ago a tax-pro-turned-photographer named Brandon Scott helped us navigate the approaching tax deadline with some helpful tips. Now that most of us have (hopefully) filed our 2016 returns, I thought it would be a good time to chat about 1099 forms. If you're like me, you not only hire independent contractors, but you act as one too. Here is a rundown of all things 1099.