The Oversaturation of Photography: Is Social Media Killing the Photographer's Eye?

The Oversaturation of Photography: Is Social Media Killing the Photographer's Eye?

Without a doubt, social media has revolutionized the experience, dissemination, and even creation of photographs. Social media platforms like Instagram and Twitter have leveled the playing field in a lot of ways, allowing photographers to instantly share their work with hundreds or thousands of followers. Combined with the availability of high-quality cameras in smartphones and social media algorithms, the number of images disseminated to the world has absolutely exploded. Despite this democratization of the craft, has social media actually diminished the value of photography?

The Popularity of Social Media Platforms

Instagram, Facebook, Twitter, Pinterest, etc. The list goes on and on. With just a smartphone, an app, and a few taps, you can quickly share your work with thousands of followers and likewise, digest the work of whomever you want. This ease of access, combined with decreasing costs of equipment and increasing capabilities and ease of use, has made photography explode as a hobby and blurred the line between amateur and professional. In turn, this has led to increased pressure on professionals to constantly produce content to keep up with the veritable tidal wave of onrushing images. This is especially a problem when you factor in algorithms, which often prioritize and reward consistent, repeated posting.

20 years ago, this would have required a helicopter. I made it with a $500 drone. What's next? 
You might just say that photographers should simply avoid competing with the mob on social media, but that's an issue itself. Consumer habits are constantly evolving, and nowadays, many consumers turn to social media first when looking for services. In fact, over half of Fstoppers traffic is now mobile devices. Many professionals can't afford to simply cut out a wide swath of potential clients. Most consumers these days shop with a prioritization on quickly finding someone who fits their general needs and desires at a reasonable price, emphasis on "quickly." This often means they'll go with the first visible person who matches their rough idea of what they want. 

Quantity Over Quality 

On social media, likes and follower counts reign supreme. This means content production often focuses on gaming those quantities — going viral — over originality, storytelling, and artistry. I recall a few years ago when I made an unusual image I was particularly proud of, posted it on Instagram, watch the like count lag behind my other posts, and felt the strange urge to delete it. Why did I feel so influenced by that arbitrary number?

Quantity over quality, algorithms, and likes counts commodify the craft and diminish the artistry. "Instagrammable" locations become so because they offer easy visual impact; rather than mine the depths of creativity for original creative thought, we are trained and even pressured to take the most efficient route, cultural, historical, and/or artistic significance be damned. 

The Homogenization of Photographic Styles

Because photographers are (perhaps unconsciously) trained to chase trends, the craft as a whole becomes largely homogenized. When you are chasing what is popular at the moment, you will seek to emulate it, which only reinforces the popularity of that trend. Teal and orange, yellow raincoat in front of waterfall, backlit hair flinging ocean water skyward, significant other leading cameraperson by the hand, the list goes on and on (and on and on). 

The homogenization is only made worse by presets and filters. The consequence of ease of access and increasing efficiency of editing is a reduction in creative exploration. Why learn to color grade when the Mayfair filter will do it for you? 

The Balancing Act of Professional Photographers

All this is fine for an amateur who has no real skin in the game, and, I dare say, it's even a good thing. At least, it encourages people to use a camera, to explore creativity without a technical barrier in place. But for professionals, it results in a significantly complicated landscape. Professionals who work years to develop a sound and recognizable personal style may suddenly find themselves beholden to the latest aesthetic trend, caught in a balancing act between relevance (and thus, income) and artistic integrity.

Beyond that, the flood of amateurs means increasing expectations for free or heavily discounted work. This can lead to an overall devaluation of the profession. Particularly as smartphone cameras continue to grow in their ability to produce good images in less challenging situations, educating the consumer on the value a professional offers becomes more difficult. 

The Future

While the platform of choice is seemingly always in flux, social media usage continues to rise, with Gen Z using it for even more time per day than Millennials, the first generation to at least partially grow up with it. So, the answer is not fighting the presence of social media; that's a losing battle. Nothing short of a fundamental cultural shift will ever change that.

Photography is now as much an experience as a product.

What photographers can do, however, is educate potential clients. The human brain tends to oversimplify that which it knows little about, and thus, it can be difficult for the layperson to understand the value of a professional in any realm. Almost everyone on the planet has had the experience of thinking they could tackle some task, only to realize they have vastly underestimated its complexity.

One cannot fight the tools, the algorithm, or the culture. Like it or not, professional images make up a very small fraction of the billions of photos produced and put out into the world every day. What one can do, however, is establish an argument for why what they offer is worth something more, why the mom and pop shop is better than the generic mega-store. Gone are the days of technical image quality being a sufficient argument. The most successful photographers I know today don't sell images; they sell an experience. 

Conclusion

Social media and smartphones have, without a doubt, fundamentally changed the landscape of professional photography. They have given countless photographers the means to share their work and build their brand, but it has also led to a tidal wave of content and a homogenization of style. The viability of the professional photographer has not died, but what sustains that viability has evolved, and it is crucial that we embrace that. 

Alex Cooke's picture

Alex Cooke is a Cleveland-based portrait, events, and landscape photographer. He holds an M.S. in Applied Mathematics and a doctorate in Music Composition. He is also an avid equestrian.

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8 Comments

The question that arises for me is: who or what is a photographer? Obviously anyone who creates a digital image with their smartphone. According to this reading, there are now billions of photographers in the world. Accordingly, everyone is a baker who heats up the rolls in the oven in the morning, everyone is a cook who heats up fast food in the microwave in the evening and everyone is a writer who creates a blog post. Wow, the world has changed a lot. And now ChatGPT comes along and makes a lot of things just banal and ordinary.

To stay with photographers. Yes, they still exist, those who (have to) live exclusively from it. They are also called "species-appropriate" professional photographers in this article. And they are an endangered species. It is of little help to try to explain to the client why my work as a professional photographer is so much more expensive than that of a photographer. The only thing that helps is to find a niche that a photographer does not (yet) fill. In the end, only a few professional photographers will survive the next 10 years in their profession. And more and more knowledge about the craft will be lost. And one day in the distant future, everyone will be a photographer without knowing why.

"Is Social Media Killing the Photographer's Eye"? Cant speak for everyone, but for me....yes. If they tone it down a bit they will have magnificent photos. I've seen many great compostions and sceneries. They could have 'artistic' work possibly if they tne it down a bit, but....each to their own. It's alright.

Social media and smartphones have, without a doubt, fundamentally changed the landscape of professional photography. They have given countless photographers the means to share their work and build their brand, but it has also led to a tidal wave of content and a homogenization of style. The viability of the professional photographer has not died, but what sustains that viability has evolved, and it is crucial that we embrace that.

The thing it has maybe not killed but put on life support is the viewers of photos having any idea what is realistic. People seem to just automatically believe that hyper-saturated composites have anything to do with reality. It's fine paintings were never held to the standard of reality but I don't think anybody deluded themselves that it did. People see stuff on Instagram and seem to have an idea that they can see that place in real life.

"automatically believe that hyper-saturated composites "

Interestingly this is, to me, a fault of professional photographers as well. Sky replacements, over-done HDR, false or over hyped colors, items removed from the image etc. (think of so many sunset, ad copy and landscape photos). Some pros seem to be pushing this more than most phone camera users.

Even here you will see quite a few photographs that do not represent reality.

This entire article can be summarized as follows:

"The Oversaturation of Photography: Is Social Media Killing the Photographer's Eye? Yes."

A lot of people (like me) use photography to express ourselves on social media & we are easy to pick-out. We are not interested in art or commerce or trends. We try and be sincere about our subjects and want people to know how we view them.

Another thought, what is happening now with phone and even drone cameras is a replay of the Kodak in the late 1800s. Photography generally consisted of a portable darkroom and a wagonload of chemicals and equipment. The people who did this were professionals.

The Kodak brought in a sea change. For a relatively small price and little equipment or technical training, a person could create a pretty good image. Within a few years, the number of people actively taking photographs changed by 3 or 4 orders of magnitude. It was no longer an exotic, difficult, expensive art. I'm sure that some of the old school disliked this change, but in the end it broadened photography.

In some ways, photography is merging with other graphic arts because of ever present computers. Photographs are very naturally included in Word documents, posters, spreadsheets, where the photo is not really the entity in itself as much as being a component in something bigger