If there's one area of photography that has stagnated with regards to improved tech, it's lenses. That isn't to say they haven't improved, but by nowhere near the rate at which cameras have. Perhaps that's about to change.

Canon has made a few development announcements regarding the upcoming EOS R3, dropping some specs that underscore just what a powerful camera it will be. Still, there is a lot we do not know about the upcoming body, such as its resolution. However, Canon is planning to make the official announcement in just a few days, and we'll soon know everything about the camera.

If you are looking to purchase a new camera, you have surely checked out a few camera comparison videos. In this video you will see some surprising conclusions.

Mirrorless cameras like the Sony A7 don’t use a traditional phase detect autofocus. While this enables popular features like eye tracking autofocus, it brings a number of tradeoffs, which could be a deal-breaker for certain applications.

Have you ever come back from a shoot using your 50mm lens, only to find the images feeling slightly off, but you can't pinpoint exactly why? Understanding how to use this popular lens correctly can drastically improve your photography results.

Just as we recover from Sony’s surprise launch of its 61-megapixel a7R IV, rumors have just started circulating that Canon is about to announce its own high-resolution, full frame mirrorless camera featuring a sensor that may boast more than 80 megapixels.

Canon has some incredible lenses in their lineup, but with all that performance and image quality often come eye-wateringly high price tags. And yet, they also a lens for APS-C cameras that costs only $149, and it far outperforms its very affordable price tag. This great video review takes a look at the lens and if it can keep up with the demands of a modern, high-resolution sensor.

When Nikon first started with their teasers, there was a lot of excitement. Many people were intrigued about the larger lens mount and the potential for super-wide-aperture lenses. The excitement now seems to be fading and the reality of Nikon's mirrorless system is starting to set in.

Laowa, the king and queen of interesting lenses, have released a 9mm non-fisheye lens. That is, an ultra wide-angled prime lens, with "zero distortion."

Like the Nikon D750, the Canon 5D Mark IV is the parent brand’s attempt at making what’s arguably the most versatile professional full-frame camera system that fits the needs of most professional photographers, except that it beats the D750 on nearly every metric that matters, as it should for a newer camera. Still, Nikon’s D850 easily strips the versatility title from Canon for plenty of reasons, not the least of which is resolution. The 5DS line, however, isn’t the only thing at which Nikon is taking aim with the new D850.

Canon came out swinging in 2020, but their 2021 lens roadmap shows that they were only just getting started, as we can expect a whopping 16 mirrorless lenses, with multiple revolutionary new options and 13 L models.

Nikon allowed me to try out a preproduction model of the Nikon Z 9. This long-awaited camera turned out to be a marvel. During a fortnight, I came to appreciate this camera a lot. In this article, I'll tell you about my experience.

Every time I hear someone say how much better a camera or lens or computer is from the previous model, I cannot help but think of how little you actually need to create nice images.

If you thought the megapixel war was over years ago then you might shocked by the latest cameras released by Nikon, Sony, and Canon. The D810, A7RII, and 5DsR are the biggest and baddest pieces of artillery on the front line, and today the team at Fstoppers is going to determine once and for all which camera is the best. With enough megapixels to challenge some of the most popular medium format cameras, these compact full frame cameras pack a lot more punch than you would think. Don't believe us? View the full high res images and take the poll yourself!

Most landscape photographers prefer to use wide angle lenses for the majority of their work, but that does not mean telephoto lenses cannot be useful as well, and in fact, they can be a great way to distinguish your work from that of others. However, telephoto lenses come with their own pitfalls, and this excellent video details one of the most hazardous mistakes you can make and how you can fix it.

For the past few weeks, the entire Fstoppers team has been debating about the best photography gear of 2015. We even reached out to the Fstoppers community for your opinions as well. After hours and hours of debate, our list is finally complete.

The Sony a7 III being announced right off the back of the Canon 6D Mark II release is probably one of the all-time great shutdowns in photography history. But are there still a few good reasons to choose the Canon camera over the Sony?

I wish we’d all just move on. The format that used to be a compromise between image quality and price in the film days is nowadays being taken as the sole possibility for a serious photographer, and if you are not part of the gang, you apparently deserve to be ridiculed.

As I am writing this Apple is having a press conference about their new products. The Apple Watch is getting a software update, the Apple TV is getting a total overhaul, the iPhone is all new (and can finally shoot 4k video), but potentially the most exciting news for photographers is the Apple iPad Pro.

I purchased the eight most popular noise-cancelling wireless headphones to find the best one. Sadly, there isn't a single set that is clearly the "best," but I can help you choose your next pair wisely.

Perhaps no lens is more commonly relied on by professionals in challenging environments than the 70-200mm f/2.8. So, which company makes the best version? This great video review compares the respective 70-200mm f/2.8 options from Canon, Nikon, Sony, and Panasonic to see which one is best.

We’re now well past three years since the a7 III was announced, and Sony has just registered a new camera body, sparking another round of excitement. Is the a7 IV finally upon us?

Photography today is more accessible than ever before because cameras are everywhere: not only shaped as DSLRs, but in phones, tablets, laptops, and in the James Bond ball-point pen. It is easy to press a button a capture something your camera is pointed to. Lots of people are thinking about taking the snapshot game to another level: buying a professional camera and making professional photographs. Most of these purchases end with disappointments, but there's not much talk about them. This article will take a peek behind the scenes of the failures newbies face when they first try using a DSLR.

The holiday season, and the rash of sales that goes with it, always inspires a simple question: “what purchases would make an improvement to my photography business?” But, the more pertinent question, far less often asked, is: “do I really need to make any purchases at all?”

The Nikon D800 has been much criticized for its enormous megapixel count. And some have worried that packing 36 megapixels into a full frame sensor might lead to decreased low-light performance. These samples, however, push those worries aside. It's no D4, but for 36 megapixels, I think Nikon should win an award for this. Canon took a different route with the 22-megapixel 5D Mark III, but that paid off, too. See for yourself in the full post!

As Canon keeps filling out their RF mount lens library, more patents of interesting and innovative lenses have continued to emerge. Two new patents recently came to light, and these lenses look like potentially fantastic options for sports and wildlife photographers.

Canon must feel like they simply can’t win. For the last couple of years, they’ve been too slow to innovate, and now, when they bring out a mind-blowing lens, everyone says that it’s too big, unnecessary, and far, far too expensive.

If you don't know Sigma's Art series lenses yet, you're missing out. Their well established 24mm, 35mm, 50mm, and zoom options in the Art lineup shine, but it's hard to believe it took this long for a wide-angle 20mm f/1.4 Art to make it out into the real world. But the moment I began shooting with this beauty is the moment of the past didn't matter anymore. We're in a new world: there's a 20mm to die for; and this is it.

Canon cameras tend to get a lot of flak for seemingly being behind the times technologically speaking, though they remain the top brand in the world. Nonetheless, it's not all bad with them. Here are three things that I think Canon cameras do very well.