Buying expensive gear and mastering lighting and technique play an important role in photography but ultimately, these things are secondary in achieving a solid portrait when facial expressions are factored in. No matter the genre of photography, whether it's fashion, weddings or family portraits, connecting to the subject is far more important than any other detail in shooting portraits. When portraying a personality or specific mood, there is a necessity to connect and extract emotions and moods.

While many of us have grown to love the services offered by the web giant Squarespace, their e-commerce options have been seriously lacking one important feature needed for professional photographers. In this candid letter to Squarespace, I pose a couple of questions that I feel the company may not be listening to.

Nobody wants to fail at photography, do they? Success and failure are both achievable, although the latter is easier. This is how to set about failing and, therefore, succeeding.

I recently came upon an exhibit entitled “Faces In The Crowd” by photographer Alex Prager and it really got me thinking. Not about the creativity, the concept, or the message. I wasn’t even thinking about any of the technical aspects that would have gone into creating these images. As my eyes wandered across the sea of people represented in her images I had but one thought in my mind; it took one amazing director to pull this off.

A reader sent us in a tip to check out a photographer on TikTok that approached a wedding couple and took portraits of them. Is it wrong to do if the people you are approaching are already on a shoot with another photographer?

The "Robot Revolution" is already underway, but it's meeting pockets of resistance, including one based in our photographic community. Fans of America’s most-visited theme park and photographers alike have recently banded together to save a small group of talented professionals from replacement by machinery.

The traditional advice for photographers is to pick a niche and focus in on it, as this will allow you to distinguish yourself and rise above the many other competing photographers. And while that is excellent advice, there is merit to pursuing a multitude of genres as a photographer. This great video essay makes a case for being a jack of all trades photographer.

Over the last two days, Kiev, Ukraine has seen its worst violence since the Soviet era, with the death toll now at 75. Fighting between police and protesters escalated when protesters used Molotov cocktails and lit several fires in the city square. This video - shot on a drone - shows the epic devastation from above, and I believe this may mark a very significant turning point in photojournalism. Has the public's desire for the theatrical become too large a part of journalism?

With the plethora of new camera features that manufacturers have rolled out in recent years, it begs the question, “How much more do we actually need?"

Photography is an art form that allows us to capture moments, express emotions, and tell stories. The skill of the photographer is paramount to this, but the same can be said of the camera brand that they choose to shape their vision. We are all drawn to certain camera manufacturers for our own reasons, It can be said the right tool for the job applies here. So, why do photographers prefer certain brands over others?

Full frame photography was once the preserve of the hefty DSLR, but as the mirrorless bandwagon gains traction, we are now seeing a number of full frame mini marvels emerging on the market. Offering the same sensor — and so image quality — of their bigger brethren, but in a much smaller and lighter package, are these fantastic additions to the product lineup or just the latest fads?

We spend a lot of time talking about when it’s the best time to buy new gear. But it can be harder to know when is the right time to let go of the old gear as well.

It’s always a good idea to have the best camera possible to fit your professional needs. But, sometimes, the camera you choose to use just for fun can be equally important.

Learning about photography was once confined to books, courses, and mentorship. Now, however, there are more resources at our disposal than we could ever deplete. Here's one that flies a little under the radar.

What type of photography do you do? Portraits? Still life? Macro? Aerial? Fine art? Fashion? Commercial? Advertising and editorial photographer Joseph Ford does many of these – sometimes simultaneously. His latest project of beautiful diptychs proves unequivocally that your creativity and innovation are what will set you apart and win you top tier commercial clients. Read his exclusive interview to find out how his latest project came about, and what you can learn and apply for you and your business.

Free? Working for free? When I started out, being asked to work for free made my blood boil; Didn’t people know I had bills to pay, rent to make, black T-shirts to buy, rounds of beer to shout, girls to woo? These things cost money, and it still makes my blood boil when I’m asked to work for free. And yet I often work for free. Confused? Here’s how working for free is a good thing and how to ensure your blood doesn’t boil in the process.

When it comes to wildlife photography, high megapixel cameras aren't normally the first kind of cameras that most people tend to think of. Cameras such as the Canon 1DX Mark II, the Nikon D5, and the Sony a9 come to mind, due to their incredible burst rates, rugged build quality, and amazing autofocus systems. Tony Northrup, an avid wildlife photographer, believes the Nikon D850 to be the best camera for wildlife photography. In his latest video, Northrup describes in detail why he believes this to be true and based on the information he presents, it's difficult to argue against his points.

I derive motivation as well as enjoyment as a photographer by seeing continuous improvement in my work. In this article, I’ll share five factors that have pushed me further along in my photographic journey.

Leica is arguably the most polarizing photography brand out there, though its users tend to be fiercely loyal to the brand, which is why it is always interesting to hear why when one leaves them for another system. This insightful video essay features a photographer discussing why he might leave Leica after four years with the brand and switch to Nikon.

The L-Mount Alliance marked the culmination of a remarkable period in the history of the (digital) camera. However in five years time, will we look back and see this as the beginning of the end? Was the L-Mount Alliance simply too little, too late?

2018 is coming up fast and Tony Northrup has uploaded his latest video with his camera predictions. Although predictions can very often be wrong, it doesn't stop us from trying. On occasions, many of us, including myself, tend to make predictions based on what we hope to see in the future.

Recently announced at the head of WPPI a couple weeks ago, was the Profoto B2 strobe system. The unit, small in comparison of its competitors, was arguably the most exciting product announcement this year at the popular photography convention. However, the burning question everyone has been asking is… is 250Ws enough for on location work like Profoto suggests?

The focus on gear acquisition is framed almost entirely around lenses and bodies. But some investments have dramatic impacts to your quality of life as a photographer, that aren't either a lens or a body. What are yours?

When you're shooting film, especially large format film, you have a lot of time to think. When your hands are in a bag and you're loading or unloading many sheets of film, the mind tends to wander and probably the subject that crosses my mind the most is "why?" Shooting digitally would be so much faster. I could be out having a beer somewhere! I could be editing some images in Photoshop from an editorial gig that I've been putting off. Hell, I could be practicing my juggling skills (or learning to juggle). So, why am I instead up to my elbows in this bag, enduring the necessary tedium of film life? Here are some common doubts I have and the reasons I push past them!

The Fujifilm X100V is a great little camera and has received widespread acclaim. Here is one photographers thought on what makes it almost perfect.

If I had a nickel for every time I witnessed a photographer missing out on a great photographic opportunity in the name of fear, I'd be a rich man. Fear is one of the most powerful forces that holds us back in our lives. Fear of failure, fear of rejection, fear of embarrassment, or fear of injury all play a huge role in our decision making by clouding our rational judgment. By letting fear control us we let it define the limits of what is possible. Never let fear play a key role in the creation of your art.

A prominent hospital in Brisbane, Australia has put an end to any presence of pro photographers during the birth of babies. This has led to outrage among some in the photography community and a petition to end the hospital's stance.

Pentax recently announced the K-3 Mark III, the third iteration of their flagship APS-C camera, which reinforces their stance that their future (and as they argue, the future of photography) is in DSLRs, not mirrorless cameras. With an industry increasingly focused on mirrorless cameras, why is Pentax going against the grain?

Most of the times, wedding photography is looked at as this big ball of happiness, glam, and glitz where two hearts come together to exchange eternal vows and so many people come together to celebrate it in a grand way. Now that’s the fun part. From a wedding photographer’s eyes, there’s a lot more to it. From client communication to shooting to editing to delivery, there are so many things that a wedding photographer juggles around before signing a project off happily. One of the most important parts of it is the legal contract.

Is there anything finer than a monochrome silver gelatin print shot on film? Should we even attempt getting close to that with digital? Black and white are either misused or underused in many genres, and it’s time for a change.