Audio

How To Start a Video Project in Premiere Pro

How To Start a Video Project in Premiere Pro

We all have an idea of how a non-linear editor works. You drag the files into the timeline, and move them around to create the interesting video you are intending to produce. But, if you're like me, setting up the project and to make sure no files go missing or aren't imported correctly can be a problem, especially if no one ever showed you how to do this. So I've put together a short way I do it, and then I've included a video to show how you can do it for a short film and how to sync audio. It's a video production starting kit.

How to Use J-Cuts to Enhance Your Video Transitions

How to Use J-Cuts to Enhance Your Video Transitions

J-Cuts can be described as having the sound enter the scene before the scene appears visually, or it can be used to play out a scene where the audio is used after the shot has ended. They're used in TV and movies, and they're a professional element that sets you and your style apart from those who just cut scenes together. This enables you to get a nice flow in your video, and it all blends and layers to make it more interesting and give your work more power.

Magically Remix Your Music to Be the Same Length as Your Videos

Magically Remix Your Music to Be the Same Length as Your Videos

As a photographer getting into video work, audio has quickly become the area where I had to learn the most. Anything camera related is very similar to photography, editing is not too complicated once you learn the software, but then there is the sound. Something we do not have when shooting still frames. One of the issues is how to make a track last the length of our video without having to spend too much time cutting it manually? Here’s the answer using Adobe Audition.

Use Audio Swells to Give Your Video Transitions More Punch

Use Audio Swells to Give Your Video Transitions More Punch

I've been focussing on my video transitions lately. I've noticed the big guys like Peter Mckinnon and Casey Neistat use transitions to create interest and make the videos a pleasure to watch. Now I already shoot for the edit, but I've never really focused on what else I can do to give my videos more punch, until this video. Zach Ramelan shows how you can use audio swells to achieve it. TV Shows have been using it for years, and you don't really notice it until you're told what it is.

Quick Overview of DaVinci Resolve 14 Audio Editing Capabilities

Quick Overview of DaVinci Resolve 14 Audio Editing Capabilities

DaVinci Resolve 14 looks very promising and more videos about it are popping up on YouTube every day. One feature that was left out in many demonstrations until now is the integration of FairLight for audio editing. With the new version of Resolve, it’s possible to edit sound within the software. No need for an additional costly plugin, or any round-trip of a sort. Let’s see how with Casey Faris.

Film Riot Shows How to Compose Audio in Adobe Premiere Pro

Film Riot Shows How to Compose Audio in Adobe Premiere Pro

I've always had this issue with regards to the sound design of video and how to actually get something that is usable for the video you are working on. It's either getting audio from a stock library, having a friend compose something, or making it yourself. And the latter is really very time-consuming, and I'd rather focus on the stuff I enjoy and am good at, like shooting photos or video. Once I watched the latest video by Film Riot, it seems like the problem of finding audio might be over.

Behind the Scenes on the Set of Metallica's 'Hardwired' Music Video

Behind the Scenes on the Set of Metallica's 'Hardwired' Music Video
Here’s a really cool behind-the-scenes look at the set of Metallica’s "Hardwired" music video. This is the first single from their new album “Hardwired To Self Destruct” slated for a November 18 release. Let’s take a look at this video from a cinematography point of view. I think this video is a great example of how you can create an effective music video out of a seemingly simple set. This music video features no B-roll, just great footage of the band hammering it out.

Audi's 'Duel' Ad Spot Provides Interesting Case Study for Sound Design in Reverse-Playback Clips

Audi's 'Duel' Ad Spot Provides Interesting Case Study for Sound Design in Reverse-Playback Clips

Audi took advantage of Monday night's presidential debates with its "Duel" ad spot. Nearly the entire clip plays in reverse, allowing the chronology of the true story and how the action unfolded to the point at which you began to unravel itself in an action-packed scene. The rewound clip -- fit for a 007 film -- features quite the production, complete with excellent, blockbuster-born sound effects to sell every punch and shattering glass shard. But it doesn't take much studying to see this was hardly as easy as rewinding an otherwise-normal action sequence: it took great audio to create this spectacle.

Getting Creative With Lav Mic Placement

Getting Creative With Lav Mic Placement

In the wide world of video, one of the most important aspects of production is the sound quality. Sound sells the realism behind your favorite movies and TV shows. In fact, a lot of what you hear when you watch the latest blockbuster or HBO hit series isn't "real." It's created by Foley artists in a studio and mixed in later. This gives the editors maximum control over each individual sound, from footsteps, to gunshots, to engines. Of all the sounds, however, there is one in every feature film that just can't be faked: dialog.