Just about every photographer at some point has found themselves in a situation on set where the disparity between light temperature sources causes significant color casting in ways they don't want. In my experience, the most common problem is when you have to contend with traditional incandescent light bulbs in frame, but you're using strobes that are (mostly) balanced to average daylight light temperatures. What's the best way to fix this in Photoshop?
There is simply no secret, instant fix to attaining truly great skin tone in postproduction. Using Photoshop, you can accomplish many a miracle in portrait retouching, but the many variables in any one image will dictate the direction you will end up going in your workflow when you want rich, deep, vibrant skin tones. I made an Action that starts the process for you in a click using my favorite approaches to deepening skin tone.
If there is one seemingly simple and wildly popular process in postproduction, it's boosting color saturation. I totally understand why — it's appealing to see your image sort of come to life with all the vibrancy and "pop" that color saturation enhancement brings. However, there is a smarter, more refined way to boost color saturation that I often employ, and I've also created a Photoshop Action for you to download for free that streamlines the process into one click.
If you've ever used luminosity masks, you know how perfect they can be for creating specific looks, effects and styles, and are also hugely purposeful for specific utility processes in your workflow. There are many ways to go about creating luminosity masks, but have you considered simply using the Gradient Map adjustment layer for this?
Let's face the facts and admit that frequency separation is quite likely the most misunderstood and misused retouching techniques, plain and simple. If you've never heard of frequency separation, then do yourself a favor and browse YouTube on the subject before reading on.
As a portrait photographer, you’ve probably considered hiring a professional makeup artist to prep your clients. In this first part of a two-part series, a professional makeup artist tells us everything we need to know about making professional makeup a part of our portrait photography offerings.
At some time, if you’re shooting glamour photos, you are going to need to perfect the blowing hair technique. This type of shot is inexpensive and fun, but does take a little more talent than merely throwing a fan in front of your model. This excellent video shows you the different fans and techniques that can be used to give your model that windblown look.
Test shoots are essential for the photographer and really help fill the gaps in a portfolio. On test shoots, everyone contributes for free. The photographer, makeup, hair, wardrobe, and model all work for free. Everyone is building on their portfolios on test shoots and if done correctly, it should fill the creative gaps in a portfolio.
Whether you believe the approaches are passé, amazing, or just reasonably useful, frequency separation persists in the photography industry still, and has for years. Here's how to use a new method I created that expands control over all three main ranges: highs, mids, and lows.
In case you’ve been living under a rock for the past 30 years, allow me to give you a brief introduction to the Commercial, Fashion, and Celebrity Photographer David LaChapelle who just released his latest and final books, "Lost + Found, Part I" and "Good News, Part II." LaChapelle, 54, has photographed some of the most iconic figures of the 90s and 2000s including Tupac, Hillary Clinton, Amy Winehouse, Kurt Cobain, and Muhummad Ali. Pretty much anyone worth their salt has been shot by this guy.
Full disclosure: I am about to tell you about my new Photohop plug-in, and yes it's a product of mine, via the new brand NBP Plug-ins. It's called Freqsep Control, and I intend to show you why I think it's so amazing, and a little bit about the history behind its development which began at the start of 2017.
When you are especially particular about your adjustments and want your dodging and burning to utilize the maximum amount of image data possible, nothing beats Raw Smart Objects for the task. This is also ideal when you're making significant changes to exposure, whether it's for dodging and burning or other adjustments. In the end, more data almost always amounts to smoother, better looking changes.
I'll be honest, when it came to shooting swimwear, I went straight to Pinterest looking for whatever ideas and inspiration I could find. Swimwear is different enough from the other types of shoots that I was typically shooting that I really had no idea where to begin. Granted, my clients weren't clothing line companies, so I wasn't aiming for the more routine, catalog-style shots. Since the people wanting the shots were the models themselves, I wanted to make sure that the end results looked as good as possible and hopefully a bit more stylish.