Scrolling through Instagram, I came across a photo that I deemed worthy of a double-tap. Curious, I clicked on the profile to see more from the same photographer. Scrolling through his feed, I started to notice that although every photo included a human subject, there wasn’t a single face in sight. Intrigued, I had to know more and reached out: Meet Noel Alvarenga, the photographer who hides his subject’s faces.
Your headache from over-drinking (either in celebration or in deep depression) may be wearing off, but for those that had to photograph Super Bowl 50, that headache began days before the big day. The preparation for covering the game took its toll on those that enable us look back on it this week. Fstoppers caught up with ESPN photographer Andrew Hancock to get a look into the gear, setup, and planning to cover the most important event of America’s favorite sport.
If you work in portrait photography, be it commercial fashion or high school seniors or anything in between, at some point you will be on set with makeup artists (MUA) and hair stylists, if you aren't already. A good makeup artist can make or break your sessions, and a bad one can simply ruin everything. And since no amount of retouching can totally undo subpar makeup, hair, and styling, Staci and I decided to sit down with pro makeup artist Sarah Stafford in The Backyard to shed some light on the relationship between MUAs and photographers.
Computational photography is quickly becoming one of the leading threads for the future of our industry. Whether we realize it or not, it is already deeply integrated into our DSLRs and cameraphones in a supporting role, while other manufacturers have embraced it as the fundamental basis for equipment. Recently, I chatted with the team from Algolux about how they’re tackling some of the most relevant problems in photography to enable a future in which software and hardware work more in tandem than ever before.
As competition in the photography industry becomes tighter and tighter, the challenge of building a successful career with the camera is ever growing. In response to this, the industry continued to fragment into an array of smaller, niche, industries where each photographer specializes in a specific area of expertise. In an vocation once filled with photographers who were focused on shooting nearly anything, the classic, generalist, photographer has become a rather rare breed. Viktoria Haack is an example of a young, rising, star who has not only chosen to buck this trend, but who has also managed to build a successful career in the process.
Over a year ago, after having discovered his work a year before that, I felt it necessary to introduce Fstoppers' readers to photographer K. R. Whitley, the world traveling wilderness/landscape and urbex artist. Since then, Whitley has traveled even more and expanded his work in some bold, new directions. I brazenly invited him to an interview at my house, and thankfully he agreed.
It’s safe to say that this camera doesn’t suck, and in the hands of someone like Tim Kemple, who’s at the top of their game, the results are pretty incredible. I got the chance to chat with Tim about his thoughts on using the new Phase One XF 100MP camera, including what happened when he flew it on a drone over a waterfall.
There's a sort of running joke between the Fstoppers writers about the number of bag reviews we've published in the last couple months, and we've certainly caught our share of flack for it in the comments as a result. Despite all that, having had a chance to sit down for a brief interview with the people at WANDRD, I think we may have a new industry standard on our hands. If there's ever been a bag worth getting excited about, this is it.
Chicago-based photographer and designer Elise Swopes is absolutely brimming with creativity. Her highly popular composite work is astounding in itself for combining the unexpected, but the fact it’s all done on a smartphone is simply incredible. In this video kicking off Adorama’s second season of their “Through the Lens” series, Swopes talks about what inspires her to create, the apps she uses, and lays out some strong motivating lines for photographers of all backgrounds.
An annual award that TIME magazine started three years ago has chosen it's official 2015 winner. Stacy Kranitz is an Instagram photographer who is most famous for her work in the Appalachia area. The poverty stricken, drug and alcohol filled area is certainly an eye opening subject. But why her in particular?
As a part of the promotion for Photo London 2016, the exhibition team has put together a video with five fine art photographers who are interviewed about their love of photography. This short shows off some of their captivating work and really brings to light how many unique reasons there are to love the craft of taking photos.
Say it with me: "Done is better than perfect." I'm positive I'm not the only photographer on this planet that lets perfection get in the way of "good" far too often. While the concept itself is one mountain to tackle, becoming a more efficient photographer goes a long way in making the realization of a smooth and functional business a reality. The folks over at KISS Books have reached out to 10 photographers to find out the things they would never do — the things that kill efficiency.
Recently, I had the opportunity to have a conversation with photographer Noah Abrams. I talked with him about his work, some ongoing projects, and his day to day life. Noah grew up skateboarding in Columbus, Ohio. He also mentioned to me that he never truly considered photography as a career until later into his 20's, although he had dabbled with it for years throughout high school and college. To learn all of this, I began with a question that many people have for working photographers: where did your initial interest in photography come from?
All children have imaginations ranging from creative to radically abstract, and it's not until we become adults that far too many of us accidentally lose a good chunk of that imagination after the years start to stack up. How cool would it be for a child to see a dramatized depiction of what they want to be when they grew up? Brandon Cawood and his family asked the same question and put a project into motion called "When I Grow Up."
While there are obviously no strict rules about what lenses a photographer should buy, my curiosity was piqued recently, when legendary Glamour Photographer Jarmo Pohjaniemi (Playboy, Shoot The Centerfold) announced he was headed to Santorini with a pair of Canon EF 11-24 f/4L USM lenses. I assumed he was going to shoot landscapes (after all, it’s Santorini), but his answers when I asked were far more interesting than that.