Leaving the car, mountains, and solid ground behind, we get into a small airplane to do some landscape photography over Western Australia with International Fine Art Photographer of the Year Scott Jon McCook, not only to cover more ground while we’re at it, but to gain a rather unique perspective of the landscape and the story behind it.
It's an unavoidable topic in American conversations. In the photography world, it seems to pop up on the forums and Facebook groups often enough to warrant further consideration: guns. Not necessarily in the heated, political debate sense, but to ask this question: In a world where carrying a concealed weapon has become more normalized and photographers spend more time in remote and urban locations, do firearms have a place in your business?
The previous article about the processed image ended with similar arguments both for and against digital manipulation, and the artist’s disclosure of such actions. But how does the motivation for creating art through both photography and creative editing arise? I’ve gathered a panel of fellow international landscape photographers to expatiate on the power of the processed image. Professional landscape photographers Ryan Dyar, Felipe Gómez, and Simon Roppel are here to help us understand why certain decisions in editing process are made, as well as in the field.
The processed photograph is growing more popular. Whether that has to do with the technology involved in image processing becoming more accessible to many is up for debate. Maybe it is a gradual shift of the human perception of what we call the art of photography. I have asked a handful of professional landscape photographers to contribute to the case of the processed photograph, making this second part in this series more practical than the rather philosophical first article.
A lot of photographers are afraid to put their work out into the public eye for fear that its not perfect. A lot of work goes unseen because the photographer wasn't comfortable enough to show what they created. Chase Jarvis interviews Austin Kleon, the author of the book Show Your Work!: 10 Ways To Share Your Creativity And Get Discovered, and delves in 3 reasons not showing your work is a bad idea.
One of my favorite little quips to drop on my workshop attendees is "Did you know that models are, as it turns out, human?", which usually just yields a few chuckles. But the truth is, that is just my lead in and my way of sarcastically reminding model photographers that fashion and glamour models have opinions, preferences, and emotions as much as anyone else. Which is sadly something that seems to be overlooked in the often callus industries of fashion and glamour. To that end, I invited some Texas based pro models to sit down with Staci and I discuss the industry.
In this new episode of Adorama’s “Through the Lens” web series, lifestyle photographer and one-time creative director for Apple, Michael O’Neal, is featured. In the brief five-minute video O’Neal recalls his motivation for moving on from a coveted job at Apple and going out on his own to work for himself. He reveals what draws him to photography, inspirations for his sought after talents, and where he’s heading next.
As someone who makes a full time living working as a photographer I am often asked for advice on how to get started and how to make it in this career. Despite the seemingly impossible odds, it is in fact quite possible to make a fantastic living in this industry. Former assistant to Mario Testino, Alexi Lubomirski, has created one of the best videos I've seen describing the persistence and tenacity required to succeed. If you are looking for a dose of motivation I highly recommend giving this a watch.
Late last year, Playboy magazine announced that starting this month, March 2016, the publication would no longer - simply enough - feature nudity. This announcement was immediately received as shocking, welcomed, amazing, derided or just plain hated, depending on who you asked. Curious as to the impetus behind the format change, I asked Jarmo Pohjaniemi about it when we spoke recently, and have since heard from another Playboy master lensist, Ales Bravnicar, about the matter. Bravnicar and I also discussed his phenomenal career and his upcoming retrospective in an upcoming international Playboy edition.
When I first saw the Love Wins project, I was moved by the beauty of the photographs and the important message that they represent. As a society, we have come a long way since Stonewall and the beginning of the AIDS epidemic, but there are still so many people in the world who have misconceptions and hatred of LGBTQ people. The Love Wins project is a series of portraits and stories that aim to bring consistent visibility to LGBTQ marriage in a positive light. Its entire premise is to showcase love, family, and equality. I had the opportunity to sit down with Gia Goodrich, the Portland, Oregon based photographer behind the photo project and find out what inspired her to create this collection of photos.
Jeremy Cowart is a household name in the photography industry. Recently Jeremy was classified as one of the 30 most influential photographers on the web by the Huffington Post. After studying graphic design, he continued on to become a well-known celebrity photographer. We all know him from famous photos of Taylor Swift, Carrie Underwood, and even the Kardashians. But who is Jeremy Cowart? And what motivates him to be a photographer, an artist, and a humanitarian?
Even if you've never heard of Victoria Will, you probably have seen her awesome moving portraits of celebrities. These captivating images give a new take on celebrity portraits. Some might say they are simply amazing, but others might give a different opinion. We sat down with Victoria to give you this exclusive interview and discussed the inspiration behind these images.
Scrolling through Instagram, I came across a photo that I deemed worthy of a double-tap. Curious, I clicked on the profile to see more from the same photographer. Scrolling through his feed, I started to notice that although every photo included a human subject, there wasn’t a single face in sight. Intrigued, I had to know more and reached out: Meet Noel Alvarenga, the photographer who hides his subject’s faces.
Your headache from over-drinking (either in celebration or in deep depression) may be wearing off, but for those that had to photograph Super Bowl 50, that headache began days before the big day. The preparation for covering the game took its toll on those that enable us look back on it this week. Fstoppers caught up with ESPN photographer Andrew Hancock to get a look into the gear, setup, and planning to cover the most important event of America’s favorite sport.