Interview

Why Film Is Not Dead: Meet The Camera Shop that Specialise Only in Film Photography

Why Film Is Not Dead: Meet The Camera Shop that Specialise Only in Film Photography

The debate surrounding the relevancy of film cameras is an ongoing one; the opinions about which vary from photographer to photographer. The resurgence of digital camera technology in recent years has meant DSLRs are now widely used by the masses, pulling the future of film photography into question somewhat. Is it now just a novelty? I chatted with Howard, one of the owners of a North England-based camera shop that shunned digital cameras in favour of film... and found that business is very much booming.

Pursuing Your Passion: Tips from Gareth Pon, Africa's Top Instagrammer

Pursuing Your Passion: Tips from Gareth Pon, Africa's Top Instagrammer

South African Photographer, Filmmaker, and Influencer Gareth Pon has recently been named the top African Instagrammer for the third consecutive year, and looking at his ridiculously eye-catching Instagram feed, it's easy to see why. I caught up with Gareth recently while he was speaking at a conference in Dublin alongside other content-creating heavyweights, such as Dan Rubin and Philip Bloom.

Suren Manvelyan: The Person Behind ‘Your Beautiful Eyes’ Extreme Macro Photography

Suren Manvelyan: The Person Behind ‘Your Beautiful Eyes’ Extreme Macro Photography

I have known Suren Manvelyan for more than 10 years. When I first met him, I was a graphic designer who was fascinated by photography and he was a physics teacher at school who was looking for opportunities to grow as a photographer. We used to gather with our small Armenian photographer’s community each Friday to share experiences, discuss photography, and develop our skills. Years passed, a lot of the enthusiasts gave up and only a few stayed faithful to their art. Suren, on his behalf, not only grew to a professional photographer, but also didn’t give up on his other interests.

Large Format Lives On: Mat Marrash and the Ohio Valley

Large Format Lives On: Mat Marrash and the Ohio Valley

Slowly but surely, I find myself shooting more film. It’s getting to the point where my digital cameras are almost strictly for video. They may offer better resolution and more versatility, but there’s a look to film and a fascination with the cameras that pull me to it. The one man that took me into the bottomless hole in my wallet that is film photography is Mat Marrash, a coworker and an avid large format photographer. It's some of the most gorgeous landscape photos of the Ohio Valley I've seen. A few weeks ago, Mat, myself, and the good folks at Rooted Content traveled to Hocking Hills, where Steve and Kyle from Rooted created this short of Mat’s work.

Architecture in Motion: Emile Rafael

Architecture in Motion: Emile Rafael

When it comes to shooting homes, Emile Rafael takes it to the next level. As a real estate photographer and videographer, I see the potential in shooting videos for agents; the only problem is they don't typically want to pay much, and they need things turned around fast. This is something where the agent could be taking a risk and receiving a quality product, but it does not seem to be so common.

Affecting Change With Photography: An Fstoppers Interview With Photographer Damari McBride

Affecting Change With Photography: An Fstoppers Interview With Photographer Damari McBride

Photography, at its core, is a tool for communicating meaning between human beings. We use it to advertise, share memories, and occasionally Photoshop an aeroplane in to add to the meaning we've already captured. In the right hands, photography can be an extremely powerful tool to do good in the world. It can bring about change, help people, and communicate ideas we couldn't otherwise communicate.

Top Photographers Reveal Their Most Valuable Mistakes

Top Photographers Reveal Their Most Valuable Mistakes

As a British person, I have an innate talent for moaning, queuing, and observing humour about our ever-changing weather. One spring morning last month, while wiping the snow off my sunglasses and mopping the sweat off my brow with my thermal gloves, I began to ponder the first of this talent trifecta. One rich vein of moan material is mistakes, and being conscious of my miserable inner monologue, I attempted to shift the focus to something more useful.

Packing Heat: Should Photographers Carry a Gun on the Job?

Packing Heat: Should Photographers Carry a Gun on the Job?

It's an unavoidable topic in American conversations. In the photography world, it seems to pop up on the forums and Facebook groups often enough to warrant further consideration: guns. Not necessarily in the heated, political debate sense, but to ask this question: In a world where carrying a concealed weapon has become more normalized and photographers spend more time in remote and urban locations, do firearms have a place in your business?

The Real Versus the Beautiful (Part 4): The Future of Photography and the Moral Compass

The Real Versus the Beautiful (Part 4): The Future of Photography and the Moral Compass

The previous article about the processed image ended with similar arguments both for and against digital manipulation, and the artist’s disclosure of such actions. But how does the motivation for creating art through both photography and creative editing arise? I’ve gathered a panel of fellow international landscape photographers to expatiate on the power of the processed image. Professional landscape photographers Ryan Dyar, Felipe Gómez, and Simon Roppel are here to help us understand why certain decisions in editing process are made, as well as in the field.

The Real Versus the Beautiful (Part 2): The Power of the Processed Image

The Real Versus the Beautiful (Part 2): The Power of the Processed Image

The processed photograph is growing more popular. Whether that has to do with the technology involved in image processing becoming more accessible to many is up for debate. Maybe it is a gradual shift of the human perception of what we call the art of photography. I have asked a handful of professional landscape photographers to contribute to the case of the processed photograph, making this second part in this series more practical than the rather philosophical first article.

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