Lighting

Día de Muertos or Day of the Dead is a Mexican holiday that has seen a spike in exposure in the United States the past few years making it a perfect subject for a photoshoot. Follow Jay P. from The Slanted Lens as he takes you behind the scenes of his latest shoot featuring a model dressed up as a Calavera (sugar skull) posing in an eerie cemetery backdrop.

One essential part of almost every wedding day is the rings. Not only are the rings a symbol of a couple's love and commitment to one another, they also usually cost a good deal of money. Capturing an amazing picture of the rings can not only wow your clients, it also adds great value to your portfolio. The best part is, getting a fantastic ring shot can be simple and quick.

Summer is upon us, which means fireworks. Previously, we have discussed using alternative methods to get smoke-like effects in your photographs. But using flour can make for a messy clean-up and smoke machines require electricity. Smoke balls, however, are cheap, come in a variety of colors and require nothing more than a lighter.

Along with our recent release of How to Become A Professional Commercial Wedding Photographer, we've featured several behind the scenes videos on how other photographs prepare for and shoot weddings. It's always worth a look to investigate what other wedding photographers outside of your area are doing differently. Rest assured, Doug Gordon will keep you entertained in his upcoming workshop on creativeLIVE.

Have you ever wondered how different diffusing fabrics affect the quality of light that you shoot with? Jay P. Morgan from the Slanted Lens walks you through the different diffusion materials by Rosco. He explains how the different fabrics can lessen the stops of light and how it can affect your color temperatures and look of your shoot.

Before we jump in, it is important to note that I was brought in on this food project to match an already in place look and feel for the client.

The menu at the restaurant was expanding and the client was in need of capturing updated photographs of the new plates that were starting to be served.

This tutorial is a quick rundown of a two strobe lighting set up that was shot inside a restaurant.

Benjamin Von Wong has finally wrapped up his long and productive European tour, Von Wong Does Europe. The very first shoot that he was able to do was also ironically the last to be published and for good reason. It will blow you away. Taking over 60 hours to retouch Ben collaborated with talented retouching guru, Chester van Bommel.

As photographers, we usually use two different techniques to capture our images: The first is freezing the moment and capturing the split second we are witnessing. The other option is using a long exposure, to show movement, changes, or show things we don't normally see with our eyes. But what if you combined these two concepts - freezing a moment while adding movement? Check out these creative and unique portraits using this technique.

Do you remember 14 years ago when the Matrix came out and blew some of our minds with filming techniques? One of the most ingenious scenes at the time was the wrap around bullet shot where the camera spun around the actors on a large dolly while they were suspended in mid air. Popular Youtuber Mark Rober has come up a really simple and cheap way to replicate the rotational filming effect of that scene.

To see more of his creative videos, check out his channel.

via Awesomer

Wyn has been featured on Fstoppers quite a few times. Why? His work is outstanding. He comes up with some really cool concepts for shots. From using LED's on a basketball shoot to powder with Gymnasts. He does it all perfectly.

The follow-up to 2009's re-imagined (alternate universe) Star Trek film is probably one of the biggest blockbuster sequels of the 2013 film year. Follow J. J. Abrams as he directs the crew of the USS Enterprise as they fight off a new threat, John Harrison played by Star Trek newcomer, Benedict Cumberbatch. From the looks of the two B-roll videos and behind the scenes footage Star Trek: Into Darkness looks like an instant hit.

Last week I did a photo shoot for Leo's Wisdom, which is a company that makes handmade, high end jewelry. The purpose of the shoot was to provide the client with product shots and lifestyle images for their promotional needs. Their mood board for the shoot was filled with images depicting lush locations and high society. But we were shooting on a rainy day in Columbus, Ohio. So we made lemonade.

Sometimes you want a portrait that just screams drama and emotion. Sometimes that emotion might be joy, other times you may want to portray a sort of dark, brooding atmosphere. In this tutorial by PHLEARN, Aaron Nace walks you through a method he chose to turn a daytime portrait into something much darker.

NYC-based commercial photographer Kenneth Volpe sat down with the good folks over at Profoto to give some insight on the way he lights his images and a bit of his philosophy when it comes to his photography business, Transposure. With Bachelors and Masters Degrees in Engineering, Kenneth is a guy that definitely understands fine light and exhibits it in the way he makes his photos. Check out the full write up over at

Posing multiple people can be a difficult task as it is, but throw in parkour performers into the mix and the shoot can quickly become tedious, but if done correctly the results can turn out nothing short of amazing. In this video Benjamin Von Wong walks you through the lighting set up he used to bring a three dimensional feel to the photographs. He also explains the different composing techniques he uses to get the posing and composition spot on for the shoot.

A photographer and digital artist by the name of Terrence Blanton has released a new website and photo series called "Eagle Faction" that is explosive and very influenced by Call of Duty and Battlefield. Terrence got ahold of a local Airsoft team to help create a fictional series about a team of former military and outdoorsmen that band together to help salvage their local territory of America after a collapse and invasion in the year 2023.

Several weeks ago I wrote an article about Profoto's new-ish pack, the Pro-B4, which has a flash duration of 1/25,000th of a second. Well, last week I was finally able to take it for a test drive. And what better way to test an insane flash duration than with water?

Since last November I have been shooting a photo series titled 'Comedic Value' which consists of NYC comedians shot in NYC locations for NYC charity, Art-Start. Of the 25 comics featured in the project, 1 of my favorite shoots was with Jim Gaffigan and his fantastic family. When discussing concepts with Jim, he mentioned that he needed a shot of him and his kids for his new book, 'Dad Is Fat' which will be out next month.

As one of the writers here at Fstoppers I do quite a bit of scouring the internet trying to find the best 'behind the scenes' videos to share with our readers. Sadly much of what I see lacks content, rather it is most commonly just a music video of a photographer on a shoot. Fortunately, this video by Simeon Quarrie documenting his shoot in Italy is quite the opposite. Packed with great information and lots of tips this video is worth checking out. Read on to see a lighting diagram and some of the photos from the shoot.

Pegboard is such a fun material to use when experimenting with lighting. You can change the shape of the light pattern by changing the distance of your light to the pegboard and the distance of the pegboard to your subject. We posted previously about how you can use pegboard to construct an entire backdrop. In this week's diagram I will show you how I used one speedlite and a small strip of pegboard to shape the light in my shoots.

Recently I have been wanting to do an avant-garde hair shoot. I just needed to find the right stylist to work with. A few weeks ago I met Devan Aledia Ford who is a fantastic hair stylist. When I told her about my desire to do a stylized hair shoot, she took the idea and ran with it. She conceptualized a spring-themed, fairytale-inspired shoot. She even styled the wardrobe and did the makeup (never underestimate the power of a great stylist).

A good photographer or videographer depends on good lighting to create a shot. Lighting creates the mood of any scene and sets the stage for the story you're trying to tell. In an unusual but entrancing method, Nacho Guzman creates a dramatic scene and shows how quickly light can change the mood and expression on a woman's face. Although the woman in the video only moves her face subtly over time, the rotating light around her causes striking mood shifts in the image.

Have you ever wondered how dance companies and productions get those amazing photographs of their artists in perfectly posed dance stances? Well, Benjamin Von Wong has recently thrown some light over the intricate process of lighting and shooting a complex dance campaign.

Who doesn't like a little artsy nudity now and again? The guys at PHLEARN certainly aren't against it in their latest tutorial that teaches one of the many methods for this type of photography.

I know you all have seen tons of life style photographers, all the happy, smiley shots of girls wearing weird, fashionable clothing. However, I think each photographer who shoots these is able to tell a different story with them. Joseph Tyler is one of these photographer who is able to tell a different story then the others. These shots are not all happy, smiley, and fun looking. They are more on the serious side of things which is a nice little change from the ordinary life style shots.

Photographer Kenneth Cappello is known for his celebrity portraiture, his advertising work for Nike and Puma as well as his flashy editorial work for Nylon, GQ, Fader and Vibe. Cappello shot musician/DJ DeadMau5 this past month for Vibe Magazine, and, lucky for us, also shot a little BTSV to give us a peek at his process.

To say that I have been absent from writing lately is a slight understatement. In all reality I have been absent from life in general. I have been sitting on planes listening to podcasts more than I have been sitting at bars listening to friends. All for one giant campaign: "Give Me Strength" by Muscle Milk.

I scream, you scream, we all scream for ice cream! Photographers may scream when they hear that ice cream is what the client wants. Ice cream is not easy to work with. Once it starts melting, it is done and you need to move on to the next dish. Unless you are shooting in a freezer, the working window for ice cream isn't very long. There are many different ways photographers and food stylists will approach ice cream. For this series of pint-sized sundaes, I let the ice cream's container be the guide for the styling.

Visual effects have been a huge part of the movie industry since well... movies began. Adding that extra little touch of magic makes a movie that much better and there are millions of ways to do that.

The Einstein E640 strobe from Paul C. Buff is compact, light weight unit capable of shouldering studio work yet portable enough to take on location. The unit weighs in at four pounds and because it is self contained, it does not require a battery pack which cuts down on gear bulk.

I shot around with the Einstein 640 and the 86 inch PLM (parabolic light) umbrella in studio to test the products and see how they stacked up in my work flow.

Every week Benjamin Von Wong releases a new behind the scenes video for your viewing pleasure and this week is no different. I find that Ben is probably one of the most talented conceptual photographers that likes to use fire in his photographs, but this week he decided to switch it up a bit and the results are stunning, to say the least.

Most people think lifestyle photography is over rated. Just pictures of people hanging out having a good time and thats about it. Technically, yes that is it. However, it's more than just that. It's not that easy to just have the shots look like people hanging out. They have to work well with each other, you have to be able to tell a story with the images, show emotions, ect. Basil Vargas is one of the many Life-style photographers I really enjoy looking at.

So, what happens when you bring two very popular themes in photography, fashion and pyrotechnics, together? A combustion of epicness emerges on your screen. Fstoppers favorite, Benjamin Von Wong, is at it again, and this time he's brought along a few friends to help create the stunning images you see in the video. Pyrotechnician, Andrey DAS, and amazing designer, Virginie Marcerou, worked with Ben to create the intricate scenes in the photographs.

A couple weeks ago I was fortunate to work with Tina Hughes, a talented local clothing designer. Her latest collection blends vintage and modern elements. I thought that my friend's modernist house would be the perfect location for the shoot. We were limited to doing the shoot during the (bright and sunny) day so I used speedlites, a polarizing filter and orange gels to add a moodiness to the images.

Have you found yourself in a lighting rut? Do you have two or three "go to" lighting set ups that you find yourself continuously falling back on? Lately, I have found myself in a rut. For a little change of pace, I decided to shoot my favorite food, cupcakes, using a light source that is not very common in food photography: the ring flash.

Ever wonder how Red Bull or any other company films their skate videos? How they get those awesome flying shots, rolling shots, and what goes into every aspect of the films? In this video, Red Bull takes you behind the scenes in their new skate video. To say the least, it's pretty amazing.

Joe McNally takes us through his lighting setup for a recent Cowboy portrait he shot. Joe's vision was to have the photo look like it was being lit by daylight coming through a window. He accomplishes this with a set of speed-lights and a 6x6 diffuser. He also adds additional lights to add fill for the shadows that the cowboy hat creates. Joe breaks down the gear...

Continuous lights are making a comeback and many photographers are giving them a second chance. In this lighting tutorial Jay P Morgan breaks down how he uses two continuous lights in his photo shoot. With the old technology of continuous lights most photographers avoided them, due to the heat the lights produced and the uncontrollable power and temperature of light. Now companies offer continuous light where you are able to fine tune the power/temperature of the light. The benefit from using continuous lights is you are able to see exactly where your light falls.

The best part about learning rules is breaking them. For example, most of the time, blur in a photograph is a faux pas. But there are ways you can use blur to add energy and emotion to your images. In this lighting diagram, we will explore how to introduce blurring to your images with the use of an on-camera flash.

Before you start experimenting with this technique, make sure to go to you menu in your camera and set it to "rear curtain sync".

A couple weeks ago I posted a lighting diagram showing how you can emulate Martin Schoeller's lighting by using gaffers tape and foam core. One reader commented that the catch-light makes the subject's eyes look like a cat. This got me thinking about what would happen if I were to change the pattern of the tape into various shapes. Here's what I discovered.

I know the title of this article is a bit wordy, but I didn't know how to describe this beast of a lighting system in fewer words. 1/25,000th of a second! As you can see in the video, the new Profoto Pro-b4 1000 Air turns water into glass. It negates gravity. There is nothing you can't shoot with this rig. Plus it's field-ready, running off of a fast-recharging battery pack. It's almost enough to get this speedlite-only shooter to convert completely. If I could only scrape up the $10k that I would need.

In order to turn a typical sunset into an extraordinary sunset, you are going to do the opposite of counteracting your available light. You do this by picking the colored gel that is the opposite color of the color you want to highlight. Though it may seem like an odd idea, it's actually just simple color theory. The opposite color of magenta is green. By placing a light to medium green gel on your strobe and setting your camera's white balance (WB) to fluorescent, anything that is magenta (such as a sunset) will be pushed even more vibrant.