Photography Lighting

Beauty photography is a very technical genre. It requires substantial lighting knowledge, as well as interest and taste for the subject photographed, and a solid team of creative professionals. The learning curve can be quite steep.

Last week, I took a look at personal projects and showed how I created my most recent portrait series. These personal projects are a great way to grow as a photographer and create new work you have a passion for, as you have the opportunity to create images with full control of the visual style. However, they may not always require you to step out of your comfort zone.

In a way, your journey as a photographer will start out with personal projects. Everything that you shoot for those first few months or years are things that you choose to shoot for fun. Personal projects help you to learn, experiment, and grow as an artist. Actually organizing and creating a series, however, takes a little bit of planning.

To the excitement of professional photographers shooting with Sony Alpha cameras, today Sony announced plans to release an all new wireless lighting control system this summer in the U.S. and Canada. The control system set consists of the FA-WRC1M wireless radio commander and the FA-WRR1 wireless radio receiver. 

Today, Profoto released the OCF Beauty Dish, a collapsible 24-inch beauty dish for use with their popular B1 and B2 heads.

More often than not, things aren’t going to go the way that you want them to on set. Things are going to break. Things aren’t going to work. Models aren’t going to show up. That’s life. Deal with it. 

Histograms in Photoshop and on your camera can look a bit confusing but the concept behind them is actually very simple and straight forward. In this short but informative video from Envato Tuts you get a 60 second crash course on what a histogram is and the purpose that it serves.

For many forms of photography, an off camera flash should pop-up (pun intended) at some point in your career. Whether you’re a portrait photographer, a product photographer, or a sports photographer, some sort of flash other than what is built into your camera will be necessary. Whether you’re keeping it on or off camera, picking a speedlight can be a daunting task.

Creating a music video for a national act is one of the most intense tasks for a modern day filmmaker.  Sure, the tools are more affordable, but declining budgets and insane turnaround times can turn your production into a sprint.

Magmod has become a household name in the strobist community. Their easy to attach modifiers that hold strong to your flashes through the use of magnets have quickly become the go-to modifier for a lot of professionals. Their newest release goes by the name of Magbeam and is a Fresnel lens light modifier that packs some tricks up its sleeve. 

Sigma has announced their follow up to the EF-610 Flash, the EF-630 and It will be available on B&H very soon. Yesterday Sigma announced the new flash with models available for Nikon, Canon, and of course Sigma. The new flash will pack a little more fire power than its predecessor, and will automatically adjust for focal lengths from 24mm through 200mm.

It's usually all about that sweet, soft light.

Photographer Nick Saglimbeni recently shot an image of Jhené Aiko for a Humane Society campaign to save the shark population. The goal of the image was to photograph Jhené in the ocean at night (or at least make it look that way). To create this shot, Nick decided to use a pool and strobes to create a similar look.  

Do you feel at a certain point, after making a long run of photoshoots, that you're hitting a wall with your creative side? Or have you "lost your touch" so to speak? This is also known as "Creative Burnout." As creatives, we've all been there before. At one point we all plateau and need to find a way to break the "funk" to get back of the swing of things.

I’ve always been a fan of big lights. There are certainly situations where they aren’t appropriate, but a lot of my work is centered around big, soft light. What has always drawn me to large sources of light is their versatility. Almost every subject looks good with soft light.

Pye Jirsa of Lin & Jersa Photography is back again with another great tip on how to make fantastic images in less than stellar light.

Regardless of what genre of photography you shoot, understanding light and its characteristics is key to creating better photos. For those of us working with off-camera flash, there is another layer to the complexity: balancing ambient and artificial light. On top of that there are various modifiers that can be used for artificial lighting to replicate or create certain effects.

In this video, Daniel Norton of Adorama takes you into his studio, showing you how to set up for three different lighting scenarios, with the ability to change from one to another at the flip of a switch. This is great for if you have extremely limited time with models or actors and need alternate looks or options between them. 

Product photography is a great way to experiment with lighting and editing techniques. For me, it’s a chance to shoot in a relaxed environment where I have complete control over the subject, lighting, and camera. I can set up something small in the living room and find solutions that can be applied to my portrait work or professional product photography. It also requires a lot of creativity.

For the seasoned photographer, assistant, or grip, knowing how to use a C-Stand may seem like common sense. However, if you have never used or seen one before, there are a few things you should know about these multi-functional stands.

Have you ever wondered how to create dramatic cross or Rembrandt lighting using only one light source?

It's not uncommon for couples to request that their wedding portraits be taken during golden hour, the time when the setting sun is low in the sky, casting a beautiful orange, golden glow across the land. However, wedding days are unpredictable, the day doesn't always go according to the planned schedule and can often run behind.

When talking about bokeh, the majority of the photography community instantly thinks of those nice creamy out of focus backgrounds. This is because most of the photographs we see only involve a subject and a background.

It is understandable that many beginners new to taking photos often get impatient when learning photography. Learning this craft is a process and involves the gradual addition of techniques that will eventually turn into second nature. We all get “the bug” and want to learn anything and everything as soon as possible, it’s natural.

Back in October I posted a portrait of myself that quickly became the most popular photo on my entire Facebook feed for 2015. The image was never meant to be anything other than a test shot for a few lenses we were reviewing but people kept asking how I created it.

I love taking ring shots. I usually take them during a slow time on the wedding day when there isn’t a lot going on. I have full control of where I put the ring, how I light it, how I pose it, and how I frame it. This leaves a ton of options to really get creative. So it confuses me when people just place the ring on a bouquet of flowers and call it done.

Hey, friends! I recently shot in a natural light studio and thought I would share some tips on indoor natural light for those of you who are interested. Enjoy!

It didn't take long for artists to realize they could literally paint with light once photography came around... but light painting was certainly popularized by Picasso.

The classic straw grid for speedlights; it might be one of the most attempted DIY photography projects. It's a popular project because it works well, it is cheap, and it is incredibly easy to make, but one clever photographer has found an even simpler way to make on of these popular modifiers. Check out this easy to follow video for step by step instructions. 

In the world of off-camera flash, there are two sides: the full manual side and the TTL (through the lens) side. I have always been on the full manual side, because when it comes to triggering a TTL flash off camera, things start to get complicated.

Many photographers rely on their 50mm 1.4 and 85mm 1.4 lenses to give that dreamy, narrow depth of field look to their portraits. These two lenses have become a staple for portrait, headshot, wedding, and boudoir photographers who enjoy the soft look that comes with a narrow depth of field and natural lighting.

As mobile photography continues to grow in popularity, so does the creativity that goes along with it. It is truly amazing to see some of the images and videos that people are creating using smartphones, GoPros, and other devices. It is no surprise that companies are creating mobile accessories designed specifically with mobile photography and videography in mind.

Jake Hicks is a U.K.-based photographer who adds dramatic color to his portraits. He was kind enough to share a few tricks he uses to achieve his signature technique. It doesn’t matter if you are using studio lights or speed lights, this is a simple recipe you can use to color and bounce light and create different effects in your work. 

As someone who prefers to shoot using natural light, I have realized that sometimes, a photo begs for artificial lighting. For years, I struggled with how many strobes to use and where to place them. I lost patience and focused instead on natural light. By spending the time to learn how lighting actually works, I eventually gained a better understanding of how to use strobes.

It seems that a lot of photographers tend to avoid direct sunlight and for a long time, I did too. Occasionally, I would backlight subjects, but I would never dare light them directly with the sun. I decided one day that it was time to embrace the sun.

In this video we see Antwerp, Belgium-based commercial photographer Andy Van den Eynde tackling color correction on location. Andy starts by dropping his base temperature down to a cool 2800K and then recreates the warm glowing effect of torch light using gels from his Rosco Color Correction Filter Kit.

This is one of the best lighting tutorials I've ever seen, being both educational and entertaining. The German-based production company, Dugly Habits, has created this lighting tutorial for the Dedolight International Competition 2015.

As a self-taught photographer, I’m an advocate of learning through doing. I didn’t study it, but I can imagine that reading all the Photography 101 books that are available still wouldn't prepare you for actually being on a set, with a model standing in front of you, and a team awaiting your creative direction. In my journey, experience has meant everything.

Nope, we're not joking. Photographer Kotama Bouabane is creating photographs using coconuts. While he used the fruit in several different ways to create images, his most interesting method simply involves tape, a coconut, and some photo paper! Read on and check out the video for more! 

Five years ago I filmed the iPhone Fashion Shoot, a 10-minute video in which I take professional looking images with the iPhone 3GS. That video was supposed to inspire photographers who assumed that their work was suffering because their gear wasn't ultra expensive. The video became extremely popular and became very polarizing.

Dave Hill has become known for his amazing, over the top compositing work, but last year Scion hired Dave for something very different. A large photo and video campaign that needed to be shot mostly natural light and without heavy retouching.  

It's always impressive to see a subject that's shot so often used in a new and creative way. This conceptual shoot of the Milky Way by George Malamidis was beautifully conceived and executed. George picked two possible names for the image, both of which perfectly describe the outcome, "The Iris of God" or "The Peacock Milkyway." Want to know how he got the shot?

Nick Saglimbeni teamed up with the visual effects guru Raffael Dickreuter to create a lighting tutorial unlike anything I've ever seen before. Instead of simply filming their location, they completely recreated it in 3D to teach photography and lighting on an entirely new level.  

Night photography is something that every budding photographer will play around with at some point in their learning process. It’s a great way to get star-filled nighttime landscapes or to capture the light-painting shots in which you write in the air with sparklers.

When it comes to shooting photography and video, reflectors fall into the "basic need" category.

As a young photographer, I used to think a beautiful flat light, that gave smooth skin tones was the best way to capture a portrait. I invested in a bunch of large diffuse light modifiers, such as softboxes, beauty dishes, and octoboxes, and shot photos of people with the smoothest and flattest lighting I could muster.

I woke this morning to find that director Matt Rycroft, over at the Cooperative of Photography, had dropped this little gem in my mail box. In their latest video the COOPH team up with first class celebrity portrait photographer Greg Gorman, as he demonstrates how to approach a nude photography shoot.

The Elinchrom Indirect softboxes are quite well known amongst fashion and commercial photographers. Especially the 190 octabank. Recently Elinchrom revised its indirect lineup and renamed it Indirect Litemotiv. The Swiss brand offered me the chance to play around with the whole line of Indirect Litemotiv for a little over a month.