An In-Depth Analysis of The Hateful Eight's Cinematography

Matt Workman is a cinematographer and the founder and host of the Cinematography Database Show. On this particular episode he offers an in-depth analysis of the cinematography of Quentin Tarantino’s "The Hateful Eight," shot by Director of Photography Robert Richardson.

Studying the work of influential filmmakers is not only one of the best ways to learn the craft, but also allows you to establish your own filmmaking style by borrowing iconic techniques from the greats. Workman created the Cinematography Database as an extension of what he was already learning in his own capacity by studying films that he enjoys. While the points he touches on are often assumptions of how a certain scene was shot or graded, his own experience as a cinematographer allows him to make very educated guesses and offer the next best thing to hearing how it was done from a member of the crew.

His analysis of "The Hateful Eight" offers some interesting insights into grading and lighting techniques which are useful for both filmmakers and photographers. He also touches on some of the equipment used on set (as seen in behind-the-scenes photos) including the much talked about Ultra Panavision 70 film cameras which were used along with some classic Panavision anamorphic lenses.

Workman has released a number of really interesting videos, including his most recent cinematography break down of "Star Wars: The Force Awakens." Keep an eye on his videos as they are great resources for learning as well as sources of inspiration for budding cinematographers.