Videography

Manual Focus Lenses for Video: Which Work Best for You and Why?

Manual Focus Lenses for Video: Which Work Best for You and Why?

I love manual focus lenses, mostly because of the tactile grip on the lens and the clicks of the aperture that envelops you thinking about its mechanics and what it's doing for you to get the shot you want. I've mostly used an old Nikon 50mm f/1.4 lens which is similar to an 85mm on my X-T20. It's great for portraits. I've always thought that you'd need some super skill to shoot video with manual lenses until you realize most videographers and filmmakers worth their salt shoot with no focus assistance and they do it manually. In this video, Brandon Li takes us through the manual focus lenses he uses and why.

How to Make Instagram Story Vlogs

How to Make Instagram Story Vlogs

I don't know about you, but I often find myself in this weird limbo state with Instagram. Sometimes I feel like I'm doing really well with how I interact with those that I follow and those that follow me. Yet there are still plenty of other times when I stop and just wonder how the hell am I supposed to put this app to any use? Social media is changing the way that content is created, the way it is shared, and even the way it is understood by those who view it. I am continually learning about how to best put it to use the way that it is designed to function.

Get Started With Night Time-Lapses in the City Using These Tips

Get Started With Night Time-Lapses in the City Using These Tips

Shooting time-lapse video can be a slow start for many videographers. There’s a lot of time put into capturing every scene, and so when you’re just learning the ropes, mistakes in scene selection or camera setup can mean hours of shooting time thrown away. In this video, Moritz Janisch of Fenchel & Janisch gives newcomers some helpful tips on shooting better quality time-lapses in the city at night.

How to Begin Shooting High-End Real Estate Video

How to Begin Shooting High-End Real Estate Video

With the advent of digital cameras, drones, the Internet, and social media, video has become much more a part of every facet of advertising and our general content consumption. Even Fstoppers began by sharing behind-the-scenes videos of photographers at work to inspire and educate people all around the world. Everywhere you look, now, video is always present. Today's behind-the-scenes video comes to you from Parker Walbeck, the guy responsible for flying the LG V30 on top of a Red Weapon to compare the video output. In this video, he takes us on a real-estate video shoot and walks us through his gear and process.

Seven Things Photographers Need to Know About Filmmaking

Seven Things Photographers Need to Know About Filmmaking

If you're like me, a long-time photographer with a new found desire for getting into filmmaking, then you undoubtedly have a lot of questions. There are so many new things to consider when a photographer makes the jump to filmmaking. Things that as a stills shooter we seldom, if ever, think about. Fortunately, Toronto-based, Finnish filmmaker, and creator of Travel Feels, Matti Haapoja, has seen more than his fair share of friends that have taken the plunge. They were lucky to have had Haapoja on hand to help them out. And we're lucky that Haapoja was inspired to share, "7 Things Photographers Need to Know About Filmmaking".

Did Sony Fix the Colors on the a7R III?

Did Sony Fix the Colors on the a7R III?

Weird skin tone, strange green tint, fake sky; these are a few things that come to mind when describing the colors in video coming from Sony cameras. They wouldn't look as “natural” as Fuji, Canon, and Nikon colors. But did Sony fix it? According to Dave Dugdale from Learning Video and Andrew Reid from EOSHD, something happened.

How to Stabilize Footage Without Using Premiere's Warp Stabilizer

How to Stabilize Footage Without Using Premiere's Warp Stabilizer

After getting into the video world, you quickly realize that being able to stabilize your footage when needed can make a significant impact on the result and quality of your video. While you can buy an expensive gimbal or rely on a not always so practical Steadicam, there is also the possibility of improving the stabilization in post-production. The tools included in most video editing apps aren’t exactly perfect as it will give you a weird effect and make you feel sick. What if I told you there is another way that works better than the warp stabilizer VFX filter and gives your footage a cool effect?

Location Scouting: A Vital Step When It Comes to Creating

Location Scouting: A Vital Step When It Comes to Creating

A few days ago I had the idea to shoot a new video. This project would involve three cars driving in a formation next to one another, which means location is key. Over the summer, I went to a spot next to a bridge to do some flying and thinking back to then, this would be an ideal spot to do this shoot. Without any planning, this idea would crumble which is why it is important to always scout these locations beforehand.

How to Setup an Easy DIY Overhead Camera Rig

How to Setup an Easy DIY Overhead Camera Rig

Whether you shoot portraits, still life, fashion, beauty, or even video, there will be a time when you’ll need to shoot overhead for some reason. Don’t ask me why, I’m just sure that one day you will. So while I can’t help you with when and why, I can share the latest video from Peter McKinnon explaining how. Watch this tutorial to learn all about setting up a secure, compact, and efficient overhead setup.

Will the DJI Ronin-S Be the One-Handed Gimbal King, and Should I Wait for It?

Will the DJI Ronin-S Be the One-Handed Gimbal King, and Should I Wait for It?

At CES 2018, DJI released details of the Ronin-S, a one handed gimbal system with modular add-ons for creative filmmaking. This is already a crowded market, with Zhiyun-Tech and Moza offering some of our favorite options, but given DJI’s proven track record of building top class gimbals, should you wait for the Ronin-S before investing in a new one-handed gimbal system?

GoPro Introduces a New Way to Shoot Videos With Its Mobile OverCapture App

GoPro Introduces a New Way to Shoot Videos With Its Mobile OverCapture App

A few months ago, GoPro announced a new camera named the Fusion that would allow users to capture 360-degree videos. now, the company introduce Mobile OverCapture for the Fusion bringing a new way to shoot video to the world. Combined the two products will let you live the moment, capture the whole scene in 360 degrees, and then compose your video in postproduction.