Some of you may have woke up early on Christmas morning to rush to the tree and unwrap your shiny new drone. Unfortunately, the unusually cold conditions in parts of the US meant that many of you were grounded. So while you were there holding your new toy in your hands, staring wistfully at the crisp air outside, you may have had to justify the large price tag to yourself or to your partner/parents.
I'm no cinematographer. I mean I dabble, like a lot of still shooters do, but I wouldn't put myself under the category of video expert by any means. That being said, I do know what I like and what I think looks good. What I've always really liked is the depth and feel of large format in still photography and, now finally, in video. You don't need to spend a $100,000-plus to do it either. See for yourself how Zev Hoover from Massachusetts accomplished it.
On virtually every front, 2017 was a year of change, turmoil, and upheaval. A year comprised of moments that affected our every day lives in ways that societal and political movements haven’t in recent years past. The tension that has defined this year has found itself mirrored in the art that we create, and in more obvious ways in the documentary subjects captured by filmmakers across the globe.
As a Nikon shooter myself, the stats on the Sony a7R III have my head turning. After watching Sony grow over the past few years and seeing how good their cameras are, I think it is safe to say that this new camera will not disappoint. Being that I mainly shoot photography, the “R” definitely calls my name and I think one of the biggest factors is the fact that this body can also shoot some pretty good video. These videos really have me thinking about what my next step could be when shopping for gear.
Brandon Li reviews a pre-released demo version of the Moza AirCross Gimbal by walking through the city of Hong Kong. He goes through the paces of covering the technical aspects, but what I am most interested in, and what he's best at, is showcasing his style of shooting and his way of moving through the city and getting the shots he's known for.
Filming with a DSLR is always an option, unless you want to capture some behind-the-scenes videos of your shoot or if you are on the go. Then, filming with your smartphone is probably the most straightforward alternative if you don’t want to lug around a camera just for that. The options available are actually more advanced than you may think, at least that is if you rely on Filmic Pro. The people at Moment Lenses created a video to help you out and get started with all the different settings Filmic Pro has to offer.
The iPhone seems to have become much more than a phone in the past few years. It is highly recognized for its sleek, simple design and its camera. During the past year alone, I have found myself using the iPhone's camera more and more for so many different things. In this video, four guys take the iPhone X and test out a bunch of different Moment products on it as they set out on a little venture to the Pacific Northwest.
We’ve noticed the trend. Video is becoming the way most people communicate online these days. How can you as photographer use video as a tool to influence the personal brand you are constantly building, and how can you expand your product offering to clients? There are various types of videos you can focus on to produce, and the aim should be to make videos that you would like to make for a client. Therefore, it needs to be professional, and something clients might actually use as their marketing and advertising materials.
There aren’t many brands that have been so thoroughly lambasted over the past few years as Canon, and for good reason. Despite their reputation as a manufacturer of durable, functional camera tools, they are notoriously tight fisted with their technology. But what has looked like antiquated engineering is starting to look more like a calculated long-term strategy to play the field as it lays. With rumors emerging about a new 6K cinema camera to rival Sony’s Venice, Canon looks like it might be ready to play a new game.
I remember when GoPro first came out with their action cameras and owned that corner of the market for a while. Fast forward a few years, the action cameras have been reduced in size while being able to capture higher resolution photos and videos. Also, several other companies joined the action camera market with their own versions many sharing similar designs that of the GoPro action camera.
For as long as I can remember, there has been a tension between photographers and videographers at events. Why, why I say, can't we all just get along? Watch as an angry mob of photographers go to war against a small group of brave videographers in an epic battle for the ages. The grossly outnumbered videographers face off against the likes of Sal Cincotta, Lindsay Adler, Chuck Arlund, and more during a workshop in Tucson, Arizona.
This is not a movie review. While I'm definitely ready to offer some opinions on the film, I'm not here to review the movie. You can find plenty of reviews already out there and there certainly won't be any spoilers found here. Rather, this is an appreciation article for one aspect of the "Justice League" movie (and other DC superhero/Zack Snyder films) that is done very well. Visually, "Justice League" looks pretty damn cool. It looks and feels dark and moody, like the pages of a comic have been brought to life. For everything that they don't get right, the visual mood of the DC superhero movies are stellar.
Edelkrone has a knack for creating technology that captures the imagination in ways that other brands don’t. With the release of the original Edelkrone SliderONE, we saw that ingenuity manifest itself in what looks like the future of video camera support. That same ingenuity has guided the development of the new SliderONE PRO.
Adobe has called the new additional Effects menu category "Immersive Video." They've made it easier to apply transitions and to add text or logos that look natural to the viewer. I'm a regular screen viewing type of person, and I can't imagine buying some head gear so I can walk around in a virtual space, but in an industry that moves as fast as the video and photography industry, I think we should know what the latest developments are and how the software we use enable us to edit great videos. Clients are going to start asking for 360-degree videos, and you will either be able to do it or not. This video shows what you'll be able to do in Premiere Pro when editing "Immersive Videos."