Anyone that has dabbled in the world of color grading knows it's a complicated art and science that can require a certain level of dedication and obsession to really get that perfect look to your videos and work. In order to do that with as little strain on you and your psyche as possible, there are a few things that you can do that will definitely aid in your work, but none are as valuable as setting yourself up with a dedicated monitor for your grading work. While setting up a fully rigged coloring studio is not a trivial expense, thanks to Aram K, you can learn how to create your own setup on a budget and still get accurate results.
Simple differences in the quality of light on a face can have a significant impact on how a person is perceived. I'm always a sucker for seeing how those different looks are achieved, and the team from The Lighting Channel has put together a video that demonstrates 10 different lighting looks on a face, along with the moods they create.
Over the past couple of weeks I have been given the opportunity to try out one of the widest Micro 4/3 lenses out there, the Venus LAOWA 7.5mm f/2.0. After testing it for some time, I'd like to share some of my thoughts on how it performed and what I liked and didn't like about it.
The first time I landed in a foreign country at night was when I went to Costa Rica in 2009. I remember being wide awake for the last hour of the flight and looking out the window at the yellow spider webs of city lights as I descended over Central America. Seeing populated places from above at night was new to me; the patterns of the streets, the sprawl of the towns, the promise of life popping up at random amidst the calm of the surrounding darkness all made it one of the most exciting flights I'd ever taken. And that's not even mentioning the stars overhead.
The Swiss flash manufacturer, Elinchrom, and the innovative video light maker, Light & Motion, announced today that they are joining forces to bring new game-changing products to the market. The news comes in right after Elinchrom made the Skyport Protocol open to other brands. Thus, it’s no surprise that the new partnership is unveiled along with two new wirelessly controllable video lights.
Shooting suspended objects in your images can be done a few different ways, from the use of Photoshop to the simple and effective use of wire or fishing line. My first instinct would be to grab clear fishing line. Not having done any work with fishing line in suspending objects, I would not even have thought about getting brown or even a greenish tint line to use in the set, as Jay P. Morgan from The Slanted Lens packs in his fishing line kit box for various projects and scenes. In this video, he shares all his tips on this approach, including how he decides to use a certain color based on the background.
Surprisingly small changes to the position of your camera can actually make your images much more successful. Ed over at Photos In Color decided to set himself the challenge of trying to make the perfect headshot in studio conditions. While keeping the lighting and the camera distance from the model the same each time, various heights and angles were tested and carefully captured so the differences could be compared.
It’s hard to say how one might react if it were their pricey DJI Inspire drone that was taken out of the sky by an adrenaline-fueled youngster on a hunt for fame and glory. If you’re the team of MadMedia, you simply rock on and include the footage in your latest action-packed video.
One of the most fundamental skills a photographer can have is the ability to separate their subject from the background. It goes beyond just physical distance, however. Good background separation requires control of light, and this great tutorial will show you exactly how to achieve that with a variety of different looks.
One of the disadvantages of GoPro and DSLR video setups is your inability to use them in a broadcast setting. GoPro attempted to address this with their HEROCast system to the tune of $7,500, which is out of the reach of most average consumers. So when the guys behind FREECAST reached out about having us check out their new affordable wireless transmission system, it was a no-brainer to give it a go.
Although you may not be ready to admit it, the iPhone is a professional video camera for many shooters. We use ours with a handheld gimbal at almost every shoot to get super steady moving shots. Feiyu Tech recently sent us their SPG Plus two-handed gimbal, and I tested it out.