NASA, along with the Houston Cinema Arts Society, is presenting Cinespace, a short film competition with $26,000 in cash prizes up for grabs. This competition offers filmmakers the opportunity to make use of 50 years worth of NASA archive footage in their short film submissions.
In their latest video, Film Riot's Frontman/Director Ryan Connolly comes to my backyard (Vancouver, BC) to film a truly epic bar brawl short. This entire series of videos is extremely useful when it comes to learning what it takes to film a quality short. The "Uncut Behind the Scenes" video is seriously my favorite of the bunch as you get a very candid look at every little detail and consideration the cast and crew had to make.
In this moving film, Italian Pianist and Composer Ludovico Einaudi performs his piece, “Elegy for the Arctic," while on a floating platform in the middle of the Arctic Ocean. The moving and haunting film and music are augmented all the more by a fortuitously timed moment that captures everything Einaudi is trying to convey.
In 1987, Canon made a widely criticized move and introduced the EF mount. This was mostly to create a mount that was easier to build auto focus and stabilization mechanisms into. The EF lenses are among some of the best in the world, so there's no complaint now. Back in the 80s, however, there was a massive outcry against Canon's decision to abandon an entire system and force their shooters into new cameras and lenses with no backwards compatibility. As time passed, no one really cared. Canon's legacy is often forgotten, but Canon left behind a solid system of lenses. Those lenses are the Canon FD series.
From the company that pioneered the use of virtual car reskinning for video use, comes the newest innovation of film technology. The Mill, in partnership with JemFX, Performance Filmworks, and Keslow Camera, launched their new product onto the scene, dubbed "Blackbird." Resembling a mix of a Caterham 7, a dune buggy, and maybe some sort of Batman-esque type vehicle, the Blackbird is a small electric car that has pre-mapped tracking points on it to allow for easy replacement in post.
If you ask many filmmakers, or any video production companies, coming up with video ideas and concepts is not always the easiest thing to do. Especially when you're trying to make a series. However, through abstract story telling, Penzoil has successfully made a video series that so far, has kept viewers coming back for more with each iteration of the series. The first, a powerful trip through a city, the second a high speed trist around a race track before breaking back onto the streets, and with this last one, a high velocity excursion through the desert.
Imagine editing your film and getting to the phase where the production sound needs to be added or perfected. This can be a fun part of editing and getting things together, but it can also be a very time consuming part of the process. If you didn’t have a recording of the live sound, you need to run through the various samples you have available in your library, or get them online, and see which sound works best. If you have the budget, you can add a Foley artist to your team to physically produce the sounds for your video. These sounds must then be edited in for the various sounds you need, be it the footsteps down the alley or the gunshots fired by the assassin that form part of your story. What if this can all be done automatically?
As much of a Game of Thrones fan as I am, the scene in Sunday's episode that has had everyone talking, "Battle for Winterfell" or "Battle of the Bastards," resonated with me for two reasons. The first is the same as most people who watched it: the scene was epic — not epic in the way kids these days use the word, but in the sense of it being truly gargantuan and awesome. The second reason was the curiosity of the photographer in me on how something of that scale could be shot.
Storing and transferring data from a shoot is an important, yet often overlooked detail when it comes to on-location projects. When juggling multiple cameras, each with multiple cards, it becomes critically imperative to be 100 percent sure that all of your photos and videos are accounted for. In this video, Jay P. Morgan shares his workflow for wrangling data and making backups.
Making a film takes many talented people working in varied areas, a fact I've recently come to fully appreciate as they film "Fast and Furious 8" here in Cleveland. The Foley artist is one of the unsung heroes, for if their work is done well, we don't notice it at all. This film is a lovely look inside the world of Foley.
Capturing dance in a way that shows fidelity to the energy and intricacy of the art form is difficult, but "WHAT I’M DANCING ABOUT: Ian Eastwood" is a dynamic look at the work and philosophies of Choreographer Ian Eastwood that certainly succeeds in that endeavor with its unique filming style.