Go behind the scenes with London-based photographer Jason Bell as he shoots the one and only Benedict Cumberbatch for Vanity Fair. Walking us through the detailed setup, including gear from Phase One, you can see all that goes into such a high-end editorial piece. From concept to completion, it's refreshing to see that not one hand was wasted in creating this magnificent series.
How are you getting people to look at and engage with your work? This is something we all have to think about constantly in today’s visually saturated market place. It’s why it’s all the more important to look at – and learn from – those producing stunning and engaging work. Let me introduce you to Leonardo Dalessandri, and his latest project “Watchtower Of Turkey”, a video that he worked on over the course of a year and quite possibly some of the best visual media you’ll see in 2015.
Since February 2010, NASA has captured more than an image per second for over 1,800 days to string together this amazing time-lapse of our sun. This year marks the five-year anniversary of the Solar Dynamics Observatory (SDO). To celebrate, NASA has publicly released this mesmerizing video of the sun's daily dance in sharp definition. This fascinating imagery has been released as public domain and can be downloaded for free in all its glory on NASA's website.
Rob Whitworth builds upon his previous experience from his innovative Barcelona "flow motion" time-lapse with this new production covering the business oasis, Dubai. In his latest piece, Whitworth makes it apparent that he has perfected his craft to create the most fascinating time-lapse we've seen so far. We asked him to comment on his process. And while we got some behind-the-scenes footage and images, Whitworth simply told us, "It's always fun to keep people guessing." So by all means, let's guess.
By placing 80 people along an 80 meters stretch, French filmmaker Guillaume Panariello managed to capture a whole music video in just 5 seconds. Siska's “Unconditional Rebel” was shot on a 1000 frames per second Phantom Flex 4K from a car traveling at 50kmh (or 31 mph). All that action and it only took 4 takes to get it right. Be sure to check out the below video to see what this shoot looks like in real time.
Even wonder what goes on in the boardrooms of our favorite camera manufacturers? For many users over the last few years, there’s been regular questioning over decisions that the Big Two (Canon and Nikon) have made. Long term fans have been almost universal in their derision of both companies, citing lack of innovation, lack of meeting true user need, and 'interesting' pricing strategy as some of the reasons. True or not, this video showing “behind the scenes” of the DSLR video revolution and a parody of Canon exec thinking is absolutely hilarious.
Following several recent similar incidents with drones flying much higher than the FAA-mandated 400-foot recreational altitude, another incident occurred Monday as a Southwest passenger jet attempted to land. The pilot reported flying just under what seemed to be a red recreational helicopter drone at 4,000 feet: "Hey, there was just one of those radio-controlled helicopter things that went right over the top of us at 4,000."
GoPro and Allison Stokke take you for wild first-person experience into what it’s like to pole vault. The 2016 Olympic hopeful and former Cal vaulter takes you through the process from a variety of GoPro placements. In my track days I used to think that pole vaulters were nuts, and this video reinforces that sentiment.
At only 24 years old, photographer and filmmaker Toby Harriman already has an impressive resume. From his vertigo inducing aerial photography to his "Modern Surf" series, Harriman has made quite a name for himself in his very short career. His latest time-lapse film not only adds to his impressive accomplishments, but may be his most impressive project yet.
That's 10K – as in your 4K monitor, but not really...because it's 10K. Yes, photographer Joe Capra created a stunning 10K time-lapse with a PhaseOne IQ180 that shoots images with a resolution of 10,328 x 7,760 pixels. While this video is clearly put together in a proof-of-concept style, the clips still astound. We can't expect anyone to be able to view this at a real 10K resolution (the video is edited to 1080p and zooms in to show the full resolution), but the least you can do is view it in HD in full screen, at which point it becomes a gratifying kind of dizzying.
From its pulse pounding opening scene of a photographer seemingly cheating death as a massive wave breaks on the rocks in front of him, Ben Canales and his partner, John Waller at Uncage The Soul Productions, have created a film that beautifully shows the unique and rugged Oregon Coast like you have never seen it before.
Movies are something we can all thoroughly enjoy. Whether it be a hilarious comedy or an action adventure, they take us places we don't normally see or experience. Films all have the same goal, to capture and engage us within their world and to evoke feelings of excitement or even fear. The guys over at Movie Pilot have found something so simple that it screams brilliance in films by Quentin Tarantino: the sound!
Last summer, photographer and director Dixie Dixon was called upon by Nikon to shoot a campaign for their new touch screen DSLR, the D5500. This incredible opportunity had one interesting challenge in store for Dixon, however; All of the material would be photographed and filmed — kit lens, auto settings, and Photoshop-free — using the consumer-level D5500 itself.
Awesome is what happens. We have all seen the yummy slow motion footage that comes out of cameras like the Phantom, but what the Bolt High Speed Cinebot has done is integrate a precise (and repeatable) movement into those images. Imagine a giant robotic arm with a camera on the end, and you at the controls.