When LG invited me to their OLED exhibition at the Natural History Museum in London, my ears pricked up. This is for two reasons: the first is that a couple of years ago, I wrote a piece on OLED lighting and how I think it will change how photographers light their subjects in the coming years. The second is because, well, I love technology. LG's OLED 4K TVs and monitors are the epitome of digital clarity, and while I suspected that to be the case, seeing it in the flesh did more than confirm my suspicions.
I always enjoy a good time-lapse. Making them is a hobby of mine, as I love getting to relax and work at the same time. Leaving your camera stuck on a tripod or Gorillapod doesn't always give you the most dynamic shot I've found. Fortunately, there are ways to add some depth to your time-lapse film without having to lug around several backpacks worth of gear. One such device would be the Syrp Pan/Tilt Bracket.
The headline says it all. There is now a magic Internet stop that will allow you to scroll through a controlled video test of scores of cinema lenses. It’s a magical glass rabbit hole where you can see a single scene meticulously curated over and over with the cinema lens of your choice.
Just as the Digital Bolex is put to bed, Leica announced a new concept camera that's not too far removed. It may be in the land of dreams, but they certainly mean business when it comes down to the future of cameras. Leica's new cinema camera concept debuted at Photokina, and has proved an interesting foray into digital cinema. Although not their first entry into the market by any means, it's certainly eye-catching and hopes to inspire ideas surrounding what consumers want from a camera.
In this thoughtful video from Dedo Weigert, "catch lights" (or "eye lights") are analyzed in-depth, with many examples and explanations as to what different effects are created by their use. Placement, intensity, shape, and direction can all play a subtle but very important role in when it comes to a catch light, and what a director or cinematographer wants to communicate from their character can drive that decision.
Not since the Canon 5D Mark II hit the market have we seen a camera series as a technology revolutionary as the Sony Alpha series. I’m speaking specifically about the a7S, a7S II, a7R II and the a6300. Let’s look at the a6300 for example, 4K video output, great low light capability, an awesome autofocus capability, frame rate options and lens options, all for under $1,000. All those options are packed into a camera that weights 14.3 ounces with a battery.
With the new reviews of the DJI Mavic Pro, there’s been one popular concern from many of us: the quality wasn’t quite 100 percent and looked a bit blurry, especially when compared with other drones. Then we shared the 4K comparison with the Phantom 4, and even though the camera specs are very close between the two, it was apparent that the Mavic quality was not quite there. The Phantom 4 was the clear winner here, but the size still made the Mavic a viable contender for many of us who would compromise portability over quality and sharpness.
DJI announced their newest drone to the world this week, and it’s creating quite a buzz. If you haven’t heard about it yet, jump over to our article on the announcement of this new compact drone. At first, I thought the GoPro Karma looked great, then DJI swooped in with their Mavic which looks amazing as well.
The mixing brush tool is one of the most underutilized tools in portrait retouching. When used correctly, the mixing brush tool can be used to blend blotchy skin together, fix makeup in areas where a makeup artist may have missed applying makeup, etc. Here is a quick introduction to using the mixing brush as a portrait photographer.
Audi took advantage of Monday night's presidential debates with its "Duel" ad spot. Nearly the entire clip plays in reverse, allowing the chronology of the true story and how the action unfolded to the point at which you began to unravel itself in an action-packed scene. The rewound clip -- fit for a 007 film -- features quite the production, complete with excellent, blockbuster-born sound effects to sell every punch and shattering glass shard. But it doesn't take much studying to see this was hardly as easy as rewinding an otherwise-normal action sequence: it took great audio to create this spectacle.
A transportive time-lapse is something that never gets old, particularly when it looks and sounds as elegant as a waking dream. Forcibly poetic diction to describe lengthy slider moves and dramatically shifting clouds, perhaps. However, it’s hard to ignore the feeling you’ll get when you take this trip to Døvrefjell, a mountain in Norway that never looked more serene.
Once you start doing a lot of video editing, watching your favorite movie or TV show is never quite the same. The way dialogue scenes are cut together, the framing of characters in a shot, and of course scene transitions. In this supercut from the popular TV Show "Stranger Things," see how the editor used a variety of cuts to create compelling transitions.
Joey L. has been a household name in the photography industry for many years now. Whether it be through his captivating personal work or world-class commercial work, he has carved out a niche for himself in the industry that makes him one of the most sought after working photographers today. Ever since his early days photographing his friends' bands, Joey L. has used his capital to reinvest in his craft through his personal work, but in 2013, he launched a Kickstarter to help fund his typically ambitious film project "People of the Delta."