Visual effects (VFX) are a great way of achieving spectacular results when the budget doesn't allow filming for real or it's too risky for the actors. Up till now, these were achieved mostly by filming on green or blue screens. This new way of filmmaking presents a way for shooting scenes with VFX directly in camera.
In an industry dominated by budgets in the millions, or even hundreds of millions, how can an independent filmmaker get their vision to market? YouTube, VIMEO, luck? The festival circuit? Making a movie is expensive, so how does a rising artist find enough financial support to break into the business of film?
The most common complaint with nearly all video editing software available on the market is the learning curve. Most programs lack a certain degree of intuitiveness, so any attempt to tinker leads to exasperation. That was certainly my number one frustration with past attempts to teach myself to use some of the heftier video editing suites. Enter ACDSee Video Studio 4, the answer to exacting and irritating video editing sessions.
Whether you are a photographer or videographer, more and more content creators are adding constant lights as their go-to lighting setups. Quasar Science recently released their 30-watt T8 bulbs with raving reviews, and today, I explore six useful lighting setups you can build with four lights under $80 each.
Adding some video production offerings to your photography workload has become pretty common for a lot of photographers. Even though a lot of the technology is transferable, not all the skills are, and shooting interviews, both in the setup and getting better dialogue, can be difficult to learn.
The demands for video production have increased exponentially as online content has boomed in recent years. The team at Motion Array understands that this puts added pressure on overworked video editors. That’s why we’re always trying to come up with tools and templates to help post-production professionals stay ahead of the curve.