Comparison videos are nothing new, but you can’t help be intrigued by this one. YouTuber Potato Jet brought together equipment from total opposite ends of the spectrum to conduct this experiment. See how this cheap 50mm Yongnuo lens fared when attached to a 6K RED cinema camera.
Weird skin tone, strange green tint, fake sky; these are a few things that come to mind when describing the colors in video coming from Sony cameras. They wouldn't look as “natural” as Fuji, Canon, and Nikon colors. But did Sony fix it? According to Dave Dugdale from Learning Video and Andrew Reid from EOSHD, something happened.
After getting into the video world, you quickly realize that being able to stabilize your footage when needed can make a significant impact on the result and quality of your video. While you can buy an expensive gimbal or rely on a not always so practical Steadicam, there is also the possibility of improving the stabilization in post-production. The tools included in most video editing apps aren’t exactly perfect as it will give you a weird effect and make you feel sick. What if I told you there is another way that works better than the warp stabilizer VFX filter and gives your footage a cool effect?
A few days ago I had the idea to shoot a new video. This project would involve three cars driving in a formation next to one another, which means location is key. Over the summer, I went to a spot next to a bridge to do some flying and thinking back to then, this would be an ideal spot to do this shoot. Without any planning, this idea would crumble which is why it is important to always scout these locations beforehand.
Whether you shoot portraits, still life, fashion, beauty, or even video, there will be a time when you’ll need to shoot overhead for some reason. Don’t ask me why, I’m just sure that one day you will. So while I can’t help you with when and why, I can share the latest video from Peter McKinnon explaining how. Watch this tutorial to learn all about setting up a secure, compact, and efficient overhead setup.
At CES 2018, DJI released details of the Ronin-S, a one handed gimbal system with modular add-ons for creative filmmaking. This is already a crowded market, with Zhiyun-Tech and Moza offering some of our favorite options, but given DJI’s proven track record of building top class gimbals, should you wait for the Ronin-S before investing in a new one-handed gimbal system?
Most tutorials available for free on YouTube explaining how to color grade your footage are just ways to sell LUTs, presets, or to show you how to add teal and orange to your clips. Nate from Tutvid decided to make a more comprehensive video to help you get started with Adobe Premiere Lumetri tool so you can grade any of your videos the way you want.
A few months ago, GoPro announced a new camera named the Fusion that would allow users to capture 360-degree videos. now, the company introduce Mobile OverCapture for the Fusion bringing a new way to shoot video to the world. Combined the two products will let you live the moment, capture the whole scene in 360 degrees, and then compose your video in postproduction.
I watch a lot of YouTube photography videos. Whether inspirational, educational, or somewhere in between, the videos that stand out to me all have great B-roll footage. B-roll is supplemental footage used to set mood, drive the story in a certain direction, visually demonstrate a point or concept, cover cuts between clips, and generally make a video more engaging and interesting to the viewer. This video provides excellent tips on how to capture compelling B-roll footage for your next project.
Photographers all over the world have found something absolutely incredible happens when you blow soap bubbles in the freezing winter temperatures. As these delicate bubbles freeze almost instantly, inside each one a unique universe of patterns and shapes comes to life right in front of your eyes. If you're lucky enough to be enduring the worldwide cold front we're having, give this a shot to make the brutal winter more fun and beautiful.
Shooting with a gimbal is fantastic, it makes all of our footage incredibly smooth and vibration free. However, it’s not appropriate in every scenario and may even kill the mood of your video in some cases as Jakob Owens explained in a previous video. In a new one he posted on his YouTube channel, TheBuffNerds, he teaches now how to shoot handheld. So if you are tired of all the overly stabilized slow-mo footage found on the web nowadays and want to do something different, be sure to watch this tutorial.
You recently got into video and decided to use Adobe Premiere to edit your footage. That’s fantastic. But now, with your first timeline done, you find yourself in an awkward position: what settings do you use to export your sequence in the best way possible? With photography it’s quite easy, but videography is whole different thing. There are tons of options to choose from, and that’s once you’ve gone past the tens of export formats. In this short tutorial, Justin Odisho will show you how to get a great exported file without having to learn all about codecs, bitrates, and other barbarous settings available.