It takes skill and experience to create compelling documentary films, and just one facet of that process is capturing the footage. Traditional films are usually shot on the ground, perhaps on a tripod or some other mount, and there are plenty of challenges inherent to that process. But have you ever tried to capture footage while hanging from a rope and getting swarmed by Himalayan honey bees? And you thought your job was tough.
After Google, Youtube is the second largest search engine, and thus having a video-portfolio of one's photography can be a great addition in so far as getting one's work seen. Any time we get to offer our work in a different format, it allows us to both see and showcase different angles which otherwise may remain hidden or less apparent. Give a client the option to watch your video or scroll through your portfolio, and they might well take you up on the video, which, in being rarer, can also be more memorable.
A huge part of shooting video is audio. No one wants to look at footage with poor sound with distracting background noise. But thanks to Steven Oakley from MiesnerMedia, if you are reading this article, poor audio will be a story of the past in your videos. Oakley gives us a handy trick to eliminate almost any background noise using only Adobe Audition and Premiere Pro.
If you're like many stills shooters who are just getting into video, you're probably finding out it's its own world. If you're wondering how to give your footage a more cinematic and polished, professional look, this great video will give you 10 quick tips to get you up and running.
Finding the perfect soundtrack for a video project or short film can be a laborious and painful process for budget filmmakers, yet it’s a task that requires plenty of care and attention. Music Vine claims to have filled this gap in between by providing affordable, high quality, curated music licensing. We sat down with Co-founder Lewis Foster to speak all things music licensing for video projects.
You’ve bought a brand new 4K video camera with all the bells and whistles and shot your first piece of work. You can’t wait to get home and edit the footage for your client imagining how incredible and crisp the video will be. You open Premiere Pro, import the files, and within seconds your computer takes a crap as it struggles to render the data intensive footage.
While we all might not all be a fan of his on-camera persona or his punchy photography style. I think we can all agree that Jared Polin aka FroKnowsPhoto does a great job of testing out and reviewing the latest and greatest in the Photography industry. In his newly released “Real World Review” Jared takes the newly released Sony a9 and puts it through the paces at a professional soccer event in Philadelphia.
I’ve shot a lot of video. I’ve never been professionally trained, and I get most of the knowledge and how-tos from guys like Brandon Li who share crucial information with regards to shooting, editing, and making great videos. This video shares the importance of choosing the right frame rate for your project. It’s detailed, and if you’re starting out in video, this will give you peace of mind when you tell a client you want to shoot something for them.
Everybody's favorite rocket engineer and slow-motion video enthusiast, Destin Sandlin, is back with a pair of videos that you'll find interesting if you've ever noticed the effects of a rolling shutter while filming video. Like many of us, Sandlin noticed the weird effect that happens when trying to film engine propellers with his iPhone. He decided to use a high-speed camera and science to figure out exactly what was happening. Then for fun, he worked with a friend and figured out a way to use After Effects to create a simulation of the rolling shutter effect.
Getting into video is often thought to be expensive. Buying new cameras, new lenses and specific gear such as stabilizers or fluid head tripods. But what if you could save some money and film with your iPhone, while still getting an amazing quality out of it? In a recent video, Matti Haapoja from TravelFeels gives us a few ideas on how to create cinematic looking footage with our smartphone.
There’s a lot of things to consider while filming to get smooth footage for your project. There are several tools to help out as well, but are ND filters in your arsenal? They usually don’t come to mind when you are thinking about how to get smooth footage but they can help when the scene is too bright.
Simon Baxter makes an unplanned visit to a verdant misty forest in North Yorkshire, UK. As Baxter talks us through the thought process behind one of his images, it becomes clear that the gushing waterfall in the background isn’t his area of interest. A couple of trees above the waterfall that are steeped in the rolling mist look very intriguing.