Whenever I talk to another photographer the topic of “personal work” always comes up. Usually in the casual form of, “hey, have you shot any personal work lately?” This standard artistic rendition of the workplace, “how’s the weather” is usually brushed off and more enjoyable conversations quickly replace it. However, for me, it is probably better that my “personal work” remains limited, for doing it usually leeds to bodily harm (or in this case recurring nightmares).
In my opinion, nothing is sexier than a glossy black surface. And you don't even need a black backdrop sweep to achieve it.
During my time as the lifestyle photographer for JackThreads, I shot many different products in many different ways. Since I was shooting an average of 10 brands per day, I had to work quickly and in a tiny space. Through working in this condition, I developed some cheap and easy lighting scenarios.
So I have seen quite a bit of caricature portraits and fell in love with them. I decided to try my hand at doing a few and kind of fell into a new little series with them. Everyone who has seen them has asked if I could shoot them or their families in this style. This little tutorial will show you how I go about doing these shots.
Back in November Profoto released a new softbox, the RFI line of softboxes that come in several shapes and sizes along with several other new features. Stockholm-based photographer, Tobias Björkgren, was one of the very first to try out the new softboxes at his studio. He chose to test the RFi 1×1.3’ and the RFi 1×6’ on model, Kajsalina.
Here in the lovely freezing area of the the Inland Northwest, looking at images of the beach just warms me up even if it's cold in those locations. Looking through these shots really gives me that feeling and really makes me wish I could go to each location get away from this cold.
A few weeks ago I posted about the outstanding newly released internet series, The Underwater Realm, and as promised I'm back with the full behind the scenes look at the underwater photoshoot by amazing conceptual photographer, Benjamin Von Wong. He explains how he was able to accomplish the shoot in the pool and how he brought all of the elements together to create a wonderful behind the scenes image of the entire cast and crew at work.
Photographing a Cirque Du Soleil show requires a bit of acrobatics from any photographer up to the challenge. Matt Beard is one of the few photographers, hand picked by Cirque, to bring his talent and experience into capturing both live action and beautifully staged shots. He has worked with Cirque for many years, under the wing of master photographer Veronique Vial (as a photographer’s assistant) and had gained first hand experience in the ways of a Cirque shoot.
There is one site that I consistently go to for inspiration . No matter how stuck I may feel or how many projects may demand my attention when I visit this dark and ominous page of collected brilliance I always leave refreshed. It may not always be safe for work, that part is pretty tough to predict as the work is always changing, but in my opinion the risk is worth it for the ideas and executions there. Not lighting diagrams, no explanations, just photography...lots and lots of amazing photography.
Von Wong, who you should all know by now -- if not from us, then from the million and one places he scurries around the world and online -- was given a challenge by a friend, Sebastien Roignant: "To shoot and edit an insane image involving two orcs, a witch king, warrior, villager and a cinema theatre...all in 4 hours without having any information ahead of time." Von Wong is also up for a [Framed] award for best conceptual photographer this year. Vote for him here.
Our friends over at PHLEARN just released another tutorial, the goal of which was to create two completely different looks using the same model in a short amount of time. In this behind the scenes video you will learn how to set up lighting for a full length portrait as well as a headshot. They focused on creating drama for both shots using backlighting. Backlighting your subject helps to define their shape, but still leaves a lot of detail in shadow.
Photography is an enormous, multifaceted industry that ranges from portrait and product to macro and landscape. As photographers, we owe it to ourselves to learn as much as we can about each specific genre of our trade. Even if you only shoot weddings or cars, it’s important to learn and practice new techniques, which will allow you to hone your skills and can keep you out of creative ruts. Recently, I have had the opportunity to take on several types of shoots that I either have never done before or have had very limited experience with.
Perhaps one of the most mysterious and misunderstood lights available to a photographer is the ring light or ring flash. Most people associate the ring flash with fashion photography, but unfortunately many photographers might not know what the effect is actually doing. In this latest Snapfactory video, Mark Wallace not only shows how a barebulb Profoto Acute 2 Ringflash works, but he also gives you 3 additional lighting setups to take your own ring flash images to the next level.