What's the best way to optimize photos so that I can deliver quality to my clients while reducing the file size for faster uploads into the cloud? This has been a question I’ve been thinking about for sometime. I have tinkered with settings in Lightroom to try and find the right export recipe but it wasn’t till another photographer told me about JpegMini that I finally felt I had the solution. Using image optimization technology they developed, JpegMini was able to deliver maximum quality at minimum file size. I ran it through some tests and here are my results.
There are few things I see photographers skimp on more frequently than a good camera strap. While the default manufacturer straps can certainly get the job done under most circumstances they're pretty limiting in terms of style and functionality and can serve as a un-needed advertisement for the gear you're packing. The guys over at Cecilia Gallery want to give you an alternative to the stock strap that provides a similar minimalistic design with high-quality materials and some cool little nuanced touches.
The Samsung NX30 is a very affordable, DSLR-like mirrorless camera with a lot of features and a lot of promise. It's Samsung's number two camera in terms of "levels" (much like a 5D would be second to the 1D in Canon language) and is designed to appeal to an emerging photographer as well as the everyday user (like mom or pop), but is it be a camera worth considering for anyone semi-pro and above?
Coversplash, a new photo sharing and photography forum site, is the creation of four college guys who wanted to create a one stop shop for all your photo needs. Coversplash gives you the ability to create a website to show off your work, easily tell stories with integrated tools, sell stock images and even interact with other photographers in the community.
There are two things that immediately come to mind when we talk about the new Sigma dp2 Quattro: the new new Foveon X3 sensor (the book), and the shape of the camera (its cover). Do either matter? Are either necessary? Why do/don’t I like it? And overall, should we all go out and buy this camera today? I had some time to myself with the camera for a preliminary review this week. Here are some thoughts.
Western Digital makes some of my favorite hard drives, and one drive in particular recently caught my interest: the My Cloud Mirror. The idea of the My Cloud Mirror was appealing: managing my own cloud network that could be accessed from anywhere and also shared out of, but without a monthly fee. Basically, it is a personal DropBox. I had a pretty set-in-stone process for working remotely and delivering content which has included DropBox, but I decided to give a wholly WD workflow a shot and see if it could do the job just as well, if not better.
The premise for the Cutting Edge Tour headed up by Adam Epstein, five year veteran video editor and post production guru for Saturday Night Live, was a tricky one. I know because I spent a few days bouncing ideas around with him and looking at how to structure the thing. This review will set out specifically what you will (and won’t) find in the workshop.
There is no avoiding it: timelapse is popular right now. With the ability to use relatively low-cost cameras to still generate extremely high resolution video, hardly a day goes by without a new, amazing timelapse video blowing up on Vimeo. The Syrp Genie is a Kickstarter success story, garnering over six times the original asking pledge amount. After using it for several months, I have to say it gets a lot right, but it still left me wishing it did more.
There are few things we, as photographers, are more OCD about than tack-sharp focus. We invest so many of our hard-earned dollars into nice glass, painstakingly focus, then spend hours in post afterwards pulling our hair out when the eyes aren’t sharp. While of course sometimes OOF images are due to user error, small variations in the lens and camera can result in less-than-sharp images. These discrepancies in camera / lens combination can be dialed in to get perfectly sharp images more consistently. Enter FoCal, a [semi]automated focus calibration software.
In short, no it is not. But a few minor dealbreakers are all that stand between leaving this camera on the shelf, and making it best digital camera in its class.
After nearly a month of capturing video, stills, and timelapse media with the Panasonic GH4, I laughed, I cried, and I almost threw it off a mountain. At times it was a joy to shoot with, and other times it wouldn’t even power on with a full battery. I’ll give you a complete, unbiased rundown in my full review, complete with video samples.
Chris Niccolls and Jordan Drake over at The Camera Store take us to the Calgary Stampede to demonstrate the improved features of the Nikon D810. While "10 Amazing Changes in the Nikon D810" makes for a catchy title, the truth is Chris and Jordan provide a full-fledged, hands-on field test. They go into considerable depth about what you can expect from Nikon's latest offering.
Late last year, Trevor Dayley wrote an article which introduced me to the Mastin Labs Portra 400 film emulation preset system. As a long time Kodak Portra 400 shooter I was thrilled to see side-by-side comparisons of Portra 400 against digital with the preset. They looked darn near identical. Now Kirk Mastin, the mastermind behind the presets is gearing up to release his Fuji 400H preset system and I couldn't be more excited.
A few weeks ago, I had the pleasure of testing out the Phase One IQ250, and so I thought I would put together a practical write up of my time spent the Phase One IQ250 Camera System, the Capture One software, and whether or not either one has found a permanent place in my workflow.