When I got a chance to try the new Fuji XF56mm f1.2 I jumped at it, not just because it was substantially cheaper and lighter than the Canon 85mm f1.2 II I’d played with last year, but because this lens is a clear shot across the bow at Canon and Nikon, with a lens aimed at professional portrait shooters. This was a new line in the sand, but could this thing play with the big boys?
Vincent Laforet’s Directing Motion workshop has done what every workshop should do – it’s challenged my current way of working and given me clarity on how I can improve my work. Less than 24 hours after the workshop, I was working differently, shooting differently and thinking differently. This might just be the best workshop for those shooting (or with an interest in shooting) motion work, ever.
Known for its top of the line outdoor adventure camera bags and backpacks, F-Stop Gear recently unveiled the Loka Ultralight, or "UL," a revision of the popular Loka backpack. In this review I’ll go over the differences between the UL relative to its older brother, and point out who this pack is and isn’t for.
Tamron's VC technology can't be beat: it's simply the best option out there for any type of optical stabilization. I can't live without it when it comes to video, and it's so good it often makes using a steady cam unnecessary. Common complaints with Tamron is often the build quality and sharpness, so let's see how their latest super zoom, the 150-600 f/5-6.3 handled a wildlife shoot.
About a month ago, I traveled to Southeast Asia to put THE ULTIMATE, PORTABLE TRAVEL PACK (shortened name, rights still reserved) to the test. Several people asked for a follow-up. How did this tiny, travel kit work out? …Did I even get any pictures I liked? …And most importantly, did I lose everything gambling on a high-stakes Muay Thai tournament, only escaping with my life and seven fingers? Read on to find out.
Ten years ago, time-lapse photography wasn't really a big thing. Fast forward to now, and it's everywhere. GoPros and point and shoot cameras come equipped with easy options and can be stuck on anything from panning egg timers to $6000+ time lapse rigs. In a market full of options, Cinetics Axis360 is forging a new niche that any photographer interested in the genre should take a look at.
The new Fuji XT1 is Fuji’s best designed, highest performing X Series camera yet. It's the young buck on the block, a DSLR-styled body that’s turning heads left and right. It’s tiny, packs a huge punch and there is no doubt in my mind that it will be delivering a TKO to more than a few DSLRs. But is it really that good? I pushed this thing hard for a solid month to bring you the review, read on to find out.
Fellow writer Jaron Schneider earlier reviewed Western Digital's My Passport Pro Thunderbolt hard drive. However, this was an answer (if already planned) to Seagate's Backup Plus Fast 4TB drive. What's the big deal...? Both drives combine two, RAIDed 2.5" mobile hard drives into a single enclosure to allow for the best possible dollar/performance ratio when it comes to mobile drives.
As much as I love to use Amazon for buying products, this had me scratching my head. Amazon user Keith Fuller posted his 5 star review on the Sigma 50mm F1.4 DG HSM Art Lens that hasn't been released. Oh, and he even pointed out that he does not own the lens. He hasn't even tried it out. NICE!
Earlier this week, Gizmodo released a comparison of 6 action video cameras. The test included cameras from GoPro, Drift, JVC, Sony, Garmin, and Ion. The author of the original article, Brent Rose, decided it would be easier to make his own hilariously-large 6-camera head rig than to test them individually.
WD, of the Western Digital Company, released what I thought to be an outstanding addition to their line: a thunderbolt-powered dual hard drive that promised speeds of up to 233 MB/s. No additional cables, small, user-selectable RAID and fast? The My Passport Pro looked like it could easily be the road-version of my Lacie d2. But it's more than that. It replaced my Lacie.
As a working photographer, my gear is obviously very important to me. My most-used lenses, Canon’s 35L and 50L, are both long time favorites and are glued to my camera almost 24/7. For many reasons, I’ve been a fan of Canon’s prime lenses for a number of years, taking both the good, the bad, and the price tag that they each have to offer. When something new like the Sigma 50mm f/1.4 comes up I, like most of us, give it a quick once-over and then head back to the comfort of our expensive name brand gear.
After working with lightweight, compact jib options for DSLR sized cameras, I decided to check out a more affordable and durable option. In this review I’ll show you a sample of the footage from the Taurus Jr. Heavy Duty Jib, and point out where it rocks and where it could be better.
Recently I had an opportunity to try my hand at creating the new hotness in cyberspace, Flixel Photos Inc.’s Cinemagraph Pro for Mac, what they are calling a living photo creation software. Cinemagraph Pro allows users to easily create Cinemagraph images, a media form that combines elements of a moving video to a high quality still photograph or referred to as 'hybrid photography.'
Camera cranes and jibs are becoming more commonplace in the DSLR video maker's arsenal due to more, light weight options and falling prices. ProAm calls their Orion DVC210 the "first camera crane built specifically for DSLR cameras" and it extends to eight feet tall for a surprisingly affordable $300. Sounds great on paper, but how does it function in practice?
If you shoot video, you know that sliders make all the difference. I personally love the cinematic production value you can get out of a slider; the kind of shots you can produce are those that really elevate the end product. However, sliders can be large and obtrusive, not to mention difficult to travel with. When I saw that Edelkrone's SliderPlus promised to deliver that quality I was looking for but remain compact, I couldn't wait to try it out.
You may have read my previous post previewing the first modern CMOS-based medium format back to hit the world market by Phase One. Soon after my post, Phase One HQ sent me one of the first IQ250 backs to arrive in the US to review for this site. I had a solid 2 weeks to try it out and see what this system was capable of doing.
It was a fascinating experience comparing the reactions to the Comodo Orbit online to those who saw the rig in person at WPPI Las Vegas this year. Almost 100% of the comments online were negative, non-believing dismissals of the product, while nearly 100% of the comments in person about the product were an excited thumbs up. It was easily the most popular product at the show. So what did we think of it?
A quick search on the internet shows a ton of websites that have been hacked, with passwords compromised. Big names such as; Yahoo, Adobe, Kickstarter, Snapchat, and even more with key logging software. If you use one main password then your weakest link could be a website's security.
No AA's? No problem! Late last year Neewer, a company previously bashed for making fake MB-D11 battery grips, released the TT850 speedlight (you may also find this same flash branded as the Godox Ving V850). While not offered by B&H, they can be found on eBay and Amazon, for around $100. Typically I wouldn't get too excited about a third party product but there is a particular feature that sets the TT850 apart from its competitors and put it at the top of my list.
Renowned actor Norman Reedus, best known for his portrayal as Daryl Dixon in the television series The Walking Dead, is also an international artist and photographer. Step inside the inventive mind of Reedus by taking a look at his recently published book, The Sun’s Coming Up… Like a Big Bald Head. It is filled with dark and gruesome images that exist somewhere between Reedus's reality and our own.
RODE downsized their popular Videomic with the new Videomic GO, half the size and can run without a dedicated battery through the use of in-line power. This looks like a perfect run-and-gun mic, but would the smaller size affect audio quality? You decide, as I compare the two against on-camera audio and a lav mic.
I don’t know about you guys, but when Sigma announced the 24-105mm f/4 lens last year, I got very excited. The Canon 24-105mm f/4 was one of my favorite video lenses early on. It’s an extremely versatile focal length that, besides the slow f/4 constant aperture, was largely pretty usable in nearly any environment. Sadly, the lens was only good for video because it just wasn’t very sharp. That’s why Sigma’s attempt got me so jazzed. Based on prior experience with their Art line, I had high expectations for Sigma's new zoom lens.
Last month we posted an article about a unique LED lighting solution called “Strahlen” that was crowdfunding. On paper, the specs of these lights look great, but how well do they perform in a real production setting? I got my hands on a kit of Strahlens, and after an interview shoot with them I found out that they were the real deal.
Over time every DSLR will collect dust on its CMOS or CCD sensor; there really isn't anyway around it. Cleaning your own camera's sensor with liquid wipes or other wet processes has always been a bit risky. Luckily the Sensor Gel Stick is a safe and easy product that top manufacturers like Leica, Nikon, and Canon have been using in their own factories for years. Now YOU can use it too!
Flashpoint’s 14” Fluorescent Dimmable Ring Light ($140) is by no means a perfect product. It’s not the sturdiest of creations; it seems to have about as much metal in it as a pair of sunglasses. It’s bright but not powerful; bright enough to want those sunglasses if you find yourself on the business end. With all that said, this light may be the best value in the lighting market today.
Fuji’s latest camera in their popular X-Series line up, the X-T1, has been officially announced. Although I wrote a brief summary of the features and spec’s being passed around the rumor mill, the official announcement has just been made so we can now confirm details.
If there was a camera that really got people talking in 2013, it was the Sony a7 and a7R. Hailed as a “game changer” and “camera of the year” by both PDN and PopPhoto, it’s gotten a lot of attention. A full frame, powerful and purportedly pro-level mirrorless compact, what’s not to love? Many Sony fans were quick to hail it as the beginning of the end for the DSLR, and even many DSLR shooters seemed ready to join them. I’ve been shooting with the a7R for a few weeks now, and it’s time I laid down my personal verdict on this camera.
Before I heap on the apologies, I do want to say that I get sent a lot of gear. Gear that varies in required skill level, genre of photography and purpose. I've reviewed a lot of equipment over the years, and eventually I was bound to make a mistake- I'm pretty much the furthest thing from infallible. Well it happened, and I'm sorry. My initial review of the Fotopro tripod was negative due in most part to, you got it, user error.
About two months ago, I posted a highly controversial post called The Nikon Df Represents Everything Wrong With Photography. Even though I completely stand behind my original article, I began to wonder if I had not given Nikon's newest DSLR offering a fair chance. Today I decided to take the Nikon Df out into the real world and not only test it's photographic capabilities, but also hear what normal people had to say about it.
The new Nikon Df retro styled camera is rustling the feathers of the photography world. People seem to either love it or hate. Today Chase Jarvis unboxes Nikon's newest offering and gives his first impressions. Could the Nikon Df DSLR be the ultimate travel camera or is it just another alternative to the modern DSLR?
In the photography world it is all about lighting, lighting, lighting. For videographers the main emphasis is not necessarily lighting as much as it is motion. Perhaps the easiest and most affordable way to add motion to your DSLR video is by using a slider. In this video we take a closer look at the Rhino Slider and why it might be the best sub $800 slider on the market.
Shooting events is like running a marathon, it often feels like it's never ending. At the end of the day you are sore, dirty, and you may have blacked out for a portion of it from dehydration. Using an ergonomic camera sling for one or both cameras is a great solution for saving your neck and back and also keeping your cameras secure on your body. This is a no-brainer investment if you are an event shooter and may change your life if you haven't been using one.
Quite possibly the most exciting product announced within the last year comes from lighting company Profoto with the announcement of the Profoto B1 studio strobe. Promising TTL within a 500 watt/sec studio strobe is exciting all on its own, but they also announced that this device is cordless, with a built in battery pack. But does the light live up to its hype?
THIS REVIEW HAS BEEN MOVED AND UPDATED. When an idea is good, it’s bound to sprout imitators. There isn’t necessarily anything wrong with this. Often it leads to a product that took the good from one idea and implemented other original concepts to make an end product amazing. But sometimes, and rather frequently in the photo industry, we end up with products that feel like hollow copies, existing to just take advantage of positive consumer feelings towards an existing product. That’s what I feel happened with the Fotopro tripod.
Speaking on camera can be stressful. Some people are born with that fearless gene that allows you to get that first take right out of the gate... the rest of us are not as fortunate. Thankfully for us there's teleprompters that help walk us through the process of speaking on camera. One of these popular teleprompters is the Pad Prompter by OneTakeOnly. A prompter that utilizes your portable tablet and transforms awkwardness to smooth takes.
It’s no secret that I have an unquenchable, near fetish-like lust for buttons and sliders or anything really that makes image processing akin to playing some freaky, incongruous musical instrument one might find in the Mos Eisley Cantina. This year, at CES 2014, Griffin announced an updated version of their PowerMate - an all-purpose, aluminum knob that will be wireless and wonderful and not out for a few more months. Luckily, there is a pretty great (and relatively inexpensive) wired version available now.
So here is probably the shortest review on a lens in the history of photography. Ready? Do you own a Fuji interchangeable X series camera? Yes? Go buy this lens. That's it. Not sure what else you need from me. The new XF 23mm F1.4 from Fuji is a BEAST. This thing renders stunning images and just gets out of the way. If you grab one lens before you go out to shoot all day, this is the one you’ll want. If you really want more detail, read on, otherwise, just go buy this thing and have fun.
Incase has been making some of my favorite iPhone cases for the past couple of years. When I saw their camera bags, I was intrigued but skeptical. After doing some research and drooling over how this bag (Incase Ari) looked I decided to buy one and take if for a test spin. I figured I could always return it if it didn't meet my needs...
We talked about SmartAlbums a few weeks ago with their black friday launch and there was an overwhelming majority that agreed it was a complete game changer. I've been on the beta for about two months and have had the chance to do a review for you guys. The program is so simple to use but if you're too lazy to read there is a screen-share video at the end. It's a quick walkthrough of me building a personal album, it's silent though, so you should probably suck it up and read it, oh and then buy it.
It isn't the end of the year just yet, but The Camera Store released this great video depicting the best and worst lenses and bodies of 2013. They typically make great videos and this is one of them. It may give you a great insight on some lenses to consider for the holiday season as well! If you received gift cards or cash for the holidays, these suggestions may tempt you.
The Fuji XE2 and I started out with a classic love-hate relationship. Initially, it felt too small, I couldn’t hold it comfortably, kept mashing buttons that felt poorly placed and it wouldn’t lock focus fast enough. As I was getting ready to kick it to the curb, I found my groove. "Too small" became unobtrusive and nimble. I adjusted my grip and it became comfortable to use. Firmware upgrades and some practice improved AF performance and handling issues. As soon as I learnt how to shoot with it, it became fun. A LOT of fun.
Blogging is a great way to share a series of photos from your work. Sadly though many of us don't do it any longer because let's be honest; it's a pain in the ass. Fortunately a new web service, Exposure, is out that looks beautiful and is a perfect replacement for those that loathe blogging.
The first automobiles were controlled by something called a tiller (similar to how ships were steered). It was, obviously, not the most practical or efficient means of control. However, in 1894, the first steering wheel was fitted on a four horsepower Panhard for a race from Paris to Rouen. Within ten years, nearly all tillers had been replaced by steering wheels. The mouse, although all-purpose, is the tiller of Lightroom. Ladies and gentlemen, the PFixer by Pusher Labs is the steering wheel we’ve been waiting for.
One of the biggest niches in commercial photography today is food photography. We've all had the same experience, walk into a small local restaurant and ask to see their menu. The photos look atrocious and you wonder to yourself, "who took these photos?" You know you can probably do a better job, but how much better can you really do? "Photographing Food" an ebook series by Taylor Mathis helps you take ordinary food photos and makes them extraordinary.
You know that moment when you start to watch a documentary, not knowing if it will be any good, and then walk away with your jaw on the floor as the credits roll? That was me last night. If you're interested in the film VS. digital debate; the progression of technology; where things are going for visual media; cinematography; how the media we use to create images affects how we feel about what we see or watch (and why), or how changes in the photographic industry have influenced cinema, you positively, absolutely need to check out Side By Side. Like, now.
The Blackmagic Cinema Camera isn’t new, but when it was first introduced it created such a buzz that actually getting one’s hands on the new video camera proved difficult. Though Blackmagic has since pumped out the Pocket Cinema Camera and the 4K Cinema Camera, the original 2.5K camera is still quite the looker. I wanted to know, would it be possible to transition from my beloved DSLRs and over to the Blackmagic, which boasts some rather impressive specs, without much trouble?
My passion is shooting outdoor lifestyle and documentary projects, and those shoots often require me to be on the go and in remote areas. Historically, getting an expensive jib or crane in those locations was not possible. With the Aviator Carbon Fiber Travel Jib, taking a jib into the field is not only possible, but easy for everyone.
I've been using Wacom tablets for almost ten years now to the date. I picked one up on a whim during the holiday season and have become hooked ever since. For these past few years, I've never considered changing the stylus that came with every tablet I've used. The stock stylus always felt great to me. Recently, I decided to give the Wacom classic pen stylus a try.
For event videographers, shooting in dimly lit conditions can be big challenge to deal with, and in certain cases an on-camera light is the solution. In this review of the LED Science LS-S6-20, I’ll tell you why this light may or may not be a good choice for you.
