How to Choose Where to Spend Your Money on Photography Education

How to Choose Where to Spend Your Money on Photography Education

One of the biggest industries in photography is that of photography education. Photography is a very difficult craft to learn without help, and as a result, almost every aspiring photographer must invest in some sort of education source at some point. Fortunately, this demand has created a massive market of educational content that can sometimes feel overwhelming, especially to new entrants. In this article, we are going to go through the various educational options, including the pros and cons of each.

Local Courses

In nearly any city or town of a reasonable size, there is usually some sort of arts learning center that has a photography course for budding photographers. These sorts of courses are usually designed to get you started with photography. They teach base concepts such as the exposure triangle and the fundamentals of how to use the camera. Most are taught by either longtime hobbyists or photographers who have crested their career and are teaching as something to do during retirement. 

Pros: Reasonably priced, great for beginners.

Cons: Very limited in scope, often teach previous generation's mentality.

Postsecondary Programs

An institutional program would represent any sort of long-term series of courses such as an arts degree at a university or some sort of diploma program at a technical college. These programs more or less represent an institutionalized, traditional method of learning that can be very effective for some and quite wasteful for others. Expect a very structured education that goes deep into a wide array of knowledge. Many, unfortunately, suffer from institutionalized bias towards certain aspects of photography, but the shear volume of information presented to the students in the form of lectures, workshops, and mentorship ensures that any grad exits with tremendous photography knowledge. 

Pros: Huge volume of content.

Cons: Very time-consuming and very expensive.

Workshops

Many working photographers supplement their income by teaching workshops throughout the year. These workshops allow photographers to pursue a specialized education that teaches them specifically what they are most interested in by a teacher who they admire. Workshops often require traveling to the city where the teacher is holding the workshop and usually come with fairly high tuition prices. They do, however, tend to be relatively intimate groups with a surprising amount of one-on-one interaction with the teacher. Be weary, though, as many photographers with very little or no experience have been able to collect a large enough social media following and earn a healthy living holding workshops that they do not have the experience to effectively teach. Make sure to research the teacher before the workshop to ensure that they were proven, excellent photographers before they began teaching.

Pros: Wonderful specialized knowledge and very intimate interaction.

Cons: Can be very expensive and industry has many "posers."

Subscription-Based Services

Subscription-based tutorial services have risen to prominence (possibly even dominance) over the last decade or so. A variety of companies have found an excellent business model in charging a relatively low ongoing subscription fee to provide access to a deep backlog of lessons that are quite similar to a shorter version of video tutorials. They also continually increase the value of their offering by adding new content over time, keeping their information very relevant and up to date. 

Pros: Cheap price relative to the amount of content offered, huge breadth of knowledge, and always up to date.

Cons: Very time-consuming, and video topics often don't go as deep as some students wish.

Books

If you walk into any bookstore or search through any online dealer of books, you will quickly find that the breadth of photography books seems to be limitless. Like workshops, books allow you to tailor your learning to exactly what you are interested in but without the high cost of attending a workshop. The downside is that books can be much harder to learn practical skills from and tend to function much better at teaching theory.

Pros: Cheap, specialized, and very deep into specific topics.

Cons: Very time-consuming and difficult to consume effectively.

DVDs and Video Tutorials

Over the past decade or so, video-based tutorials have become very popular. Here at Fstoppers, this is one of the educational forms that we specialize in. Video tutorials are effective because they offer a similar teaching experience to a workshop but without the travel or cost associated with attending a workshop. Unfortunately they lack the opportunity to directly interact with and ask questions in the same way that a workshop would. 

Pros: Reasonably priced, specialized, and offer deep knowledge.

Cons: No direct interaction with the teacher and can be hit or miss in terms of quality.

Digital Mentorship

Digital mentorship has become one of the newer forms of paid photography education and is growing in popularity. How digital mentorship functions is that students are able to pay a subscription fee in order to have direct access to teachers in order to learn via tools such as live streaming or video chatting. Digital mentorship is the only online education method that offers feedback to the student on the student's own work. Unfortunately, the nature of classes as livestreaming often leads to a much less polished education experience.

Pros: Cheap price, direct feedback, and access to educators normally inaccessible.

Cons: Lower production quality of instruction.

Photography Clubs

Photography clubs have largely fallen out of favor, but there are usually a few in each major city that still exist. Photography clubs teach by offering an environment where photographers can help each other learn. Clubs also often are able to secure speakers and presenters to occasionally come teach at the club. Clubs suffer, however, from often becoming echo chambers where certain approaches to photography become idolized while all others become ignored. As a result, club members tend to vastly limit themselves in terms of photographic growth.

Pros: Cheap and access to like-minded peers.

Cons: Limited growth potential, echo chamber of similar ideas.

Conclusion

There has never before been so many options for anyone looking to learn photography. Most photographers approach learning by mixing several of the above options that work best for them. Before taking your next steps towards learning photography, make sure that you are fully aware of all the options available to you so that you can make the best decision for you. Finally, never forget that the breadth of free options on the Internet are near limitless and often offer fantastic education without spending a dime.

Ryan Cooper's picture

Ryan is an mildly maniacal portrait/cosplay photographer from glorious Vancouver, Canada.

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15 Comments

Saw the title and though, what a great article to write! But then after reading, there are *no* links to any of these resources on any of the sections you wrote about (save for one single FStoppers link, which i guess gives you points with the site at the risk of showing full bias and losing credibility as a writer.) The article is sadly, a fluff piece. :/

While all of these sections provide sparse and generic information, you forgot the one single greatest resource for photographic learning/editing: YouTube. Every style, technique, idea from both amateurs to professional and well known photographers and to various degrees are all available for viewing, 24/7 and free. While more structured and specialized training exists from tutorials from this site as well as plenty of others, you can't discount YouTube as a massive treasure trove of information for everyone in this industry.

The goal of the article was to compare paid education sources, not free ones. It was also designed as an overview, the length of the article would have been far too long going deep into each. It is meant for those who are just getting into photography and want a simplistic overview of where they should put their money.

Even if the article is concentrating on paid services, I think that it would have been good to mention free sources.
When it comes to paid services, those free resources might/could help in the decision making if the money would be well spent.
[edit] Esp. for beginners, it would be good to know how they could make decisions (based on knowledge and own taste) where to put the money. In that way they could avoid disappointments[/edit]

E.g., if you don't like the style of a person on YouTube, why to go to his/hers workshops? (or other way around).
Also with books, I prefer to have an idea about the style before I buy it. This could be done by either having a look into the book or getting an idea about the writing style from a blog.

Sadly, comment that your article was written to compare paid eduction sources is a bit obtuse, as your title and opening paragraph makes no mention that this has anything to do with 'paid' education sources.

You also seem to imply with your response that "paid" resources are better than free sources, which is terrible logic, as the vast free tutorials and training (many by the same photographers and sites that offer 'paid' training- i.e. Peter Hurley, who has 2 dvd's on your site for one ;) are every bit as good if not better that paid, in come instances.

And the length of your article would have been too long to include a few links on each of your topics? If you want, i'll be happy to spend 10 minutes on Google to get you all the links you need for your story and give something of value back to your readers, which it's currently void of, IMO.

+1 on Youtube. Most of what I've learned about photography and photoshop I got from Youtube.

I give two thumbs up for books. When I bought my first SLR in 1980, books were the only resource available; they teach the exposure triangle and other basics like loading film.
Photography clubs: I took a hiatus from photography for a while and when I resumed, I found a local photography club. At the time, I was the only one still shooting film. The club has great presentations, such as water-drop photography, lighting...

If only there was the internet and YouTube when I first got into photography. What an incredible resource. Especially all the free material. Often I find almost too much to choose from on a particular subject. Regarding the FStoppers article possibly being too long, online you never run out of space. I do understand people's attention span has gotten shorter.
Before the internet photographers kept their portfolios (or book as they were called) mostly private. Now you can see everybody's work with just a few clicks of the mouse. When I see a strong picture that impresses me I check the credit line and then google to reach the photographer's websites, instagram, blogs etc. Often I will get an answer from a direct email question.
The Information Age, gotta love it !
I'm rarely willing to spend $300 on a tutorial.
I will add, I'm often frustrated by content marketing "tutorials". Sure they're free but too often products are promoted with little substance in the "lesson."

You toob is still the best bang for your buck, and it's a great way to start out.
There are plenty of ex-photogs who are doing workshops now and making bank, much more than they did when shooting.
Most workshops or any self-help awareness program or MLM scheme is going to be selling you the next step as you are learning the first step. A friend of mine is hooked on workshops, doesn't shoot much but does a lot of workshops both online and inperson.
Shooting centerfolds at the beach is always a winner though!

The two people I'd HIGHLY recommend you watching for retouching:

Michael Woloszynowicz
https://www.youtube.com/user/vibrantshot

Phlearn
https://www.youtube.com/user/PhlearnLLC/featured

Don't spend money on photography education.
All the necessary knowledge is easy to find for free. Most of the "classes" will only create confusions as most of the teachers don't have fundamental knowledge. They just found what works for them.
From all the lessons I have seen I can only recommend lessons by Dean Collins, and only ones worth to pay for https://www.bhphotovideo.com/c/product/513702-REG/Software_Cinema_LTDCFL...

Look him up on youtube: https://www.youtube.com/watch?v=TsbGJoX8KsA

In my experience, different people have different approaches to a problem. I.e., what works for me might not work for you and vice versa.

I would not go so far to say that all necessary information can be found for free, because it can be very, very educational to hear from other photographers how they approach a problem, and sometimes you just have to pay for experiencing their approach.
Of course, it is important to reflect on the given information and take away the bits, which work for oneself.

Talking about art, it is (and has been) a matter of personal taste what is admirable or not. (There does not exist a single / absolute answer. -Personally- I would not tell others what is right or wrong. I would just tell if I like it or not, which I appreciate that you mentioned concerning your links)

Thus, it is good that there exist different ways / possibilities to learning / getting information and everybody should be allowed to find his/her own way.

If there is a possibility to get at least an impression about the offer (of a person/course, etc) for free, it should be appreciated. Because it just gives the possibility to make a more fact based decision if and where to spend money. (If money is spent, is than a personal decision, which I can not judge for anybody else than myself)

I hope they are not much expensive for the learners. There are many students also who are interested to do photography so the fee need to be reasonable for all!

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Very informative post! Thanks for these useful suggestions. Many students at 
https://qanda.typicalstudent.org/ ask me about photography education, I think this article will help them a lot. Thanks for posting.

I can say from my own experience that courses and various trainings are very useful. After the university, I could not find a job as a writer, but after completing the course, two weeks later, I managed to get a job, and now I mean a wonderful blog on the https://homeworkneeded.com, so whatever training you go through and whatever courses you graduate in the market This will create an additional, but not decisive competitive advantage for you. Having received a certificate or diploma, emphasize the availability of additional professional education in the resume and in the interview. At the same time be prepared to comment on your choice and the results of the training, to tell how you managed to apply the knowledge gained in the work. Of course, this may tip the scales in your direction, but remember that in the situation of choice, the employer will prefer you to another candidate, all other things being equal. The key factor in the decision is still work experience.